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Is Joyner Lucas Selling Out? - Duration: 5:40.
So as you guys know by now, Joyner Lucas just dropped his newest song, I Love from his upcoming
ADHD album.
The reception has been mostly positive, but there's something that's very noticeable
if you look at the YouTube comments for the song, and that is people claiming that Joyner
is selling out and imitating a mainstream sound with this track.
Today we're gonna have a quick look at why people are saying that, and what I think.
So with that being said, this is CDTV and let's have a quick talk about this situation.
Why People Think He's Selling Out:
Let's start by talking about why people are upset before I give my own thoughts.
So clearly some people feel like Joyner was moving away from his roots with this song.
So why is that?
Well let's start with one the main things I see people pointing out; the autotune on
Joyner's voice during the hook.
There's still many people who view autotune as a quote on quote "mumble rap" exclusive
vocal effect, so as you can imagine, some people weren't so happy with Joyner's
unflinching use of it here.
Some people legitimately said this is him turning into a mumble rapper in the comments.
Then there's the lyrics.
I wouldn't say this track is lyrically basic, but people have pointed to the repetitive
hook and materialistic nature of the verses as something to criticise Joyner for.
Finally, I've seen a lot of comments on his flow being uninspired on this track, and
even people saying that he's biting from other artists or that it sounds too typical.
A lot of people mentioned the fact that it contained a slower flow with fairly big gaps
between the lines.
This isn't really what Joyner is known for, so some people reacted negatively towards
it.
So, these 3 reasons listed above are the main arguments I've seen as to how Joyner is
selling out or becoming a mumble rapper.
So are these arguments valid?
Is He Selling Out?:
No, he absolutely isn't.
The question that's in the title?
Yeah that's a dumb question and I don't think anyone should be asking it at this stage.
Just consider what this is, it's the lead single from Joyner's major label debut album,
so it's only logical that it would have at least a bit more commercial appeal than
most of his tracks do.
He wants this to get out there, he wants this to appeal to a lot of people and promote the
album, that's not selling out as long as he's still bringing some passion and talent
to his music, and he's definitely still doing that.
And here's the biggest key factor to keep in mind; this is one song.
It's very unlikely that this is representative of what his albums general focus and direction
is gonna be like.
Obviously I can't say that with complete certainty, but I'd be willing to bet that
there's still a whole lot of content and storytelling packed into his upcoming album,
and this was just released to be a low key banger about Joyner's success to draw in
some more ears.
You lure them in with the hits, then you hit them with the depth.
The funny thing is, ive watched this exact same thing happen to Hopsin.
I've followed his career since around 2012, and as his music started to become more polished
and professional, you could see more and more fans bashing him for incorporating things
like trap beats into his songs.
It just seems when you build this underground rap fanbase initially, certain fans can have
this closed minded approach where anything that utilises autotune or a more mainstream
sounding beat is trash mumble rap music to them.
It's just weird seeing the exact same thing happen to Joyner, especially when Joyner is
no stranger to making songs like this.
And that is important to note, some of his old music does sound like this, this isn't
anything super new for him.
Listen to Riding Solo which he dropped in 2014.
Massive presence of autotune on the hook, mostly slow flows with long pauses between
the lines, hard beat, it's very similar to this song in many ways.
What I'm tryna say is, it's not like Joyner is new to this sound, he's made turn up
style music before.
Sure, the lyrics are a bit simpler here, but does every song really need to contain insane
bars and wordplay?
I personally don't think so.
Of course I'm not saying you have to like the song, you can hate it if that's how
you truly feel, but to specifically say this is him turning his back on the fans that helped
him get to where he is?
That's the part that's just false in my opinion.
Sure, if the album is packed with more simplistic tracks like this, then I'll be much more
worried, but Joyner dropping one song like this is simply NOT him selling out.
(Outro)
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7 Answers To Viewers Comments on Model Railroading & Arduino - Duration: 13:42.
I got a notepad out and we have some comments from viewers that we're going
to discuss in this video right now I'm Tom Kvichak and this is Toms
Trains and Things this channel was created to help other modelers who are
need of guidance in pursuing their dream of building a model railroad like always
I have a Q&A video where I have a bunch of questions on here or comments or even
some solutions to things that I've talked about in other videos but before
we get to that if you would like to see more videos like this go ahead and hit
that subscribe button and while you're at it ding that bell and go ahead and
check out my playlist where you could find lots of videos on there I got over
300 videos and they're all categorized for you to find easily so let's get
going with this list that I have right here and we're gonna do it in
alphabetical order now by the commenter so because that's the way it comes up on
the thing here this is from Bill fusion Enterprise now this is from the video
where I had 5 alternate methods of finding discounted model railroad
supplies and stuff that came out last week he said for your information rumor
mill has Hobby Lobby dropping the train stuff well I think he's right because we
went to Hobby Lobby wanted to actually we went to two hobby lobby's we last
week we went to Trader Joe's and hobby lobby's right next door to there so I
took a little video and I'll show it to you right here what they have for the
Train Set managed Discount Prices on the train sets here
in Hobby Lobby
except for that one I dare this was a 139
this one here 199
139 we were up in Fort Myers also last week so we stopped by the Hobby Lobby
there and this is what I found there here's the Fort Myers Hobby Lobby 139
dollars for that one this one's gotta sell one
179 for the N scale... they have discount prices on all the HO scale
model train sets the N Scales they didn't have any discounts on it as far
as the other items on there the shelves look about the same I didn't see any
difference in them they're not moving stuff out of there in the clearance I
always find stuff in the clearance but that's the first one okay let's go to
our next one right here this is from cat comment question I marked a 22 inch
radius line on the 4-foot wide table I ran the track with the outside ties
inside the radius line to have 2 inches clearance on either side of the table I
understand the true radius is less than 22 and you are absolutely correct the
centerline of the track is where you measure the radius so if you have your
ties and assuming that you're doing H o because you didn't say what scale you
are are ends but assuming you're doing HO the center line is approximately 5/8
inches in from the outside tie so you probably got just a little bit over a 20
inch radius on there so let's go to the next one this is from Donald Gilbert I
really want to get into model trains and the whole world of it
I've watched tons of videos on YouTube and sometimes it seems overwhelming and
not sure if I can do it I watched some videos and think to myself that seems
easy and then I see a couple more and I think I can't do that I'm not really
sure well I told them all you got to do is get started start off easy don't get
overwhelmed with it be patient do what you can do that's the most important
part of it is to have fun don't get overwhelmed on taking on projects that
you can't do go at your own pace and work with what
you can do and eventually you'll get better at what you're doing this is from
Edwin Kowalinski Tom I need some advice I just received a brochure from Hawthorn
village offering a Budweiser Christmas trade it's a Cho scale and DC I have a
DC CE system do you know if this train can be converted to DC CE it comes with
easy track but I don't know who makes the train any advice would be
appreciated what my sponsor was - Edward Cole Linsky another Polish name and ID
you know I mess up a name and my name is just as bad but anyway what I told him
was I am not familiar with Hawthorne village where the Budweiser Christmas
train I told him to google it and he may find some information on it and I also
told them that I don't do those catalogs that come out at Christmas time I never
bought anything from them and I stay away from them mainly because a lot of
this stuff on there is overpriced you know google it and I'm sure you'll be
able to find somewhere on there where you could find a good price for that
same locomotives is most likely made by Bachmann and if it's DC you could change
it over to DC see it's just a matter of how much work you want to do on it
mono railroad fan is there a way to communicate to JMRI I mean not by way
of the throttle or the screen or by way of my smartphone
I'm building a DC C++ throttle by Dave Bodnar I haven't working with some added
functions but still on the breadboard this I this I can connect to the DC C++
base station directly over transmit and receive I would like to be able to
control the screen throttle using my physical throttle so I can look at
lay out and not worry where the cursor is all the time okay the the key word
here is Dave Bodnar he's the one that built the DC c++ throttle he's the he's
the one that you should be asking the question go on his website his email was
there and he answers pretty quickly because I emailed him a couple of months
ago and he got back with me within it within it but I think the same day so
that's my question to him I get a lot of questions like this that they're working
on something they seen this on somebody else's channel I says go ask them okay I
can tell you about what I have on my channel but I can't tell you about what
somebody else also has on their channel or how it works you have to go to that
channel ask that person how to do it and if you're watching on YouTube you should
be able to go to the about page and see their email on there and if they don't
have it posted on there ask him in the comments simple as that okay here's the
next one Richard van ray now his comment was from the video where I did to
Tortoise and the cobalt switch machine comparison now here's what he said no no
that was some time ago I think it was maybe 9 or 10 months ago I would never
buy these motors again I have had nothing but problems they often need to
have their addresses reset and I have to check optically if the points have
changed as I cannot trust them to power the signals is very complicated compared
to tortoise motors I honestly feel that I have wasted and this is a you $600 I
guess that's Australian the spring clips that do not require soldering are pain
they are too close together and if you don't have the wire perfectly stripped
you just have to bump it or have a stray strand and it will short-circuit
or pull out IRA prefer to have a solid solder fit I wish I had not bought them
and he's talking about the cobalt switch machine and I agree with you Richard 100
percent the the spring clip on there they they are on there for people that
don't like to solder or don't know how to solder they make it a little bit
easier but the things are so small that you really have to be careful with them
and that's all I'm gonna say about it because I I have tortoise which machines
all over my layout here I had I think I am about eighteen of them here and
that's what I'm going with I have one cobalt that I tried out and that's in a
box on place right now so thank you okay Willie van Straten str8 een hi Tom I
bought my trains about 40 years ago me and my son used to play a bit then we
had to pack it up again and put it away because we didn't have the space to
permanently build a layout I watched your video and read through all the
comments my question is can I use the twelve volt output to drive the DC
locomotives if I build some type of speed controller between the power
supply and the rails thanks Willie Bloemfontein South Africa okay the the power
supply that I did the video on is good for driving your accessories and s 3.3
volt as five volt it has 12 volts and it has a minus 12
and some of them have a minus 5 volt on them depending on how new or old they
are but I wouldn't recommend trying to operate your locomotive on there what I
told him is most transformers that run your locomotive start out at about 16
volts now he replied back and he says well he checked his at 12 volts
was trying to operate two locomotives and it just died on them and I told him
that's probably why because those were built for just one train not not to the
Transformers and power supplies that you buy today are normally 16 volts and up
depending on the scale that you're at not quite sure about South Africa but
here in the states I mean you could pick up power supplies pretty pretty
inexpensively anywhere and I've had this question asked several times is not just
Willie but a few other modelers ask me about that also and I'd tell them the
same thing that the power supply that we used was for accessories now that's all
of them I think let me see my thing says seven out of seven and that's it that's
all the comments and questions I have I had another one from the email I can't
remember what his name was but we went back and forth and I told him I was
gonna do a video on this and he was talking about the Arduino made easy
lesson seven where I had the infrared sensor in the track operating the LEDs
lights for crossing apparently he has already made crossing so and he has
double tracks so he wants four IR sensors and he wants to operate a relay
with it and I told him I'll be doing a video on that and that's gonna be one of
the videos coming up pretty shortly putting for IR sensors in the track and
using the IR sensors to operate a relay instead of flashing the LEDs that's it
for all the questions the answers the comments and everything else keep those
comments coming because I like to see those comments I like to answer those
comments and if I don't know the answer I'll tell you now I don't know it and
I'll point you in the right direction to somebody that does know the answer to
it and hopefully they can answer the question so until the next time
We'll see ya
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Is The Boogeyman Real? - Duration: 4:40.
The boogeyman a scary creep from your worst nightmares and ominous figure across many cultures whose main purpose
Seems to be to scare children is the boogeyman a figment of the imagination or is there some truth behind the stories?
Hello and welcome back to spooked over here at life's biggest questions where we are basically on a ghost ship sailing
Thirsty of ghouls this month. I'm your host or captain Rebecca Folgate
And today I'm asking is the boogeyman real before we get into this video
I just want to ask you guys whether or not you are afraid of the boogeyman
Or if you were afraid when you're a kid also while you're down there
Why don't you leave a thumbs up on this video and hit that notification bow to be the first to hear big
Answers if you want to connect with anyone that went into making this video there are links to our social media in the description box
In North America, the boogeyman is a monster created with the specific intention of scaring children into good behavior in the UK
I guess some people they talk about the boogeyman and also this character is widely
reflected across a lot of cultures for example in Spain and Portugal
Kids are afraid of the sacked man or perhaps elko Cove in Eastern Europe babbu might get you in in Germany an evil gnome
Boots, a man may come watching you from dark corners in some translations
The boogeyman is simply the devil as so many cultures have a scary figure that goes bump in the night
It's hard to pinpoint the exact origin of the boogeyman
it seems more like the natural embodiment of childlike fear a
Personification of all things that scare and warrior child's giving it a name makes understanding the fear easier
There is a reason why we become less and less afraid of the boogeyman as we get older
It's because we grow out of it and find ways to manage and cope with the things that worry us
Does that mean that the boogeyman isn't real though?
We already discussed how the juvenile child's brain invents the boogeyman as a personification of all their fears
But to be fair, there are a lot of people out there that prey on the vulnerability of children
It's easier for sick maniacs reduct manipulate and/or harm children because they are vulnerable
They don't fight back or run as fast they're not as strong or as savvy
Throughout history there have been bad people out there looking to abuse their power
Let's have a look at some for example in the late 1800s
The term boogeyman was applied by the press to a horrid man and man Pattin and beyond by the name of Albert fish
fish garnered a reputation for kidnapping killing and eating children
He said I never ate any roast turkey that tasted half as good. What a creep luckily
The man was apprehended after admitting that he had murdered and eight children in every state of the United States of America in January
1936 after near 60 year murdering spree. He was executed and while the physical
Manifestation of the boogeyman died with him that day the concept of an evil child
catcher lived on and of course
He was not the first or the last of the real-life creeps
Some have also been dubbed the real boogeyman by the press
There is also cropsy the Staten Island boogeyman who kidnapped and killed children in the 70s and 80s
the jersey beast who raped and killed children between
1960 and 1971 this horrible man even also once played Santa Claus a community home
Never say the Moors murderers in the UK. I'm the most prolific child killer reports in history Colombian Louis Garavito who killed
147 young boys and was active until he was caught in
1999 basically, there are real creeps out there from sidenote. There is an American wrestler called the boogeyman out there
he has been with WWE since 2004 and is 6 foot 2 inches to
260 pounds and is scary to look at that being said he likes a boogeyman in folklore is
Just a character is the boogeyman real in a demonic monster sense
Well not if he means some otherworldly alpha creature
No
At least there is no evidence to suggest as much
But you don't need to be from a book or a work of fiction to be a monster as we've discussed
There might not be a scary child catcher or gobbler lurking in the shadows of your bedroom or under your bed
But there are scary people out there in the wider world that we should be aware of
Does that mean we should live our lives in fear of the real boogeyman?
No
It means that we should have a good awareness of safety and teach kids to stay away from strangers
And also what to do if they are ever in danger, so guys that was that do you believe in the boogeyman?
Let me know in the comment section down below
Also, make sure you leave a thumbs up if you like our videos. I'm your host Rebecca Folgate
I'll catch you in the next video. But until then stay curious stay alert and never ever stop questioning
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SEGREDOS NO SEU DNA - Duration: 6:41.
For more infomation >> SEGREDOS NO SEU DNA - Duration: 6:41. -------------------------------------------
Episode 4 - BEAUTY RELATED GOES TO NEW YORK - Duration: 9:16.
O: Isn't that Yanitsa walking over there?
J: It looks like her
K: We didn't say anything about our outfits
V: My outfit today, with a red purse. Very colorful.
V: Hello, we're here in out way to a coffee shop named LACKAWANNA coffee.
V: It's cold, but it's still cool and bearable.
V: Plus, we have a lot of jackets
A: We're drinking coffee to then go to the subway station
A: and go where?
V: The museum
A: The museum of...
V: American Museum
A: American Museum that's where...
V: ...of National History
A: yeah, and that's where the "Night at the museum" dinosaur is at.
V: I guess
[Song: "Coffee" by BTS]
V: It's a video
A: You have to go to the bathroom?
V: We just had our first getting lost experience looking for a subway station.
V: After we walked for a while looking for the station we noticed it was the station we were already on.
V: And now we're at the Mall
V: Noah has to go to the bathroom.
V: So we're looking for a bathroom
M: Hi! We're super lost. We were looking for a Subway Station...
M: And we went out, thinking it was another Station, but it wasn't, it was the same one.
K: We want to go to the Museum... History Museum?
M: Yeah, history. We wanted to go to the history museum but...
M & K: We're lost
M: But we made it, we know where we are now
M: We're looking for the bathroom
M: Noah has to go to the bathroom
M: We're in a Mall
M: Here's Valeria V: Where's the bathroom?
K: And we're still lost, still lost M: We're still looking for the bathroom
A: Where is the bathroom? V: We don't know, Andrea
A: But didn't we...
[Song: "Best of me" by BTS]
K: We're at the museum, this are volcanic sotnes
K: This is huge and beautiful
A: Bianca (Friend that loves stones) would die if she saw this, drop dead.
K: Junior, record some... Are you recording yours?
J: I guess she is
A: Look here, Noah
K: The head! OMG
K: The tail!
N: Is it real or not?
J: Don't touch it or you'll wake him up
A: It's sleeping...
V: So awesome!
V: This is the reptiles area. This museum is truly gigantic.
V: Look! I big turtle!
K: American Crocodile
K: What's this?
K: Noah!
K: A turtle!
V: Keyla this is a Piton.
K: Oooooh
K: This turtles are really big.
K: Sea turtles!
K: Dragons
N: Look at this!
N: OH MY GOD
K: Noah
N: This sand, I like this sand!
K: You like it?
N: Can I touch it?
K: 2 and..
M: No flash
A: No flash
K: I need to use the flash
V: Nooo, It's going to reflect the...
K: It looks great
V: aaaaa, I didn't reflect, wow
V: They have a lot of animals and they all look so real
V: It's truly amazing
V: The thing I like the most about this...
V: is this little mouse right here
K: Noah! Where is Noah?
V: What's this suppose to be?
M: The god?...No, the bad one
V: You think so? He looks really bad
M: Yeah
V: And why does it have so many heads?
M: Teacher park, teaches us how to play this.
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Top 5 Annabelle Doll Caught Moving - Scariest Moments - Duration: 5:18.
There have been a slew of claims over the years from those who have visited Ed and Lorraine
Warrens' Occult Museum that swear they have seen the famous Annabelle doll move inside
her case.
Whether they're crying wolf for a laugh or genuinely believe they've captured Annabelle
and her demonic possessor bopping around, there is without a doubt that all of these
claims are at least quite nerve wracking to watch.
So today, we present to you the top 5 Annabelle Doll Caught Moving Scariest Moments.
We're by no means saying these clips are real or contain any actual movement beyond
a trick of the eye, but rather we're taking a neutral position, so let us know what your
thoughts are on these clips, and whether you believe they could actually be an accurate
snapshot of the doll moving around.
Here we go.
5 Lorraine Introduces Annabelle In this clip titled Haunted Dolls Caught on
Tape Moving, we see a portion of an interview with Lorraine Warren walking through the Occult
Museum and stopping in front of Annabelle.
Lorraine says that Annabelle is the worst thing in the museum, and refuses to stare
at it while the visitor takes a photo of it.
She goes on to say its done a lot of harm to a lot of people.
The doll is supposed to be moving in the clip, but it's a bit hard to tell since of how
shaky and close the shot of her is.
4 Trick of the Light?
If you look closely during this feature on the Warren's and their occult museum, you
may think you see the Annabelle doll moving ever so slightly.
While its arguably a trick of the light or a product of shadows, to some, it looks as
if the dolls chest is moving, as if she's breathing.
Creepy eh?
The feature goes on to tell the whole story of the Annabelle doll and how the two young
women who lived with her would try to set little tests in their apartment to see if
anyone was coming in to try to scare them by moving the doll rather than the doll just
moving on its own.
This one is so very obviously a hoax.
For starters, if this footage was taken in 1969, there's no way in hell the quality
of the image would look like that.
Anywho, while this isn't the real Annabelle doll, it makes our list for giving off one
hell of a jump scare.
It's a 50 second clip with a raggedy Ann doll seated on a chair, with a weird spooky
sound track playing over top.
Eventually, by the end of the video, the Annabelle wanna be doll jumps up on its own out of the
chair, and its pretty creepy.
Check it out.
2 Don't Make Fun In this clip we see Ed Warren talking about
Annabelle and how despite being locked up in her case, she managed to harm someone who
knocked on the case's glass.
He taunted the doll, saying that if it could really perform evil acts that it should go
ahead and try.
Three hours later he was allegedly dead, having gotten into a motorcycle accident after leaving.
Driving away with his girlfriend, the two were having a laugh at Annabelle's expense
when they got into the crash, killing him and paralyzing the girlfriend from the waist
down.
In the video, if you look closely, it appears that the book in front of Annabelle is moving,
or that she is ever so slightly swaying in the shot where the doll is in the background
and Ed Warren is in
the foreground.
1 From Case to Case This video is titled Moving of the Annabelle
Doll 22/02/17.
And it has over 2 million views.
With viewership like that, its gotta have something authentic about it, right?
Well, you guys can be the judge of that.
In the clip, we see Lorraine Warren's son in law Tony Spera alongside a host who informs
viewers that they will be filming the removal of Annabelle from her case and transferring
her into another one that is secure and portable.
Six minutes into the video, they open up the case after saying prayers and taking other
precautions.
After Annabelle is moved, a binding spell is said out loud.
Numerous people claim to see Annabelle moving ever so slightly right after she was moved
into her new case.
What do you guys think?
Do you spot anything out of the norm?
Personally, I agree with this guy in the comments who said "it's more scary that people
still shoot in vertical using their phones nowadays."
Touché.
There we have it friends!
So, what are you thoughts?
Are these clips for real or are they pure fiction?
Give us a shout in those comments below.
If you dug this video, spread the love, hit that like button, and be sure to subscribe
to top 5 scary videos for more lists just like this one.
Thanks for watching everyone!
Catch you all in the next video.
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Queen Naija's "Mama's Hand" Explained | Song Stories - Duration: 2:04.
JACQUES: YouTube star Queen Naija sings an ode to her son CJ in "Mama's Hand."
JACQUES: "Mama's Hand' is produced by ClickNPress & Rob Grimaldi.
The cut is the latest single from her self-titled EP.
On the cut, Naija explains her boundless love for her son.
NAIJA: You gonna miss mommy?
No!
Ahh!
You don't miss me?
Mama!
Well then can I have a kiss?
JACQUES: Baby CJ is the son of her ex-husband and former YouTube partner Chris Sails.
NAIJA: What's up everybody!
CHRIS: It's your boy Chris NAIJA: And it's your girl Queen and
this is the Chris and Queen show.
JACQUES: The duo split due to Chris' repeated infidelity.
NAIJA: Now when you doing it over and over and over and I keep catching like different
stuff and people keep sliding in my DMs like, 'Oh is this your husband?'
EBRO: Oh that means he wants to get caught.
NAIJA: That's embarrassing, like Ouch!
That hurts!
JACQUES: Their divorce played out on YouTube and through their music.
NAIJA: We well off, we good enough to take care of ourself, and some more.
And you want to start, like, acting up now?
JACQUES: Back on "Mama's Hand," the video ends with Naija's new beau, Clarence,
who she is expecting her second child with.
"Mama's Hand" gives Naija's fans an even closer look at her personal life,
and from the comments on her YouTube page alone, it appears that she's struck another chord.
If you want to learn more about "Mama's Hand" check out the song page on Genius.com.
I'm Jacques Morel with Genius News, bringing you the meaning and the knowledge behind the music.
Peace!
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Top 10 Scary Michael Myers Pranks That Will Haunt You - Duration: 9:03.
Well things are about to get pretty scary around here.
Whats up you guys I am Landon Dowlatsingh and welcome back to another most amazing top
10 video.
Halloween is around the corner so I thought I would give you this one.
ok why was that woman in a bathtub fully dressed I think we have a ton of questions that will
never be answered.
Well lets get right into this one.
This is the top 10 scary Michael myers pranks that will haunt you.
Start this off at number 10.
holy sh*t is it just me or is this guy ready to jump right out the window.
This couple was so dam scared, but they knew what the had to do for survival.
Imagine being woken up by Michael Myers with a massive knife in his hand you know what
his intentions are.
Michael Myers is just a creepy character that could actually be real which makes it scarier.
Moving into number 9 we have another guy who knows how to survive.
this guy was wasting no time, he knows Michael Myers cant swim with a heavy knife he will
sink to the bottom.
This guy's instincts just kicks in.
If that was me I don't know what I would do, I would probably feel the water first
and if its to cold i guess I am going to be dead.
Fight or flight is up next at number 8.
10 out of 10 times I choose flight.
Well this next guy might have chosen both.
I think this is not cool.
We do have crazy people these days and this guy just showed up at this mans house with
a super long knife.
This isn't even the proper knife.
And I think it might be a real knife because at this part.
he bangs his knife to get this mans attention, it sounded loud and metal.
Well as the video goes on this guy was able to run into this vehicle and drive away.
I guess there is no opportunity to tell this person it was only a prank.
Number 7 scaring the girlfriend prank.
Michael Myers scared the crap out of her.
Lesly was the girlfriend and she was so terrified.
She was terrified and also very annoyed.
there is many things wrong with him.
Michael Myers murdered his sister, Moving into number 6.
We have Michael Myers coming back from the dead.
I think this prank is totally mean because its
geared to scaring young kids on Halloween night.
Kids already are afraid of so much and now they are afraid of the dead. is this real
life right now that kid got so scared they dropped all there candy.
I think this Michael Myers owes that kid a ton of candy.
Another Michael Myers prank that is going to haunt these next kids is at number 5.
These kids you are about to see are so dam terrified.
I think they are going to have nightmares for years.
I can see them being in there 20s and still afraid to watch the movie Halloween.
when is a prank to far.
You might have ruined trick- or treating for this young person.
Number 4.
We have a very creepy Michael Myers who decided to prank his fiancé.
But first he is going to watch her sleep.
so this went on for a while.
This woman just has no senses at all.
This guys fiancée just isn't waking up.
I really wish I can sleep at night time as well as this woman.
A fly wakes me up at night time, or my own breathing, even if my own arm hair moves I
freak out and wake up.
But not this woman.
Michael Myers can't kill until this woman wakes up so he starts to shake her until finally,
She was so terrified and I bet this guy wishes he didn't do this prank because his Fiance
went all Karate kid on him.
pretty sure that was right in the private area.
I think the next one is mean, well at number 3 we have a dad who dressed up as Michael
Myers to prank his son and his son was so terrified.
His reactions is intense.
what the heck goes on in this household.
Do you guys think this prank went to far.
Do you think any of these pranks went to far?
At number 2 we have a prank that is pretty intense.
I don't know anyone who wouldn't be running in the other direction with this prank.
I am pretty certain that is a real chain saw what if you feel onto the chain saw now that
would be graphic, and a prank gone horribly wrong.
This Michael Myers actually hid in places and scared the living crap out of people.
Finally at number 1 Michael Myers shows up at a restaurant and this waitress totally
losses it.
https://www.youtube.com/watch?v=PApeRKxpNvs 0:28- 0:40 I think this prank went way to
far.
What if that woman slipped or banged into something and was knocked out than who would
be laughing.
So appearently the person who dressed up as Michael myers was an employee and they knew
that there boss is afraid of Michael myers.
This is so stupid what if they fire you after this.
Well there you guys have it thanks so much for watching I will see you guys all in the
next most amazing top 10 video.
-------------------------------------------
Dragon Age: Origins Episode - 16 (TV Series) - Duration: 46:36.
(RECAP) What would someone like you be doing in Loethering's Chantry?
Did you think I was always a cloistered sister? I was a traveling minstrel in Orlais.
I heard that, in Orlais, minstrels are often spies.
Not all minstrels are spies. Most are
just singers and storytellers, but some of them are... are what we call bards. Bards
are minstrels and more, spies as you say. Many bards work alone or in small groups,
doing the bidding of a patron who pays are their services.
You seem to know quite a bit about these bards.
Hah... and I should, shouldn't I? After having spent
most of my adult life as one. You've guessed as much, I'm sure. But does it
really matter what I was? What's past is past.
LELIANA: You've seen and touched and Andraste's ashes. They are the holiest thing on this
earth, the remains of The Maker's chosen.
ELISSA: How can something so mundane have power?
LELIANA: Maybe it is belief and faith that imbues them with their power, or just maybe Andraste
really was blessed by Him. I do not know if I am worthy to look upon her.
ELISSA: Andraste they fought for everyone, she belongs to us all.
LELIANA: Yes, of course. But it still is... something to be in awe of.
DURGEN: (growls)
STEN: (growls)
DURGEN: (growls)
STEN: (growls loudly)
DURGEN: (barks)
STEN: You are a true warrior, and worthy of respect.
DURGEN: (barks)
BODAHN: Something you need?
I'm sure either my boy or I can help you out.
ELISSA: Heard any other rumors?
BODAHN: Some hunters who range into the Brecilian Forests say that a Dalish clan there has fallen to
some kind of sickness, The Blight most likely, poor sods.
ELISSA: I should go.
BODAHN: Of course.
Good fortune to you and yours.
SANDAL: Goodbye!
ELISSA: I had another dream about the Archdemon.
ALISTAIR: Yes, me too. And I got the feeling at the
end there that it saw us, was aware of us, whatever you want to call it. Could have
just been my imagination, I suppose. What do you think?
ELISSA: I think you're probably right.
ALISTAIR: You know how some people want to be right all the time? Me not so much. I
guess one thing is certain at least, isn't it? It's official. This is a Blight.
ELISSA: Morrigan... I have something for you. I saw this for sale on our travels and...
well, it reminded me of you, because of the story and... well I wanted you to have.
MORRIGAN: What have you there? A mirror? It is just
the same as the mirror which Flemeth smashed on the ground, so long ago. It is
incredible that you found one so like it!
I am uncertain what to say. You must wish something in return, certainly.
ELISSA: Don't be ridiculous, it's a gift Morrigan.
MORRIGAN: You say that as if I should be
accustomed to such a thing. I have... never received a gift, not one which did not
come at a price. I suppose I should say thank you... for the gift.
'tis most thoughtful. Truly.
LELIANA: I lied to you, you know. About why I left Orlais.
ELISSA: Why?
LELIANA: I didn't feel like talking about it then, what happened to me. Maybe it will affect
us, maybe not but, you should know. I came to Ferelden and the Chantry because I
was being hunted in Orlais.
ELISSA: Hunted?! What for?
LELIANA: I was framed. Betrayed by someone I
thought I knew, and could trust. Marjorlaine. She was my mentor and friend. She taught
me the bardic arts, How to enchant with words and song, to carry myself like a
highborn lady, to blend in as a servant. The skills I learned I used to serve her,
my bard master, because I loved her. And because I enjoyed what I did.
ELISSA: How did she betray you?
LELIANA NARRATION: Do you want to know a secret?
This tale of foolish people long ago, I know what happened, and what is true. But
I don't know how it should end. Let me tell it one more time, and perhaps
together we will see.
MARJOLAINE: (laughs)
MARJOLAINE: Very nice...
MARJOLAINE: Months of planning, favors, everything is waiting for us. We're here to show Ferelden how
Orlais commands the game. Several jobs, and a personal score of my own, but the last
of the night... is yours.
MARJOLAINEL: (whispering) Think you're up to it, pretty thing?
LELIANA: You know I'm ready for anything.
MARJOLAINE: Of course you are. You're mine.
I'll be watching, don't let me down.
TUG: Love to watch her go. Returns me to the stone.
SKETCH: Ugh! Focus!
LELIANA: A little fun with the wigs of Ferelden.
They won't expect it, not like in Orlais.
[Theme Music]
TUG: The clients want a little stealing... a few insults... some good old revenge.
LELIANA: Eyes open.
We've got our targets, let's find them!
TUG: The guards will be looking for any
excuse to bring out the blades.
LELIANA: Finery?! This Ser Wally has clearly never been to Orlais.
Let's put these to better use somewhere. He'll have some explaining to
do now.
Ehh... not as pretty as I remember. Maybe these things have a better use than just
selling them again.
TUG: Swap the goods around, they'll jump to blame each other.
SKETCH: Ugh! So childish!
LELIANA: "Imports of Import," the man thinks he's clever.
Eww! Dead people jewelry.
This bunch won't wait for an explanation of this.
[Crash in the distance]
[Marjolaine laughing]
TUG: Sounds like Marjolaine found her mark, the poor bastard.
LELIANA: "Renwall's Relics," as if he found them.
There's our northern trinkets. Let him explain why he's got these in store.
Hah, poor Denerim will been chaos when the market opens to claims of theft.
TUG: Aye. A soft target, this bunch.
LELIANA: Oh! Marlolaine was hard on her poor captain. Wonder if I could add
to that .
TUG: You get into her private business, you'd better make it count.
JOVI MERICE: Come on, damn you lot! Open up!
LELIANA: There's our tattletale.
TUG: Put him down!
As a warning.
[Knocking]
LELIANA: (clears throat0
TUG: Jovi Merrice?
JOVI MERRICE: Ah no! I was supposed to be safe!
LELIANA: Sorry, you told stories about the wrong noble.
JOVI MERRICE: I ain't going back! I'm not!
TUG: Good with me.
LELIANA: Price paid. But it would scare others
more if he simply disappeared.
TUG: Dying's not enough? Bit of Marjolaine in you.
LELIANA: Thank you!
TUG: Dark and deep. How many coins down this thing are gone for good?
[splash]
SKETCH: Bet that's why Denerim water tastes wrong.
LELIANA: There's our noble to disgrace.
NOBLE: I knew something was fishy! Don't let them near me!
SKETCH: We're supposed to strip him of dignity not his...
"things."
LELIANA: It'll be both if we find an amusing place to leave them.
The usual moaning about charity this board needs... something.
that should do it
That is a good night's work done.
TUG: We signal Marjolain down from the tavern, right?
When you're ready to leave.
LELIANA: Marjolaine? Marjolaine!
Don't tease me today!
MARJOLAINE: (laughing)
TUG: That's how we do it!
MARJOLAINE: Ooh, pretty thing! Out of breath,
hair in a state... you'd be a scandal on the streets of Orlais. And you love it.
LELIANA: If I'm not mistaken, you want me this way.
MARJOLAINE: Well played! You have surpassed my every
expectation, as you so often do. Perhaps you are getting too good at this.
You deserve a job that can test your skills, and I have just the thing.
Lem!
LEM: Aye, Marjolaine?
MARJOLAINE: Make sure she has everything she needs. There will be no rest for us tonight.
LELIANA: Don't keep me in the dark. Who's the mark of distinction you have in mind?
MARJOLAINE: In good time. Just know that we will have earned a special rest when all is done.
Ready yourself and come back to me.
LELIANA: I need only my skill, Marjolaine. I am always ready.
MARJOLAINE: That, my pretty thing, is what I like to hear.
TUG: Sodding stone!
MARJOLAINE: Ah, you can't come to Denerim without visiting the Arl's estate.
SKETH: You're mad.
MARJOLAINE: The Arl is away, and most of the king's
patrol has been gone to some sort of trouble in the market. Our employer just
wants us to plant some embarrassing papers under the cover of a burglary.
It will be assumed they will here all along. Unless... you think you're not after
my challenge?
LELIANA: Kept anything else to yourself? Like what the papers are, or who
hired us?
MARJOLAINE: I think that they are payments, suggesting mistresses. And you know as
well as I that we do not need to know the players.
LELIANA: We let Nobles decide who to
blame. We are just the enablers of The Game.
MARJOLAINE: That's it.
Now we split to divide the guard, find a fun way in, and put the papers where they
can be found but or not obvious. In the bedroom? Nice and personal. Don't keep me
waiting.
LELIANA: Tonight is not about shadows. We want some chaos to hide our true purpose.
SKETCH: Could we do that without leaving a trail right to us?
TUG: Always want to clear a path to run, hey boy?
LELIANA: There's our way in! We can reach the window in that nook.
SKETCH: Tight fit for Tug.
TUG: Ehhh, your mother said as much.
LELIANA: Right.
LELIANA: Right, let's find more soldiers and make a nice mess before we
plant the papers.
TUG: Love it when you talk like that. You too, Sketch.
SKETCH: Behind us! I said to hide the bodies. I said!
TUG: Pat you back later.
VAUGHAN KENDELLS: (yelling from another room) You left a spot on my floor, woman!
SERVANT: Please Master Vaughan, I heard something outside.
VAUGHAN KENDELLS: You know the penalty for speaking out of turn!
[Slap] SERVANT: (shrieks in pain)
TUG: That boy will grow into something special.
MARJOLAINE: Come, Commander. Let's see your "little dragon."
LELIANA: What the?
LELIANA: The master bedroom. We can plant the papers in the desk.
LELIANA: These are.... Orlesian seals!
MARJOLAINE: Be quick, pretty thing. We are wearing out our welcome.
LELIANA: Marjolaine, these seals are Orlesian
military. This is not some embarrassment of nobility.
MARJOLAINE: Who am I to say what upsets this lot?
LELIANA: You seem to know them pretty well from what I saw.
MARJOLAINE: That willl do Leliana. We have to get moving.
LELIANA: I don't like this.
MARJOLAINE: (annoyed) Leliana, later. Move.
LELIANA: I was right to be worried!
MARJOLAINE: It doesn't matter! You need to remember your place. You do not
question me in front of the others, Leliana! Not in the field, not anywhere!
LELIANA: The Game is one thing. We go back and forth between nobles, and the authorities turn a blind
eye. It is... amusement. But, these papers... if the seals were Orlesian military, then
bringing them to Ferelden is treason! Marjolaine! There is no blind eye for
treason, they'll hang you in the street!
MARJOLAINE: My poor pretty thing, lost in a storage place. Oh,
this is about seeing me with that officer, isn't it?
LELIANA: You surprise us with this. If I'd known, I would have talked you out of it.
MARJOLAINE: You will never so reluctant back in Orlais. Perhaps I took you from the
streets too soon.
LELIANA: Marjolaine, please.
MARJOLAINE: You force my hand. We will undo this, just in
case someone were to find out. It will not be simple. Remember that you asked
for this.
LELIANA: Thank you, Marjolaine. Our lives are exciting
enough, no?
MARJOLAINE: Just be ready. Give me a moment.
LELIANA: mmm. What's this?
TUG: We robbed the Arl and he
boils the same old gruel.
SKETCH: I'll sink a stone in it, make you feel at home.
TUG: Splitwood!
LELIANA: Your turn to cook?
SKETCH: Have to do something. The Arl's estate, soldiers.
Templars should give up mages and hunt whatever Marjolaine is.
LELIANA: I was worried I
was the only one left out of the plan.
SKETCH: You're the only one she tells anything.
LELIANA: Then why did you come?
TUG: An apostate elf needs to keep his
friends close.
SKETCH: I can be hanged on a rumor. Accidental treason's a bit over the top,
really.
LELIANA: I'm worried too, but we can fix it somehow.
SKETCH: We should just disappear. Don't
wait around for it to go bad!
LELIANA: Not go back to Orlais?
SKETCH: I don't have much to go back to,
less if they start thinking I'm a threat to the nation.
LELIANA: Marjolaine will fix this, you'll see.
SKETCH: If you say so.
TUG: Well, it got a little heated with Marjolaine.
LELIANA: I don't know if I helped at all.
TUG: You said what you had to, we'll sort it.
LELIANA: Marjolaine left you in the dark too?
TUG: Always does.
LELIANA: Not always!
TUG: Maybe not you.
I get where and when... it's usually enough. Val Royeaux was quiet, anyway.
Really quiet, actually.
LELIANA: Marjolaine planned for months. Some jobs we turned down.
TUG: Made us hungry. Maybe a little stupid.
LELIANA: But not on purpose.
TUG: Right...
LELIANA: We have to do something before it's a problem, Tug. But what?
TUG: Well I'd just take my money
and run back to Orlais. I have a girl I'm ruining for her chevalier husband.
LELIANA: We pulled many strings to arrange the market. Someone will know we were here.
TUG: Marjolaine has people in her pocket. She can deal with treason... maybe.
LELIANA: I may be making too much of this.
TUG: Those papers were... not the job we agreed to. They're a
different kind of risk.
LELIANA: Then you should let her know you are concerned too.
TUG: Knowing and caring are different.
LELIANA: Marjolaine has a plan to fix it by now. I am certain.
TUG: She's clever, no doubt.
MARJOLAINE: You are ready? Because this will
not be easy.
LELIANA: I know.
MARJOLAINE: We'll go back when it is dark
again. They won't expect a second break-in so soon.
LELIANA: W-we can... we can say we
were there to steal the papers in the first place, for Orlais.
MARJOLAINE: I don't plan on
having to tell anyone. Shall we go?
LELIANA: I will sleep easier when this is all done.
MARJOLAINE: It will all work out... I promise.
LELIANA: You were right, the grounds were bare. Perhaps we
stole everything worth guarding.
MARJOLAINE: hmm.
MARJOLAINE: There. Let's get your precious papers and go.
[Bells ringing] [Shouting] [Dogs barking]
TUG: Ugh, here we go.
MARJOLAINE: A littleheavy footage over the wall, maybe?
I'll draw the ones I can, go!
LELIANA: She's gone again!
TUG: Guess we're going the other way.
LELIANA: We need to find Marjolaine! Come on!
LELIANA: There! Oh, she made it out! Why isn't she running?!
Marjolaine!
MARJOLAINE: It's alright.
LELIANA: We can tell them about the papers, there must be an embassy.
Orlais can petition!
MARJOLAINE: Shh, my pretty thing shh.
LELIANA: I'm sorry I brought us back here, Marjolaine.
MARJOLAINE: Don't be. You were perfect.
[stabbing] LELIANA: (groans in pain)
LELIANA (grunts)
(screams)
(wimpers in agony)
HARWEN RALEIGH: Well, well, well.
An Orlesian spy caught with her hands on hard one Ferelden intelligence.
You'll be worth a pretty sum.
Once we've had our fun, of course.
LELIANA: (crying)
WOMAN'S VOICE: It is worse than losing them to death, isn't it?
When the one closest to you is untrue.
LELIANA: Who?
WOMAN'S VOICE: A friend. I can help, but you must find your resolve.
LELIANA: This better not be a trick, I take another.
WOMAN'S VOICE: You're scarred, inside and out. Marjolaine
is adept at striking where you are most vulnerable. Believe me, I know.
LELIANA: Them are not even the first.
WOMAN'S VOICE: You have more than enough enemies, girl.
Why are you defeating yourself?
Others need you, even at your last. And that is a
source of strength I cannot describe. I must go.
You can do this.
LELIANA: How do you know about this? About me?
Hello?
(grunts in frustration)
LELIANA: I don't want to do this. I shouldn't have to do this.
LELIANA: Sketch!
SKETCH: Leliana, watch out!
SILAS: Right greatful to you girl. If ever- look out!
LELIANA: No! Not more!
SILAS: Name's Silas. I owe you twice. Especially if you're against Raleigh.
LELIANA: I'm not against anyone, I just want out.
SKETCH: Leliana?
LELIANA: I'm done, Sketch.
SILAS: Gate everywhere,
got to be a lever.
LELIANA: Ah! Oh, No! No!
SKETCH: Tug?
LELIANA: She did this. With her beast. They will both answer!
LELIANA: No one else is coming. Follow if you want, I have people waiting for me.
LELIANA: Keep going! Almost there!
I can do this! I have to!
WOMAN'S VOICE: Shh, you're safe now.
SISTER: Dorothea! Dorothea!
Your "guest" is awake.
DOROTHEA: So I see. Please, give us a moment.
Please...
[Knife hitting the floor]
DOROTHEA: No doubt do you have questions...
LELIANA: Dorothea? Should I know you?
DOROTHEA: No, no. If you wish a full introduction, I
am formally Revered Mother Dorothea.
LELIANA: Your Reverence, then?
DOROTHEA: My temple is in Orlais, I
came here without sanction. Hoping to fix the mistakes I have made. So please, just
Dorothea.
LELIANA: This is a Chantry? Am I to be arrested?
DOROTHEA: The Chantry is not an arm of
the King's law. Though I am certain these good Fereldans disapprove of both of our
actions.
LELIANA: But you are one of them.
DOROTHEA: I am also Orlesian. They have no reason to
listen to me. But they know that if I fail here, it may harm the Chantry as a
whole.
LELIANA: You saved me? Gave me a key?
DOROTHEA: You didn't need a key. You could have tricked
the guard or bound the splinter into a braid for a lockpick. And you would look
good with braids, you know? Anyway, all I did was suggest that you are never
powerless when others are in need.
LELIANA: But why?
DOROTHEA: Because I needed to hear the same
thing when I was in your place.
LELIANA: This is all interesting, but I need to be
a long way from both Ferelden and Orlais very soon.
DOROTHEA: The papers Marjolaine sold to
Commander Raleigh were mine. The papers used against you.
LELIANA: You did this! Those were
Orlesian military! It is treason!
DOROTHEA: My temple receives troop movements, so we
can minister in the field. They were stolen, in a moment of weakness. I didn't
know why Marjolaine wanted to be so close to me, but he's felt like... youth.
LELIANA: It sounds like you have a real mess... that no longer involves me.
DOROTHEA: But it does, doesn't it. As much as you want
it to be over, it gnaws at you. This is about need, what you need.
LELIANA: Ha! And what is that?
DOROTHEA: The same thing I yearned for - To hear from her lips the reason why. I can
tell you where Marjolaine is. Where Commander Raleigh is.
Help Orlais, and yourself. I will be here when you decide you are ready.
LELIANAL Sketch? I guess we made it.
SKETCHL I'm so glad to see you, or anything after... after last
week.
SILAS: My thanks, too. I'll help how I can.
SKETCH: Thanks for getting me out of that place,
Leliana. No market for a helper.
LELIANA: No market?
SKETCH: That Raleigh wasn't going to keep me long.
A spy ringleader like Marjolaine painted you, you were going to the
highest bidder. Maybe even the Empress.
LELIANA: I just wish I had been there for Tug.
SKETCH: They did him first because he wouldn't shut up.
Drove Raleigh's men crazy for days laughing at them. He was stalling for me,
they said they'd take my hands... only way to trust a mage
LELIANA: Oh... Sketch.
SKECH: All I see is red, but it doesn't matter. We can't fix.
LELIANA: We'll make sure everyone pays. I swear.
SKETCHL Then what? Then I'm happy? Odds are slim.
LELIANA: Just be ready.
LELIANA: Silas, was it?
SILAS: Yes, I had to follow. I hope to earn the good mother's trust. And yours. I stand
ready to go after the commander, and this Marjolaine who put you at his mercy.
LELIANA: Apparently this now involves nations... or threatens to?
SILAS: I don't pretend to
understand all that. I was in Raleigh's "care" a lot longer than a week. Whatever I
can do to settle my debts, I will.
LELIANA: So... did I free a criminal?
SILAS: I poached some
game. I'd have taken my lashes, but Raliegh doesn't like "inconveniencing" the Kings
law. He had me for months, for no reason beyond his own amusement.
LELIANA: How does a petty criminal get so quick with a blade?
SILAS: Former soldier. I was probably not too
far from Raleigh during the war. Glad to say I'm nothing like him now.
LELIANA: Is that what I had to look forward to?
SILAS: No. He ransoms important prisoners to whoever
wants them most.
LELIANA: But only after he's had his fun.
So you'll follow me? Where do you think that will lead?
SILAS: if I can end, this I hope
to serve the Chantry. They will already know my good
intentions. What about you?
LELIANA: Me? Nobody cares what I want.
SILAS: You should.
LELIANA: No doubt Dorothea is waiting for me.
SILAS: I'll follow you where you lead, I owe you
that. And more.
LELIANA: You work in this temple?
SISTER: I am giving my life to the Chantry, yes. If
you'll excuse me .
LELIANA: I'm sorry about earlier, I wasn't sure where I was.
SISTER: It's not that, miss.
LELIANA: What, then?
SISTER: I was like you before I came to serve Our Lady. It troubles me.
LELIANA: I am no threat to you.
SISTER: No, I worry *for* you. Many come to the Chantry
at a difficult time, not all find their way back.
LELIANA: I won't need to come back.
SISTER: I was the same. There was a lot of pain between then and now. If you'll excuse me.
DOROTHEA: Our Marjolaine has secured commander Raleigh as an escort to leave Ferelden. No doubt
she expects a reprisal for her various crimes. It would be a shame to disappoint
her.
LELIANA: I need to know some things before this goes ahead.
DOROTHEA: As would I.
LELIANA: I know nothing about the commander, beyond what he did.
DOROTHEA: Commander Raleigh is a noble who apparently distinguished himself to King
Maric, during the Orelesian/Ferelden war. Many on both sides have been reluctant
to abandon the hatreds at that conflict. But if I had to venture a guess, I
suspect he is also a miserable bastard at heart.
LELIANA: I could have died in that dungeon, like Tug did.
DOROTHEA: I recognized a familiar spirit in you, and I had faith. It is a
strength you come to understand in service.
LELIANA: I'm glad you didn't start
preaching at the time.
DOROTHEA: I hope I am not preaching now, I just wanted you to be
aware of the tools you already had. If this is the last the Chantry sees of you,
I have still balanced some of my shame.
LELIANA: A lot of people followed me out, what
happens to them?
DOROTHEA: Some will be turned over to the city guard. Although the difference
in treatment may well feel like freedom. Others, like Silas, have more than paid
for their petty crimes. He wants to join the Chantry.
LELIANA: Perhaps he wants a chance at
commander Raleigh.
DOROTHEA: I would not blame him.
LELIANA: You know a lot for an outsider in Ferelden.
DOROTHEA: The members of this temple have
been most helpful, though they technically owe no allegiance to Orlais.
LELIANA: They suffer too if secrets given to the Chantry are not safe.
DOROTHEA: Hmm. My actions could harm all nations ministered by the Chantry.
LELIANA: This seems like a lot of trouble for a few papers.
DOROTHEA: If Raleigh finds the support to act on them,
the number of lives at stake... would be considerable.
LELIANA: But Ferelden and Orlais are at peace.
DOROTHEA: It might be more accurate to say we are merely no longer at war.
LELIANA: Tell me how to find Marjolaine.
DOROTHEA: For your own reasons, I trust?
LELIANA: Do you want your precious papers, or not?
DOROTHEA: Not if I inflict more harm in the
process. Call it a concern of my trade.
LELIANA: I need to see Marjolaine, and then I will decide
what she deserves.
DOROTHEA: I cannot deny you that, but allow
yourself to be surprised by one you decide. That is something... I wish I had
done for myself. Marjolaine is with Raleigh, seeking passage across the
Waking Sea. I have suggested a path. Be careful.
RALEIGH: Pathetic girl! You're in the heart of my Ferelden, what do you hope to gain?
MARJOLAINE: Listen to the commander, pretty one. There is nothing for you here!
RALEIGH: Orlesian harlot! If you wanted more of my men, you could have just asked!
LELIANA: I'm very tired of playing games with commander Raleigh!
RALEIGH: Unruly girl! Let me demonstrate how one properly controls a pet!
RALIEGH: You're better than Marjolaine said. The Bards of Orlais have earned their
reputation. But I remember the scared little girl in my cell!
LELIANA:(coldly) I remember too.
RALEIGH: (screams)
[Crash]
LELIANA: That was for her.
MARJOLAINE: All this. Undoing every one of these lives. It's more fun when it's personal. I
wonder, what did the lovely mother offer for her papers? Something as "entertaining"
as what I did to get them?
LELIANA: You are still trying to hurt me! Why?
MARJOLAINE: So innocent! Even
when your concern threatened to expose me!
LELIANA: All I wanted was a way out, for us!
MARJOLAINE: Oh....You are my pretty thing. But I knew we'd end up like this. You would turn on me,
because that's what I would do.
So I did it first.
MARJOLAINE: We are the same.
LELIANA: No.
MARJOLAINE: So you say, but here you are. Weapon in hand.
LELIANA: I'm not your pretty thing anymore.
I'm not your mirror!
MARJOLAINE: If this was reversed, you'd wake every day expecting my blade.
LELIANA: Marjolaine...
MARJOLAINE: We are the same.
LELIANA NARRATION: Do you want to know a secret?
That moment I keep. Because, even now I don't know
what ending serves best.
LELIANA NARRATION: But being able to choose, that is the truth of this story. The rest... it changes
with the audience. All things change when they find purpose.
LELIANA: And so I fled. To Ferelden, to the Chantry and The Maker. Ferelden protected my
person, and The Maker saved my soul. And that is the reason I am here,
the real reason. No more lies between us, at least in this.
ELISSA: Thank you for trusting me with this.
LELIANA: It feels good to have this off my chest.
Thank you for listening and understanding.
-------------------------------------------
Return to Eden #2: Return to Eden - Duration: 28:31.
For more infomation >> Return to Eden #2: Return to Eden - Duration: 28:31. -------------------------------------------
Sergey Lavrov's Interview with RT France, Paris Match and Le Figaro - Duration: 1:14:51.
Western countries, the media and various organisations, including the World Anti-Doping Agency and the OPCW, have been constantly accusing Russia of meddling in elections and staging cyberattacks.
Just recently, the United States, the United Kingdom, Canada and the Netherlands simultaneously voiced similar accusations and submitted six-month-old information to the media.
What is this?
Is this part of a planned campaign to put pressure on Russia and introduce new sanctions?
What do you think about the evidence that has been presented?
It is hard for me to think about this seriously because all the evidence has been presented to us through the media.
With all respect to the media and the profession of journalism, we, as serious people, cannot examine such cases where Russia is accused of all mortal sins while the legal norms created specifically for such situations are being disregarded.
You mentioned the anti-Russia accusations that were brough up six months ago.
We were recently presented with accusations that date back four years.
The British government has once again turned its attention to the death of former Aeroflot Vice President Nikolai Glushkov in London, where he had been granted political asylum.
Speculations about Russia's complicity in his death are already being circulated.
Shortly before his death, Glushkov wanted to disclose information about his contacts with the security services and their plans in the United Kingdom and other Western countries.
So, six months is not the limit.
We are ready for even more massive provocations.
Our response is very simple:
if they communicate with us through the media, we will also reply very cordially via the media.
This means that we ask absolutely practical questions.
Why doesn't the OPCW activate its mechanism for investigating the incident you mentioned?
The document states expressly that a country party to the Convention, if it has questions for another signatory country, should launch direct professional dialogue.
This was not done.
Moreover, the Investigative Committee of Russia sent an inquiry to the concerned British agencies, noting the need to activate provisions of an agreement for mutual assistance on criminal cases.
The British side failed to reply to this inquiry for several months.
We received a reply several days ago stating that, for security reasons, the UK is in no position to assist Russia on this criminal case linked with the fate of the Russian citizens.
Sergey Skripal is both a Russian and British citizen, but Yulia Skripal is exclusively a Russian citizen.
All international conventions require London to honour its obligations and to allow Russian representatives to meet with her.
But this has not happened.
In addition, no answer has been provided to a very specific, question: where is Sergey Skripal?
Where is Yulia Skripal?
These are not questions in the "highly likely, no one else had a motive" style.
Why aren't their relatives allowed to meet with them?
Why have their relatives been refused British visas?
There are many other specific questions.
If our Western colleagues are trying to wind us up and make us loose our temper, they surely have not studied history.
If all this is superficial and this political rage is only a temporary thing and will go away on its own after they run out of steam, then we will be ready to conduct a serious, professional and propaganda-free conversation that remains within the bounds of the law.
French President Emmanuel Macron, speaking about Russia, unlike his predecessor François Hollande, has said that he intends to improve our relations.
Is it a sign of a new era of greater openness in our relations?
It seems to me that the intentions declared by the current French leaders do deserve support where they concern interaction with Russia.
We can also hear many accusatory invectives from Paris, including with respect to our media, such as Sputnik, RIA Novosti and RT France, which are actually isolated from the Elysee Palace and sometimes also from other official entities of the French Republic.
We listen to the criticism against us for doing nothing in order to overcome this or that crisis, but at the same time we see that President Macron and his team are interested in developing a dialogue with us.
However, it is going on in a rather ambiguous manner.
We are completely open for cooperation but sometimes good intentions that are implemented at first, later stall.
You mentioned President Hollande.
After a heinous terrorist attack in Nice in 2016 President Hollande displayed initiative and came to Russia to talk to President Putin.
It seemed to me that a very serious and sincere understanding was reached on specific forms of engagement in combatting terrorism, including in the Mediterranean region, given the Syrian crisis.
However, the heat of the moment subsided in several days.
And we never had any practical interaction with France then.
Now we are prepared for any forms of cooperation in antiterrorist matters and other spheres.
I would like to mention Syria.
We have established a rather trusted two-way foreign ministries' channel for the foreign policy and diplomatic aides of the two presidents.
We are maintaining this channel.
It is useful enough: it makes it possible to exchange information and understand each other better.
There was a cooperative initiative of President Putin and President Macron concerning joint humanitarian aid. French aid was delivered to East Ghouta by Russian transport and distributed among those who needed it.
So far this is the only initiative.
We are also ready for more active things.
We are closely cooperating with France in a settlement of the Ukrainian crisis in terms of strict observation of the Minsk Agreements (a result of joint work of the Russian, French, German and Ukrainian leaders).
We are talking about another meeting in the Normandy format.
We had two summit meetings –in Paris in 2015 and in Berlin in 2016.
We are for holding a third summit.
Naturally, it should be well prepared so that the leaders of the four states do not feel awkward because the decisions of the previous summits are yet to be implemented. Indeed, they are not even on paper yet (we want to put them down on paper), but in the air, including in terms of the forces disengagement in three populated centres within the conflict zone.
This intention is blocked, and toughly blocked by Kiev authorities.
And also with regard to putting on paper the Steinmeier formula that provides specific parameters of granting Ukrainian territory a special status, something, and I am saying this again, which was first agreed in Paris and later reconfirmed in Berlin.
As soon as we fulfil what the leaders spoke about at least in respect of these two matters, we will be ready to hold the next summit.
Together with France we have many other forms of cooperation.
Soon after his election President Macron invited Vladimir Putin to France and in June 2017 they met in Versailles.
The meeting results include, in addition to the confirmation of interest in developing and normalizing our relations, an understanding on starting a Trianon Dialogue.
This is a very important format that enables the public, civil society, NGOs, scholars and political scientists to communicate on a regular basis.
It already works.
Many events, which to my mind enjoy much success with the public in Russia and in France, are conducted.
Regretfully, so far more formal intergovernmental and inter-parliamentary entities are not as active as the public of our countries.
The Intergovernmental Commission on Trade and Economic Cooperation still cannot resume its work.
It is managed by heads of the Russian and French governments.
The Commission has not had a meeting for a long time, although an authority at the level of ministers of the economy, who are to prepare the meeting, has resumed its contacts.
Of course, we also thought it to be right if a large parliamentary commission could resume its activities.
President Macron has expressed his interest in it.
We fully share this attitude and I hope that all the problems remaining on our bilateral and multilateral agendas (they do exist and they are complex ones) will be dealt with, given the goodwill of both presidents which is evident.
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