Thứ Sáu, 30 tháng 11, 2018

Waching daily Nov 30 2018

What's up guys, Rogue-9 here and I have pushed on with my analysis of the new guns

coming to Rainbow Six Siege with Operation Wind Bastion.

Today, we dive into the hidden stats behind the defender Kaid's weapons; so strap in

tight, this is going to get interesting!

Kaid of course brings two different main weapons to the table: the AUG A3 9mm SMG and TCSG12

semi-auto shotgun.

Both of these guns handle quite differently, so ultimately the question of which is the

better choice will come down to which one suits the map, current objective and your personal playstyle.

My analysis in this video will be as concentrated as I can make it, so do feel free to follow

up for yourself in more detail with my online spreadsheet (link in the description).

Let's start out by taking a closer look at the AUG.

This SMG, much like Nomad's AK-74, has below average damage per shot (both before and after

drop-off) and a significantly below average fire rate.

This unfortunate combination gives the AUG the lowest damage per second output (at close

range) out of all of the SMGs in Rainbow Six and also the slowest Time to Down or Kill

against all three armour types.

Yes, fair enough, we are talking about tens of milliseconds here but the fact remains

that this gun is even more of a pea shooter than Valkyrie's MPX or the GIGN's P90.

The capacity of 31+1 is ok I guess but the reload times are again significantly below

average compared to the rest of the SMGs.

In fact, the reload time from empty is exactly the same as the average assault rifle reload

and the tactical is even 100ms slower than the rifle average.

And that's not the only parallel between the AUG SMG and the assault rifles.

All SMGs in the game have an ADS time of 300ms which gives them a bit of an advantage against

the slower rifles when unexpectedly coming face to face with an opponent.

Kaid's AUG though, for some strange reason, once again shares the same stats as the rifles

and takes 450ms to aim down sights.

And last but not least, at least there is one good thing about this weapon and that's the recoil.

Even the baseline recoil is highly manageable and once you attach the vertical grip and

muzzle brake, it basically becomes a laser.

In fact the recoil is so mild, that I would even suggest that you ignore the vertical

grip and go for the angled grip instead.

That way, at least you reduce the ADS time to 270ms which then brings the gun more in

line with the rest of the SMGs.

In conclusion, the AUG is possibly the weakest defender primary in the game in terms of damage

output and in addition to that, it has the slower reload and ADS times of the attacker primaries.

This gun is clearly designed to be weak in order to compensate for Kaid's useful gadget.

To me, that gives him a role similar to Valkyrie.

The gadget is a great benefit to the entire team but the individual player picking these

characters will have to put up with lowered fragging capability for the entire round.

But that of course is only a third of the story with Kaid; we still have the option

to rely more on his primary shotgun or outrageous .44 mag sniper pistol.

The TCSG12… urgh again with these weird long acronyms that nobody even knows the meaning of?!

This is literally the BOSG.12.2 all over again…

Anyway, as I was saying: the Tactical Clutch Shotgun 12 is, as we know, a 10+1 shot semi-auto

slug shotty that can (for now) attach an ACOG, which let's face it, makes this gun into

more of a DMR with breaching capabilities than anything else.

One headshot or two body shots against any type of armour at distances of up to 19m as

well as the standard semi-auto fire rate is exactly the same (or better) than any of the

DMRs, the only difference here is the very unique damage drop-off curve of the Totally

Cool Super Gun 12.

Up to 19m, the gun will do the full 84 points of damage and at 21m the drop-off already

bottoms out at the minimum 40 points, so it's only in between where we see the transition.

This makes the gun's performance very bipolar: up to 19m, it's a guaranteed 2 shot to kill

weapon but from 21m onwards, it's always 4 shots to the upper body.

This does give the actual DMRs a long range advantage but this is Siege after all, where

the average kill distance is consistently below 10m from season to season, so you're

probably not even going to notice this disadvantage all that much unless you are going for some

particularly long range spawn peeks.

Reload times of the Tenaciously Cool Slug Gun 12 are 100% in line with the semi-auto

shotguns and significantly better than those of the other DMRs and this is also true for

the 300ms ADS time.

Recoil is harsh-ish, even with the vertical grip attached, but at least for PC players,

it is definitely something you can learn to handle with some experience.

For console players, the recoil may make the gun a little less viable.

But after all that, statistically this gun is pretty damn good in terms of its combat

capabilities but of course, it is still a shotgun and therefore comes with a whole bunch

of breaching benefits.

Basically, the TCSG functions just like Vigil and Dokkaebi's BOSG but this functionality

has been tweaked slightly on the Test Server compared to the live build.

In the current live build, Vigil and Dokkaebi can open hatches and shoot the studs out from

in between walls but it takes several shots to create an impulse in a soft wall.

On the test servers, as long as you are within 7m distance from a soft wall, each individual

shot will cause an instant impulse.

This makes the slug shotguns much better as breaching tools although the two shot capacity

of the BOSG is still a hugely limiting factor.

But of course the Top Capacity Shotgun 12 does not have this issue and so it can be

a pretty decent breaching tool.

It will never be as useful for breaching walls as other shotguns with their 8 pellets of

buckshot but it can get the job done.

When it comes to hatches, the slug shotguns can be pretty inconsistent.

If you just start randomly shooting holes into a hatch, it could take anywhere up to

eight shots or even more before the hatch gives way.

But if you create a shallow angle of attack and make sure to take out as many of the studs

as possible, you can open an undamaged hatch in a single shot.

It all depends on how much material the slug will travel through.

And that's pretty much all of the highlights you need to know about the TCSG and AUG; and

with all of this info in mind, I think the conclusion is quite clear.

Operation Wind Bastion brings with it two hybrid weapons that combine the best features

of two different Rainbow Six Siege weapon classes.

The TCSG has the breaching capabilities, ADS time and reload time of a semi-auto shotgun

but with the damage and combat capabilities that can rival and even outplay the DMRs.

The same goes for the .44 Mag Semi-Auto pistol: combat capabilities of the DMRs but with many

of the strong advantages of the pistol class.

Sadly, for the AUG A3, the exact opposite is the case.

This is one of the weakest possible SMGs with the added negative aspect of sharing the ADS

time and reload time with the attacker rifles.

Two of Kaid's guns take the best of two classes while one comes with the worst of two.

Does that mean that the TCSG is always going to be the better choice?

Not necessarily.

If you are playing on a map and site that will most likely end up in very close quartered

engagements, the controllability and full-auto capability of the AUG might still make it

the better choice for some players, but all in all, your choice will be between a poor

SMG and a very powerful DMR/Shotgun hybrid.

And then of course, there is still the .44 mag pistol.

If you want a detailed breakdown of this outrageous pocket sniper: feel free to check out my video

on Nomad's guns, where I go into significant detail about the strengths and weaknesses….

No wait, scratch that, there are no weaknesses… sooo, where I go into detail about the strengths

of this ridiculous firearm.

If you're interested in that video, click the upcoming link in the end card and with

that, many thanks for watching, I hope you enjoyed the video and I will see you in the next episode!

For more infomation >> Yep, it really is a DMR... - Rainbow Six Siege - Duration: 8:50.

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КАКОЙ ТЫ КОТИК ПО ЗНАКУ ЗОДИАКА. Шуточный Гороскоп - Duration: 6:57.

For more infomation >> КАКОЙ ТЫ КОТИК ПО ЗНАКУ ЗОДИАКА. Шуточный Гороскоп - Duration: 6:57.

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Episode 2 Meeting the Ieta People - Duration: 7:09.

In the previous episode we were swimming and sunbathing

in the Pinatubo Volcano crater lake.

On the way back we meet

the reclusive indigenous Ieta minority people

Go over say hello to them

Yeah, and if they don't say anything back to me,

what then?

Well, you just say hello.

Give their handshake.

They are not going to kill you for that.

They don't speak any English, yeah?

No.

How do you say hello?

In Tagalog? como esta?

Como esta.

Oh, same as Spanish.

Como esta?

Can we look down too?

Yeah.

I can look down? No problem?

Oh look, I can look down.

You see how they put the laundry there? Next to you?

It's the way to do it but it's really primitive Yeah?

Yeah, if you don't have anything else..

Wow.

Come look inside. Welcome.

You see this?

Yeah.

What are they? From rats?

Ah, Wild cat.

Wild cats, Yeah? Oh, okay. And they catch them with this?

Yeah, the trap.

And what do they do? Do they eat them?

Yeah, they eat them.

Como esta? Shy, really shy.

That's the grandmother, yeah? I understand.

And when the volcano erupted the last time 18 years ago,

they had the problem? The people living here? They went out quickly?

Yes. Some died.

Some died, yeah. It's a sad story but It's happened.

So they never go to town these people here?

No.

Just live out here from what they can hunt .

Yeah.

That's the kitchen, yeah?

Yeah, sure, that's the kitchen.

They cook food here.

Oh, yeah, that's the fire.

Well, it's still a very natural life, yeah?

Sure!

I wonder what they are thinking..

They probably go: These stupid f****** tourists.

No, they are waving to you so I don't think so, yeah?

I just think they hope they can show us their home and get a nice tip,

and everybody is happy, yeah?

Hey, we walk a little bit around there and we go back up? Okay.

That's special, yeah?

Yeah, that's pretty special.

We can walk a little bit there and then we go back up? Okay.

Could you live like that, Patrick?

For some time I could.

Some time..

I don't know if I could do my whole life like that.

This is too primitive, yeah, too much.

I mean, it would be different the same thing

but near the sea, then maybe yes.

You know, you can at least go fishing.

Yeah, but this is in the middle of nowhere.

There's another few houses over here.

Very simple games, yeah?

Yeah, sure.

Not like our kids.

No. And I think they made it themselves so..

They look happy with it, that's important.

Yeah.

Better than have a toy and next week you want a new one,

because you are bored of it.

Yeah.

Here they don't really have a choice .

Ma carino (English: How cute!).

You get for you, okay? Thank you.

They buy rice.

Good.

How much rice you can buy With 100 pesos?

4 kilos.

Oh, they can eat for some time.

They eat twice a day.

Do they grow something here?

They plant sweet potatoes and corn.

Sweet potatoes and corn.

Okay, bye bye.

In the next episode Patrick, Mirko and Jerby

will explore fancy Angeles City.

Could you live all your life in a bamboo hut?

Let us know in the comment section below

And if you enjoyed this video, support us

By sharing and subscribing to our channel!

For more infomation >> Episode 2 Meeting the Ieta People - Duration: 7:09.

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エレジー哀歌/平井堅を歌ってみた@Elegy/Ken Hirai sang - Duration: 7:26.

For more infomation >> エレジー哀歌/平井堅を歌ってみた@Elegy/Ken Hirai sang - Duration: 7:26.

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魚座 の星座占い【山田ケンタウルス】12/1(土)から12/7(金)まで - Duration: 3:10.

For more infomation >> 魚座 の星座占い【山田ケンタウルス】12/1(土)から12/7(金)まで - Duration: 3:10.

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SugboTV: "Gugmang Giatay" - Cover by Norman Sulima - Duration: 3:22.

For more infomation >> SugboTV: "Gugmang Giatay" - Cover by Norman Sulima - Duration: 3:22.

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Digipay Commision Chart List 2018 Not Official by CSC SPV - Duration: 1:41.

WWW.DIGITALHELPJAY.COM

For more infomation >> Digipay Commision Chart List 2018 Not Official by CSC SPV - Duration: 1:41.

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Episode 3 Hanging around in Angeles City - Duration: 7:39.

In the previous episode we explored a village

of the indigenous Ieta minority people.

Today we explore the modern fancy town of Angeles City.

Royal Amsterdam Hotel.

But it looks very royal.

Yeah.

Unbelievable.

Like old style but new, yeah?

Yeah, it's 2004 , it says up there.

Okay guys, but you have to help me out later,

it's my last 20 Baht (he means Pesos..), my bank account is really empty.

Thank you. Bye-bye.

She is not with you?

No.

How can I do this? I have no money anymore. I'm not lying.

No, you got already 20 from my friend.

Look, I tell you exactly what I want to tell about these children here,

in a very nice way, but for all the next coming visitors and tourists to the Philippines,

you can learn from it straight away, don't make the same mistakes like we do now.

Okay, it's our first time, we have to learn.

This road is a real mess.

Yeah.

You see, I like the Jeepneys, Really funny, funny vehicles.

It's so quiet in our hotel.

Well, it's so quiet because you are in the inside.

But on the outside, where we are staying sometimes you wake up,

at 8 you wake up because some motorbike is going like...

They even got McDonald's over there. Over there.

24 hours..

Here everything is 24 hours: bars, restaurants ..

Everything.

The one in the hotel isn't 24 hours.

It's not 24 hours?

It opens at 10 in the morning..

Really? So late?

Okay, you can have a big pasta, what was it? Spaghetti with sauce, yeah?

Free of charge. I said, listen, I'm Dutch, spaghetti in the morning.. It kills me,

I'm a little bit sick already. They said just go there and there and there for breakfast.

They sent me out of the hotel and told me where to go to.

That's funny.

Yeah, that's really funny.

You want to go back to the shop?

Yeah.

So, what's your bar's name?

Palito's Sports Bar.

Palito's. It's just on the other side of the road?

This side of the road.

Yeah, see you later.

We come to your bar, sure.

Una grappa.

Grappa, yeah!

I got some Italian food, piadina, the best spaghetti bolognese in town.

Ah, okay!

Swiss Italian Kitchen , Swiss Italian French.

So, you got the fondue as well?

Of course I got it!

Really?

really, wow!

That's a jeepney, right?

Yeah, yeah.

So, what is a jeepney?

A jeepney? Actually it's more like a taxi bus,

but It's the most cheapest way to travel around here.

I think it's like a Saengtheuw, what they call a Saengtheuw in Thailand.

Yeah.

It doesn't look like a Saengtheuw, they are very very long.

Actually, I like them.

It's pretty cheap, right?

Yeah, really cheap.

The taxi was much more expensive, they really ripped us off yesterday.

Yeah, but that's why it was expensive.

Yeah, because it was a rip off, okay.

We don't know the country.

No, no, no.

That's why we got to learn it, yeah?

Yeah, we just started.

But, I think it's a pretty cheap country once you know how to travel

and how to move yourself around.

I think so. But you can make it expensive if you want ,

with your food, with the hotels.

They made it expensive for us already a little bit.

Yeah..

But we got to learn.

Tonight we are in Angeles town and this is the bar of our friend Palito.

We're gonna look around, come on.

Hello man.

Hello, look who's coming.

How are you?

Good evening!

So, the reason why I came here was because I could not live

in Switzerland anymore. When I was 50 years old I had a bad sickness,

it became polyarthritis. So, when they found it out what I had they said:

no, you're not allowed to work anymore, it's impossible, you should not work.

And so I had a pension. I lived two years in Switzerland

after I separated from my wife. And then a very good friend told me:

why do you live there in Switzerland? you can't do anything

with what you got there from the government, right?

From the IV (disability insurance). You should come to the Philippines

because here you can do something with the little money you got.

In Switzerland actually I was a working poor, I had my pension,

but it was not enough for living, so they had to give me welfare money also,

but I don't like to get welfare money, you know.

The IV is something else, I worked for it, but, give to the government..

they have to help me.. so I thought.. okay let's try.

I came down here and I found out: Oh, well, it's a nice country,

it's nice for the temperature, it's very good for my sickness,

I have not so much pain.

In the next episode Jerby, Patrick and Mirko

will travel to the capital city of the Philippines: Manila.

welcome to Manila, the city of 11 million people!

Hi there! Did you ever live in a winterless place?

Let us know in the comment section below

And don't forget to like and subscribe to our channel!

Thank you!

For more infomation >> Episode 3 Hanging around in Angeles City - Duration: 7:39.

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DOUBLE FEATURE CONVERSATION. PAULINE CURNIER JARDIN - Duration: 9:26.

Having different characters, each of them being allegory of different things

and then wanting to create a universe.

My name is Pauline Curnier Jardin.

Hello Pauline! Nice to have you here at the Schirn. Tonight we're gonna show two films.

Let's start to talk about "Teetotum".

It's a backyard in a house and there we see a family, we see a woman, sitting.

We see the children playing around and once there is a choreography at play.

And we see they are actually a circus troupe.

We also start thinking 'What happened? Why are these people bleeding?'

So how do you see the film evolving?

Not trying to explain any narrative because I didn't think of what happened before

and what will happen after.

So the film is three minutes but the film tries to show one movement which is spinning.

The film repeats the same frame of actors.

So you have the blonde boy and then the hula hoop girls and then the mother, or "The Big One".

For me she's not only representing...

she's not only an allegory of a mother but also of an adult.

So it's a confrontation of an adult world and children world.

And at the same time they all gather in certain violence.

It doesn't seem that someone else from outside is killing them or making them bleeding

They are all self bleeding.

I made this movie with footage of another movie that I did three years before,

called "Blutbad Parade", so "Bloodbath Parade"

which is a war movie.

So these three minutes of self bleeding children and mother film is made out of

leftovers from a war movie.

So of course, the inner and the underlying violence also comes from

another narration that was a complete different process.

Like if I had extracted the pure direct visual violence from this war movie

and put it in a single concentrated piece.

I'm interested in... as you were shooting the "Blutbad Parade" in 2014,

how is the filming process?

When I filmed it in Karlsruhe with the circus school that we see in the film,

I wanted those horror scenes but it wasn't completely well thought;

really filming people murdering children.

It turned being the children themself playing with bleeding,

playing with self violence, or ironising about violence, ironising about murder, about war.

And when I had to edit the images it was telling so much, so much!

But also it was so far from my focus that was an historical fact,

that was a narration that was taking over an historical fact.

And trying to talk about another subject I couldn't use those images.

And then.. yeah it's only later, so only...

last year that I managed to face those images and finally make something out of it.

What does actually "Teetotum" mean?

"Teetotum" means spining top.

So... "Teetotum" is actually taken from Alice in Wonderland

when the Queen of Hearts is asking one of her courtesans,

one of her servants about Alice "Is she a child or is she a teetotum"

And "Teetotum" is an ancient form of spining top.

I just like the "Teetotum" also for its Latin pseudo-scientists musicality.

Talking about musicality and rhythm, it is also something which is

very important in your work.

And the second movie we are showing,

"Explosion Ma Baby", it pushes this aspect even more for further.

It totally in a way relies

on an explosion between the sound, the rhythm of the film and the images which are showing.

Moving with the camera in the crowd

and within this explosion of confetti everywhere.

This is a repetitive moment where we see these babies crying, in close-ups.

I mean if there is a big link between the two of them,

is that one is about spinning

and the other one is about erecting

because it's only a movement that goes from the bottom to the sky or to up.

Sometimes I say it's like the last

ode to capitalism where you would like to make a huge celebration,

where you would sell all the babies of Europe,

you would spend the whole money

you still have and you would celebrate that in a crazy orgy

but also hypervitalist celebration,

with feathers, erecting the children even if they cry,

spending their money and making the whole... even the church exploding.

That is... like every explosion it's an euphoric moment

but it's also the end of something.

Because if you destroy everything: Of course what is left from that?

Is it a new world or is it the end?

In your work there's always a group of people who perform together,

so this is a staged collective or... a community,

or how we say it's not only

the subject alone on itself but it's also within a frame.

Why do you choose them? What is interesting for you to work with them?

I usually work with like a fresco or like a parade,

having different characters each of them being allegory of different things and then it's the...

the combination of all those polysemic characters that I can make a cosmogony,

wanting to create a universe, wanting to invent...

not saying a society I wouldn't dare saying that,

but somehow of course, behind the idea, behind the desire of

making up a cosmogony there is also a fantasy of a society.

I was wondering about this reference to experimental film.

I took things from the very beginning .

I study things from the very beginning.

So first movies.

And I also did a master thesis about cinema, about Joan of Arc,

the representation of the ecstatic hero Jean d'Arc, Joan of Arc.

Also using the devices of cinema: super-8 projector, slide projector.

I have a whole body of works that are very connected to experimental film and primitive film.

Thank you Pauline for joining us at Double Feature!

Thank you Victoria!

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