Thứ Năm, 27 tháng 9, 2018

Waching daily Sep 27 2018

Every day is a new hope

Hold on to your dream, forget your day

It's as if in my heart there are hundreds of birds

Embrace the dream

Fly come on fly.....

To the pigeon in the wire

To the playboy in the palace

To the homeless on the sidewalk....

Good morning to you too.

To the sparrow in the song....

To the Aunt in the window....

To the sleepless lover, good morning to you too.

To the pigeon in the wire....

To the playboy in the palace

To the homeless on the sidewalk,

Good morning to you too.

To the sparrow in the song....

To the Aunt in the window....

To the sleepless lover...

Good morning to you too.

For more infomation >> Demet Ozdemir sang Erkenci Kus Song Günaydın (Arabic/ English/ Spanish Subtitles) - Duration: 2:03.

-------------------------------------------

ASMR Triggers to Fall Asleep Fast (No Talking) - Duration: 16:16.

Hi everyone and thank you for being one more time in my channel

I hope you are very well

Today's video will be a little bit different

It will be dedicated to those who love tingles sounds and no talking

So I wanna make a video like this because I been uploading a lot of whispers

So to make something different

And for those who love only sounds

Is this video

I hope you enjoy it

Starting in 3... 2... 1... Now...

For more infomation >> ASMR Triggers to Fall Asleep Fast (No Talking) - Duration: 16:16.

-------------------------------------------

❤️Promisses - Inesquecível ❤️ - Duration: 4:23.

For more infomation >> ❤️Promisses - Inesquecível ❤️ - Duration: 4:23.

-------------------------------------------

RAWR! (Como un dinosaurio) - Pakozoico & El Físico Barbudo - TRAP - Duration: 4:55.

For more infomation >> RAWR! (Como un dinosaurio) - Pakozoico & El Físico Barbudo - TRAP - Duration: 4:55.

-------------------------------------------

Ontario's VLE - Duration: 2:31.

Hey Ontario educators did you know that the Ministry of Education has a virtual

learning environment? Ontario's VLE is a suite of tools

designed to help you and your students take advantage of rich digital resources

in a safe and secure environment. With the VLE you can quickly share

information with your students to use in class or at home. You can even encourage

discussion through activity feed posts and student comments. Upload your own

materials from your computer Google Drive or OneDrive, attach curriculum

expectations and track student achievement. Collect assignments and

provide feedback using video, audio, rubrics and more. Have your students

document their learning starting at kindergarten continuing all the way to

grade 12. Tag items, provide feedback and keep anecdotal notes for yourself.

With the VLE lifelong learning can be captured easily.

Engaging the parents of your students has never been easier than with the VLE.

Keep them up-to-date with custom announcements, samples of student work

feedback on assignments and reminders of upcoming deadlines without extra mouse

clicks. Ontario's VLE has hundreds of K to 12 resources designed and created by

Ontario educators just waiting for you to use all for free!

Connect to other digital tools provided by the Ministry of Education. With a

seamless integration, you don't have to worry about setting up accounts managing

passwords or sending out URLs simply click and connect. In addition to all the

amazing classroom resources, through the VLE you can also join a professional

learning community to share your ideas with other educators in the province.

Best of all, the VLE is free for all teachers and students and publicly

funded school boards. So what are you waiting for?

To get started with the VLE, simply log into your boards customized space.

Unsure how to log in? Reach out to your school board technology-enabled learning

and teaching contact or email us at e-l-o at Ontario dot ca. Ontario's VLE. Learning.

Whenever, wherever.

For more infomation >> Ontario's VLE - Duration: 2:31.

-------------------------------------------

Hello Stranger: Celebration | Performance Video - Duration: 4:15.

What's the time, love? (It's a going concern)

It's getting late now. (Or so I've heard)

What's all the fuss now? (Don't kiss and complain)

When all is said and done, here we remain

If Heaven's a trinket you wear round your neck

Is it taken in vain if it slips between your breasts?

I mean nothing by it. Don't think in bad health

You're clothed in his embrace if nothing else

Celebration

Celebration of her love

Celebration

Celebration of her love

Ooo...

Are you craving a fire or just feeding a flame?

It's a brave new world. Why are the devils the same?

Your stuck in a moment and miss the desert for the debris

Scared it's not just madmen we appease

Celebration

Celebration of her love

Celebration

Celebration of her love

Celebration

Celebration of her love

Celebration

Celebration of her love

Celebration

Celebration of her love

Celebration

Celebration of her love

Celebration

Celebration of her love

Celebration

Celebration of her love

Ooo...

For more infomation >> Hello Stranger: Celebration | Performance Video - Duration: 4:15.

-------------------------------------------

Five by Five • S01E18 • TPN's Angel Guide - Duration: 22:53.

I've tried to make the script for this video entirely self-contained.

However it's viewing is enhanced greatly by having watched two previous videos of mine.

The Buffy episode guides for Lie to Me & Amends

Respectively.

Both are linked, in the description

During Angel's run, the series experienced two reinventions where the very skeleton of

the show itself was changed.

I mentioned in the last episode guide that there had already been a shift away from the

case of the week with Angel as the protective guardian, to a greater focus on our trio of

do-gooders.

But Five By Five cauterizes that change and uses the Ragin Slayer to reintroduce Angel's

mission statement.

This is a terrific episode, and a fan favorite for good reason.

I have a couple issues with it here and there but it reminds me of the Buffy episode Passion.

Like Passion the final act leaves me holding my breath, and elevates 5by5 to one of my

favorite episodes of the series.

In this video I also want to have a discussion about Faith's arc, and since Faith is a

former psychological symbol of Buffy's and works as a direct analogy to Angel, there

is a lot to talk about.

Pay close attention to this one and Sanctuary.

These are linchpins for both shows in what they have to say about love, redemption, Sunnydale,

LA, Buffy, and Angel.

Five by Five begins with a rather long and epic previously-on covering a full season

plus two episodes of Buffy.

A street criminal is being chased by three demon assassins when Angel and Wesley roll

up and save him.

Again, I'm always pleasantly surprised by the show's willingness to "go there"

with demon gore.

It's definitely something unique to Angel the Series.

At the bus station Faith appears in a reveal that always gives me a little chill, and mugs

a low life for his jacket and abode.

Faith already looks "Angel'd up" from the hyper saturated Buffy Season 4.

Her time since the church is wearing heavily on her.

In flashback we see Angel killing the Romani girl that would eventually lead to his reensoulment.

Then follows a bit of an odd sequence.

While Angel tries to save the soul of the ruffian, Cordy says all men are nothing but

surface.

Cut to where Faith dances up on a girl's boyfriend and he doesn't care.

Faith decks the girlfriend.

The guy tries to hit her her and she takes him out.

This begins a melee in the bar which Faith dances her way through as though it isn't

there.

There are a few things going on here.

One of which I'll save until the end of the video.

First the bit with the couple works as a sort of a pantomime callback to what happened with

Riley and Buffy in Sunnydale, where Riley slept with someone who wasn't his girlfriend

(skipping over the consent issue here - you can go watch the episode guide for that discussion)

and then Faith ended up hurting both of them in the process.

The dancing through the melee also works symbolically for her willingness to just ignore the chaos

she's created and acting the way she always has.

Just close your eyes and keep dancing.

Just keep dancing.

I like the themes.

It's just the excectuion plays out a little campy to me.

Slightly Benny Hill.

*BENNY HILL THEME

In court, Evil Bazinga and Lindsey are about to close a case when Angel brings in the reformed

ruffian and turns over Lindsey's apple cart.

Lindsey and Evil Bazinga scheme to get Faith to kill Angel, and Lillah wants in.

Lillah finds Faith at a bar.

F: I guess we can go somewhere and talk.

But I'm less of a talker.

More of a doer.

L: I think you misunderstood my intentions.

The evil trio makes Faith their offer in exchange for killing Angel and Evil Bazinga makes the

mistake of thinking he's in charge.

Faith politely corrects him.

Bazinga.

Bazinga.

Bazinga.

Back in flashback, a newly ensouled Angel returns to Darla who is confused:

What is this?

Have you met someone else.

"I'm not playing - I just want to feel something else besides the cold.

Don't you feel the cold, Darla?"

Darla kicks him out and Angel tries to feed again but his conscience won't let him.

Faith tries an old trick she'd used on Angel before.

*shooting Angel in the back montage.

It doesn't work.

Angel suggests team Angel split up.

His persistent early attempts to keep people away from him in the first season ARE part

of the point of the first season but, after it has gone badly often enough it starts to

feel a little Cabin in the Woods level satire.

Later that

day Faith tosses Angel a gun to see if he'll shoot her.

He aims for her torso.

Don't know why he throws the gun back to her, blanks or no but she uses it to try and

needle him harder into action.

201

At her place Dennis tries not to let Cordy and Wes in (I LOVE DENNIS) but when he finally

does Faith is there.

"I also believe you're a good person."

"What do you believe now?"

This may be as significant an episode for Wesley as for anyone else.

If everyone on Angel is in LA to atone for something, then the need for Wesley's redemption

was created from failure as Faith's watcher.

This moment with Faith gives him a real chance to atone for his previous failures.

Wesley absolutely knows he can't overpower her.

If he can avoid playing into her game, letting her actions inflame his anger, and just find

some way to get through to...

Okie dokie.

Instead, Wesley acts quickly and violently, without consideration of the cost.

It may be a fistpump moment watching Wesley stand up to the out of control Slayer who

has been taking a wrecking ball to all the people we care about, but it's significant

that Wesley just forfeited this possibility of atonement for vengeance, and validated

the toxic behavior of someone in a suicidal tailspin - who is trying desperately to convince

everyone that she is not worth saving.

It's a shocking moment and more important than it may seem.

This begins a remarkable scene between them.

A case study in dramatic tension and character.

It's incredibly tense but there's very little violence shown in the shot.

Everything is implied.

Hinted at.

The actual horror isn't onscreen.

And what makes it work are just monumental performances from Dushku and Denisof, along

with some pitch-perfect musical coverage.

As strong as he is in this scene, Faith's attempts to terrorize Wesley worked on me

completely.

"We've done blunt.

But that still leaves hot, cold, sharp, and loud."

Uhh...can we go with tickle?

In an episode that wasn't quite holding together for me, this scene is Giles' walk

up the stairs to La Boheme.

There's no looking away from this moment on.

W: "I was your Watcher Faith.

I know the real you.

And even if you kill me there's just one thing I want you to remember.

You...are a piece of sh..."

F: "You should talk."

We've seen Wesley's vulnerability in earlier episodes but this episode gives us a glimpse

of something darker.

Something...more vengeful.

It is also the end of bumbling Wesley.

As the series has gone on there has been growing pattern of rashness or impulsivity revealed

in Wesley's character.

*demon face

It appears that Faith is succeeding in convincing everyone else what she is.

"You're nothing.

Disgusting murderous bitch.

You're nothing.

You're disgusting."

The bad guy.

As Angel tracks her down Faith looks emptily at a shard of glass covered in Wesley's

blood which she drops half heartedly in the alley.

I wondered if it was to bait Angel closer with the smell.

But after making Faith a terrifying character through the torture of another character that

I already loved, Dushku and company did enough with one single shot to completely restore

my empathy for her.

It's kind of a marvel.

In the shard of glass we see the horror of what she's done and in her expression we

see her horror at who she is.

As Faith menaces Wesley with a blowtorch, Angel comes to save the day.

This is a terrific fight but what makes it work for me so much more are Angel's lines

during the brawl.

First he cuts instantly to the quick of her braggadocious artifice

A: This isn't about Wesley.

This is about you and me.

F: No baby he's payback.

A: For what?

I thought you were happy being the way you are.

He is SO incisive in this scene.

This could be one of my favorite Angel moments in the series.

The writer's using EVERYTHING that he is so he can save someone.

Wesley breaks loose and so does the fight.

But it's important the way Angel fights.

Never really with initiative.

He deflects.

He drains.

But he doesn't really attack.

When she lunges with a stake, Angel takes the fight outside.

"I wish I could make the world a better place for you to wake up in.

But the hard pill to swallow is that once I'm gone, your days are just plain numbered."

And as Angel strips away Faith's reasons for attacking him, her real intention starts

to become clear.

A: You think I don't know what you're after, I do.

Wesley cuts himself free and grabs a knife to jump into the fray.

But in the alleyway, Faith's defense is crumbling.

Before we go any further let's look at what has lead up to this moment to try and understand

the characters in the Buffyverse in a way we haven't before.

We've spoken at great lengths now about the show's philosophy and portrayal of the

soul as the moral compass.

And how it is the moral compass that enables us to make choices that might be contrary

to our own self-interests, as varied as those self interests may be.

In other words, the soul is what empowers us with genuine free will and the possibility

of making choices that fill our life with meaning.

To this point we've also spoken vaguely about the role that love has played in the

philosophical model.

Buffy's show makes clear that one of the reasons for her longevity as the Slayer is

the love she shares for the people around her.

Mother, Father in Giles, and Xander and Willow.

"You're the Slayer, and we're the Slayerettes."

But I've also suggested that the soulless and the evil in the Buffyverse can love.

Lacking a soul doesn't make you incapable of loving, just incapable of loving selflessly.

To put it all into perspective, it's useful if we take a look at the three Slayer's

we've met in the Buffyverse so far, Faith, Buffy, and Kendra, all three of which have

souls.

Loosely the three of them actually work quite well as symbols for Freud's three aspects

of the human personality.

The ID, the Ego, and the Superego.

The ID, Faith in this case, is our inner child.

The ID is the source of every impulsive desire we have towards loving and be loved, joy,

rage, and post adolescence, sex.

As much as we might intellectualize and romanticize our ability to love,

babies aren't born with any sense of duty or purpose, but obviously are attached to

and show affection for their mothers from birth.

Attachment and affection are just terms that fall under the broad umbrella spectrum by

which we define love.

And as we get older and become more complex, so too do the ways in which we desire and

show affection for the people closest to us.

Kendra, symbolically would be the superego, pursuing duty and the ideals of the Watchers

to a fault, almost totally at the expense of love, friends, or indulgence of any earthly

impulses.

This element of personality is not the soul itself but it requires one in order to be

present.

Which is why vampires are all ID monster.

For now Buffy is the ego, or balance between.

Walking the tightrope between the passionless Superego

"That emotion you're feeling right now?

That's anger."

And the reckless and impulsive ID "But we don't get to pass judgement on people,

like we're better than everybody else.."

--- "We ARE better."

But Buffy's show is about becoming an adult that lives with authenticity, which to me

means accepting an ongoing process of integrating the impulses of her ID and the demands of

her superego into her own unified identity.

In other words someone who loves herself while always striving to be better.

And the engine of that process is living an examined life.

"You must be so disappointed in me."

"No."

"Oh but I know you, Anne.

So afraid, so pathetically determined to run away from whatever you used to be.

To disappear.

Congratulations.

You got your wish."

"I'm Buffy, the Vampire Slayer and you are?"

"Before I became the Slayer I was... well I don't want to say shallow, but... let's

just say a certain person who shall remain nameless, let's call her "Spordelia", looked

like a classical philosopher next to me."

Becoming a better human being is not simply a matter of environmental coincidence combined

with the inevitability of time but requires a healthy (as in non-neurotic) amount of introspection.

We can't actually make a meaningful choice if we deny what we've done or who we genuinely

are in this moment.

And, to some degree, Angel's show is more full of characters grappling with that ongoing

process of adulthood than Buffy's.

"Then it's like I'm still being punished."

"Punished?

For what?"

"For who I was.

For the things I did in High School."

"Well we all got something to atone for."

"The council was right to sack me."

"What do you want Angel?"

"I want...forgiveness…"

"And that's the truth."

As I've said before, if Buffy is principally a show about growing up, then Angel is a show

about being adult.

It's important to make the distinction that just because Kendra and Faith work well as

symbols, doesn't mean they aren't also complex characters.

Kendra had human impulses but denied them in the name of duty.

Faith acts almost entirely impulsively but there has always been indications that she

wants to be more.

As when she fell victim to Gwendolyn Post's manipulations or even her subconscious dream

self giving Buffy the key to defeating the Mayor.

There is much evidence in the Buffyverse to suggest that a necessary balance for living

a moral, ethical life of meaning is love.

Friends.

Family.

Partners.

As the title suggests with Out of Sight, Out of Mind - Marcie's inability to connect

with anyone around her eventually lead her to turn completely invisible and, following

that, insane.

Her's is not simply a hedonistic spree of violence.

"The loneliness.

The constant exile.

She has gone mad."

Jonathan's inability to connect with anyone lead to his suicide attempt in the clocktower,

where Buffy tried to share with him the perspective that everyone is suffering.

Everyone is turned inward.

But rather than developing that empathy for everyone else and letting that bring some

peace to his own pain, in Superstar he made himself the nexus of everyone's focus.

"Jonathan you can't keep trying to fix everything with some, grand gesture."

One way or another, our innate desire to love and be loved must be grappled with.

But I wouldn't dare oversimplify as to say that the reason Faith committed evil was because

she wasn't loved enough.

We all suffer loneliness and loss and cruelty.

But certainly Faith came to Sunnydale with some open wounds and lacking the tools for

closure.

She makes no mention of her father but her mother is dead and we can infer what her upbringing

was like:

"Mom was so busy, you know, enjoying the drinking and passing out parts of life, that

I never really got what I wanted."

She also witnessed her Watcher's grisly murder.

She has a use-them-and-lose-them attitude to any men in her life.

They are not a source for connection.

"All men are beasts Buffy."

But she and Buffy were, for a few episodes, on the verge of making that necessary connection

for her, before the recklessness and impulsiveness which she brought along with her to Sunnydale

causes a morally abhorrent act that she can't take back.

And she reacts as someone with a hungry unfed ID might, unable to take any responsibility

for her actions.

"The bodies gone.

I weight it and dumped it.

It never happened."

Her denial causes a permanent rift with the one person she might've had a healthy connection

to.

And I think perhaps having been the victim of some monstrous acts in her lifetime, the

only way she can understand Alan's murder is that she too much be a monster.

With that, Faith tumbles into darkness.

Abandoning free will for the only source of connection she can find.

The problem is that the Mayor was soulless and because of that the mayor's love could

only be conditional.

In this case upon his being able to control her.

"Replacing Mr. Trick was problem enough."

- "Shoes shoes shoes."

He didn't hold Faith to any higher moral standard, as Buffy, Xander, and Willow hold

each other, because he was incapable of one himself.

But he did love her, and one of his final acts on earth was to leave a message, and

one last shot at Buffy.

After the body swap, in Who Are You, Faith gets a taste of a life she's always wanted.

A mother who loves her.

Friends who include her.

A tender intimate boyfriend.

And people who express great gratitude towards her for being the Slayer.

Her decision to go to the church is her first moral choice since Alan's death.

But she doesn't want to live as Buffy has.

She wants to be Buffy.

Because she…

Is tainted.

When Five By Five begins, we find her dancing, alone, eyes closed as the violent consequences

of her actions domino around her.

This scene is so reminiscent of another that I think we might interpret what she's imagining

as she moves alone across the floor.

And the name of the club is Club Hell.

A callback to another episode, Anne, when Buffy abandoned her calling and ended up a

nameless nothing in a hell dimension surrounded by victim's she couldn't save.

"What is hell, but the substantive absence of hope?

The tactile proof of despair."

But in Faith's hell, she is the devil.

The rotten and selfish monster, ignoring choice and freewill, because not doing so would mean

having to take responsibility for deeds she can't take back.

F: What if you had Buffy?

And Giles was my watcher.

Do you think you'd still be sitting here right now.

Or would Giles be sitting in that chair?

Or is it just fate?

And there's not choice.

You were going to be here no matter what?

Think about that stuff?

...I don't.

It's a hell in which she is the evil person she's afraid she is, constantly escalating

the violence with a single specific purpose in mind.

In the finale she regularly refers to herself as bad which we can interpret in this case

as someone who has murdered.

And she uses the same term for Angel.

"Come on Angel.

I thought you were bad."

And since she had a soul and murdered several people she thought she might be able to get

Angel to kill her, if given enough incentive.

She even tests if Angel he's ready to go all the way.

"You didn't shoot to kill.

We're going to have to up the stakes a little."

But somewhere inside, the spark is burning her.

Just as Faith story parallels Buffy going to LA to escape herself and ending up in Hell,

there were two instances of Angel attempting suicide because he had given up hope.

The first I pointed out earlier in Buffy Season 1 Episode 7, and the second is in Amends.

To be clear though, the weight of the soul may often be a source of despair, regret,

and hopelessness but suicide is still an act that emerges from our ID.

Which is why Spike is capable of attempting it.

It's an act motivated to remove oneself from suffering, pain done to you or the pain

of the what you've done.

Coupled with the belief that things are truly hopeless.

That either we lack the ability to affect actual change in our lives.

Or that we don't deserve it.

"Am I a thing worth saving?"

After Angel decides to keep fighting, his first real client, was actually Faith in Consequences.

"You don't have to disappear into the darkness Faith."

Think about the original mission statement in the first season: Angel investigations

we help the hopeless.

Wesley botched Angel's chance there but here in the final scene of the episode, despite

all the horror she is capable of inflicting on him and his family, Angel's unwillingness

to kill her, and to bear every brutal punch and let her beat her self-hatred against the

shoreline, is an immutable act of compassion.

Finally, for Faith, and after she's done absolutely everything she can to prove she

doesn't deserve it, an act of selfless authentic love.

And if she's worth that, then maybe it follows that there's hope.

After all, the episode in which Faith premiered was called Faith, Hope, and Trick, which was

a play on Corinthian's 13:13

And now these three remain, faith, hope, and love.

But the greatest of these is love.

701

It's complicated.

It's beautiful.

It's gut wrenching.

I love this episode.

The psychological mechanics going on are absolutely lovely.

And as much as I may have a complaint or two about the opening, the back half is flawless

and just emotionally devastating.

Wesley dropping the knife is one of the most beautiful and cinematic shots in the series.

If Angel lacked a Big Bad before, Wesley, Lillah, and Evil Banzinga scheming to have

him killed certainly cements their role in the Angelverse.

In this series we've been using Buffy and Angel as mediums for discussing life, philosophy

and psychology, but I believe it's important to make an addendum to this one.

As much as I think the characters work as interesting models for authentic living, they're

are always saved by another's love.

Angel is saved from the void by Buffy.

Twice.

Jonathan.

And here Faith.

And that works well in drama.

But the hard truth is that oftentimes, our suffering is solitary - our self-hatred, something

that we flay ourselves with from the shadows.

As I've said in other videos, part of finding the will to go and get the rock is not just

believing that there are things worth fighting for, but accepting that you are one of them.

In truth, I'm not sure that unconditional love exists except in our capacity to give

our own away freely, including to ourselves.

And whatever has come before, there is in every passing moment an opportunity to create

good.

That's hope.

Which has ended up being my reason to hike back down the hill for another go with rock.

The hope that in a day or so, I'll create something new that might provide someone a

moments peace.

I don't always, but it happens sometimes.

And when it does, it's enough.

She's like us.

She's a monster now.

She's an innocent victim.

So were we.

Once upon a time.

...once upon a time.

For more infomation >> Five by Five • S01E18 • TPN's Angel Guide - Duration: 22:53.

-------------------------------------------

Dragon Age: Origins - Episode 10 (TV Series) - Duration: 1:07:53.

(RECAP) ELISSA: This Treaty obliges Orzammar to aid me

GUARD: Orzammar has no king.

You are free to enter Orzammar, Grey Warden.

Though I don't know what help you will find.

(RECAP) SHAPER CZIBOR: A Paragon is a dwarf whose accomplishments change Orzammar so much

that the Assembly recognises they've been born blessed.

They are venerated as living Ancestors

and found a new noble House, forever bearing their name.

There is one Paragon of this generation.

A woman named Branka.

She was born a Smith, but her inventions caught the Assembly's eye.

(RECAP) ELISSA: Who's Oghren?

DWARF: Oghren's a drunken wretch.

hounding people to lead some suicidal rescue mission after Branka.

(RECAP) OGHREN: I figured you'd be the one, you know?

Who could help me find Branka.

I guess you're just like all the rest.

Your boss - he's like the rest of 'em.

I know he's been poking around, trying to find things out about her...

what she's looking for...until your boss really commits to lookin'

you're getting nothing but smoke out of ol' Oghren.

(RECAP) HARROWMONT: Do you know anything of the Paragon Branka?

Two years ago, she took her entire house into the Deep Roads on a mad quest to uncover ancient secrets.

Were she to return and endorse someone for the throne

the Assembly would be honour-bound to accept her wishes.

ELISSA: If it will get you to the throne, I will find Branka.

HARROWMONT: My men traced Branka's disappearance to an ancient crossroads

known as Caradin's Cross. I can provide a map to lead you there.

(busy marketplace chatter)

ELISSA: You said something earlier about mages...

STEN: We have no mages such as you do.

We have beasts in the shape of men, who perform tricks.

ELISSA: Magic is more than tricks.

STEN: True. I suppose it is also horror and perversion.

ELISSA: Don't you think that view is a little harsh?

STEN: As the fish stranded by the tide knows the air

or a drowning man knows the sea, so does a mage know magic.

ELISSA: Knowledge is not as deadly as ignorance.

STEN: Knowledge is one half of wisdom.

but there are many things that can only be known too late.

Pashaara.

Are we going to fight the darkspawn, or chatter until they grow bored and leave?

WYNNE: Is there something you need?

ELISSA: Why didn't you want to stay at the Tower?

WYNNE: The Circle is in good hands.

Irving knows what to do, and he doesn't need me underfoot.

For now, I will support those who battle the darkspawn.

I do feel I left things unfinished in Ostagar.

There is so much left to do.

And I would be part of it.

ELISSA: But, you left the children...

WYNNE: Yes, I did leave them.

But if the Blight is not stopped, all of them will face suffering greater than what was seen in the Tower.

The Grey Wardens - all *two* of you - need all the help you can get.

I will see this through to the bitter end. And after that

if I am still left standing, then I will return to the Circle.

ELISSA: I'm sure you'll be able to return, if you so choose.

WYNNE: Perhaps.

ELISSA: I'm told you killed your former master...

SHALE: Did I not already tell it that I do not remember doing such?

I remember having a master...

My memories of what happened to him

are...vague.

ELISSA: Vague...?

But not non-existant?

SHALE: Clever. And true. (sighs)

Oh...very well.

Let me see what I can recall...

My former master enjoyed experimenting upon me.

I remember that much.

There was...tinkering with spells, and the crystals

he was very eager to alter my function, I think.

ELISSA: What sorts of 'experiments'?

SHALE: Bah! I am no mage.

And he did not explain himself to me.

Anymore than *it* would explain itself to a sword.

He possessed my control rod.

And back then, it would have prevented me from doing *anything* he did not command me to.

No matter how I might have wished to.

So what happened? I am unsure.

He was experimenting, and then...nothing.

ELISSA: So he hit the 'kill me' button by accident?

SHALE: Ho, ho, ho.

It does like to laugh, does it?

But who knows? I may have such a thing.

And then he was gone. I was standing where I was in the village, and I could no longer move.

Villagers came, poked and prodded me in fear

and then realised they could neither move me nor destroy me.

And so they simply left me.

And in time I forgot I hadn't stood there all along.

ELISSA: But.... you *wanted* to kill him, right?

SHALE: Oh yes. Yes, yes, yes.

Very much so.

So many years I'd had to leap to that little toadstool's every command!

'Get this, pick up that, put it down, pick it up again!'

The gall!

At first, I hoped he'd decided to simply leave me there paralysed.

An acceptable trade-off.

After years passed, I simply stopped caring.

ELISSA:...sounds like you had a good rest.

SHALE: I think I was ready to move on.

Another few years and the moss would have covered my face.

And then where would I have been?

Whatever the mage did, *seemed* to render the control rod useless.

For which I should be thankful, yes?

And provided it doesn't decide to copy his experiments

- not that I would allow it -

It has nothing to fear from me.

Much.

ELISSA: Sounds good to me!

SHALE: The things that it fights - and it fights things often -

that is a different story.

Let us get back to the walking and the fighting.

My stone is beginning to itch again.

FILDA: I'm sorry.

Did you have an offering for the Ancestors?

Although, I can't imagine your ancestors reside in the Stone...

ELISSA: What were you praying for?

FILDA: My name is Filda, widow of Teruck of the Smith caste.

I pray here every day for my son Ruck.

I only wish I knew whether I should be asking for his safe return

or for the Ancestors to accept his soul.

ELISSA: What happened to him?

FILDA: It was five years ago.

He was only a youngster...

He joined a Deep Roads excursion, the only Smith to go with the Warriors, to repair their arms

He was so proud. They got...separated, somehow.

When they came home, he wasn't with them.

ELISSA: Did anyone go after him?

FILDA: The captains don't want to lose anyone searching for stray men.

Too many were taken by darkspawn that way.

ELISSA: We shouldn't abandon him.

I'll look for him, if you want?

FILDA: How? There is no way, except to brave the Deep Roads yourself.

ELISSA: Actually, I'm on my way there right now.

FILDA: Alone?

But that's unheard of...

No-one risks the Deep Roads without a full company backing them.

But perhaps that explains why one of your kind has come to Orzammar today...

If you'd look for my son - if you'd even find his bones...

you'd have my eternal gratitude.

WYNNE: Take heart, good widow Filda.

We'll do our best.

FILDA: Please, find me as soon as you return.

OGHREN: (heavy panting)

OGHREN: There you are!

I thought I'd spoken to a Grey Warden.

But for some reason, I chalked it up to the drink.

I know you're down here to look for Branka

and...I need to ask a favour.

ELISSA: You're Oghren, right?

OGHREN: You remembered, heh.

I'm sodding touched.

I guess now that Ser upright-and-honest thinks that my Branka's still alive

you're not so quick to say I'm crazy, huh?

But they haven't found Branka herself.

And that means whatever they've got

it's not enough if you don't know what she was looking for.

If we pool our knowledge, we stand a chance of finding Branka.

Otherwise, good sodding luck.

ELISSA: It sounds like we have a deal.

OGHREN: You should know that Branka was looking for the Anchor of the Void.

The secret to building golems, which was lost centuries ago.

The Smith Caradin built it.

And with it, Orzammar had a hundred years of peace

while it was protected by the golems forged on the Anvil.

As far as anyone knows, the Anvil was built in the old Ortan Thaig

Branka planned to start looking there.

If she could ever find it.

All she knew was that it was past Caradin's Cross.

No-one's seen that Thaig for five hundred years.

ELISSA: Harrowmont gave me a map, I can get to Caradin's Cross.

OGHREN: If we're going, let's get moving.

Branka's not gonna sodding find herself.

DWARF: What's this, a human?

We make these towns tall enough for humans..?

I'm sorry.

But I cannot allow you past the front lines without a Deshyr's permission.

OGHREN: Open your eyes, man!

This Grey Warden is on a quest to find your Paragon!

Do I have to take your stinking head off?

ELISSA: What Oghren is *trying* to say, is that we have permission.

DWARF: Oghren could have been a Deshyr for House Branka.

Suppose he's the next best thing in both skill *and* arrogance!

You may pass.

I'd offer more assistance, but my command post is here.

All of Orzammar relies on us

to hold this line.

ELISSA: Are darkspawn the only danger in these tunnels?

DWARF: 'Course not!

Down here you're bound to run into giant spiders, deepstalkers, and other vermin.

ELISSA: Deepstalkers?

DWARF: Ugly beasts, they are.

Walk on two legs, but they have the head of a worm and hunt in packs.

Watch out.

They're not afraid to take on a group their own size

ELISSA: Are there no dwarves past this point?

DWARF: A few outposts.

Legion of the Dead mostly, fools that they are

Some scavenger types too.

ELISSA: Legion of the Dead?

DWARF: It's an independent company of soldiers.

They accept no command but their own.

Anyone who can bear arms can join, no matter his crimes.

Heh, or sanity.

They hold a funeral when they join, and swear their only goal is a glorious death.

ELISSA: I should go.

DWARF: Best of luck!

(theme music plays)

OGHREN: Caradin's Cross.

I can't believe Harrowmont actually tracked this place down.

This used to be one of the biggest crossroads in the old Empire.

You could get anywhere from here

including Ortan Thaig.

ELISSA: See any sign of Branka yet?

OGHREN: Not a one.

But trust me, we will once we're on the path to the old Ortan Thaig.

She was going to Caradin's home.

ELISSA: What's so important about Ortan Thaig?

OGHREN: It's the home of Caradin.

The Paragon who made the Anvil.

He was an Ortan before he founded his own House

and even then he spent most of his time in their Thaig.

Branka figured it was the best guess for where the Anvil was located.

ELISSA: Do you know anything else about the Anvil?

OGHREN: No-one but Caradin knew any more than it had some kind of Stone-blessed power

Every golem who ever ranged across the Empire

was hammered on the steel of that Anvil.

but no-one ever knew exactly how they were made.

but Branka was sure she could find out.

ELISSA: So you know where to go from here?

OGHREN: Aye.

Branka dug up some maps of the ancient Empire.

It's a little tough to tell with so much of it collapsed now

but near as I can figure, we're on the right path to Ortan Thaig.

ELISSA: Great! Let's go.

OGHREN: I've been waiting for someone to say that for two sodding years.

DWARF: Well, look what we have here.

A couple of Harrowmont's little lackeys.

Let's show 'em who's king!

(yelling)

OGHREN: You know, I've seen a golem or two in my time

we have them in Orzammar

SHALE: It is indeed wise in the ways of the golem.

It deserves a medal.

OGRHEN: Thing is, I don't remember anyone ever mentioning about them having memory problems.

SHALE: Perhaps *they're* not the ones with the memory problems.

OGHREN: I talked to a golem, once.

It didn't have anything interesting to say, but its memory? Sharp.

It could tell you what you were wearing at the Barnack Festival ten years ago.

SHALE: Probably vomit and flies and little else, if I were to guess.

OGHREN: Course, if someone simply *claimed* to have lost their memory

that would avoid some awkward questions....

SHALE: Is it still talking?

It is not drinking, so it must be.

OGHREN: Fine, fine. You go on, and *don't* answer me.

You'll screw up sooner or later...

(darkspawn growling)

MORRIGAN: It's your time to die!

OGRHEN: By the tits of my Ancestors

Ortan Thaig.

I never thought I'd see this place in the flesh.

I can see Branka all over this place.

She always took chips from the walls at regular intervals when she was in a new tunnel

Check their composition.

If she was still here though, she'd have sentries out by now.

ELISSA: What can you tell me about these ruins?

OGHREN: This was Caradin's home Thaig.

He was an Ortan before he got raised to Paragon.

Even stayed here when he could have had his own House.

I guess he didn't want to move his people to Bownammar.

ELISSA: What's 'Bownammar'?

OGHREN: The City of the Dead.

Caradin built it to honour the Legion of the Dead

but it was more like a sodding mausoleum than anything.

'Course, that was all before he built the Anvil.

After that, he was the city's pet genius

until he angered the king and fell into disfavour.

ELISSA: So there was a city here?

OGHREN: No.

No, there *was* a Thaig here.

The Ortan Thaig.

Bownammar's north and west of here.

But, that's not important

or at least I hope it isn't.

The ity of the Dead is known as The Dead Trenches since the darkspawn conquered it

Much of the Legion was destroyed when the fortress fell.

ELISSA: What if Branka and everyone died?

OGHREN: Well, aren't you a sodding bright spot today?

If everyone was dead, there'd be evidence of a major battle, wouldn't there?

Three hundred or so dwarves don't just *fade away*.

ELISSA: Let's get going.

OGHREN: Couldn't have said it better myself.

MORRIGAN: That is a most offensive odour!

OGHREN: And you're looking at me?

MORRIGAN: Should I be looking elsewhere?

Have you forgotten about the fish you stored in your backpack, perhaps?

OGHREN: I was saving it!

Won't be ready for the lye for at least another day...

MORRIGAN: Even the Chasind did not have such disgusting habits

and they consumed the flesh of the dead.

OGHREN: Fine, fine.

I'll soak it in the lye now...

Have it your way...Miss Squeamish...

MORRIGAN: That's not what I...oh, no, nevermind. Just get it over with. Quickly.

DWARF: (strangled yelling)

RUCK: There's nothing for you here! It's mine!

I've claimed it!

ELISSA: Who are you?

RUCK: You've come to take my claim!

You surfacers are all alike!

Thieving scoundrels!

Well I found it first!

OGHREN: Bah...he's a bloody scavenger.

Good as sodding gone,

RUCK: Be gone, you! You'll bring the Dark Ones back, you will!

They'll crunch your bones...

OGHREN: Word has it you can only survive down here by eating the darkspawn, dead.

ELISSA: Darkspawn blood is poison, men have died from drinking it!

RUCK: It burns when it goes down. It burns!

It's my claim - not yours!

Crunch your bones!

RUCK: Go away, this is mine!

Only I gets to plunder its riches!

ELISSA: I just want to talk to you.

RUCK: No - no talking! You leave my territory!

ELISSA: I'm not here to steal anything, I promise.

RUCK: Pretty eyes...pretty hair...

Smells like the steam of burning water...

Blue as the deepest rock...

So the pretty lady won't take anything from Ruck...?

You won't take Ruck's shiny worms and pretty rocks?

ELISSA: I just want to talk.

I won't take anything.

RUCK: Oh. Ruck not mind that. Maybe.

ELISSA: So your name is Ruck?

RUCK: Ruck not pretty name...

Not pretty like lady.

Ruck is small...and ugly...twisted...

ELISSA: I think I met your mother...

Is her name Filda?

RUCK: No, no-no-no-no - no Filda! No mother!

No warm blanket and stew and pillow and soft words!

Ruck doesn't deserve good memories!

No no no no no no no!

ELISSA: How did you end up here?

RUCK: She did not know...not what I did...

I was very, very-very-very angry, then someone was dead!

and then they wanted to send Ruck to the mines

if I went to the mines - she would know!

Everyone would know!

So I came here, instead...

Once you eat, once you takes in the darkness

you not miss the light so much...

You know, do you not?

Ruck sees, oh yes

He sees the darkness inside you

ELISSA: I am a Grey Warden, it's not the same.

RUCK: Grey like the stone, guiding against the darkness...

Beautiful like waterfalls, under the lichen

ELISSA: How did you survive here?

RUCK: When the dark ones were here, I kept to the shadows

They don't look in the shadows, not if you're quiet!

Not if you eat their flesh...then the dark ones

they think you're one of them - they leave you alone!

but now they're gone.

ELISSA: Do you know where the dark ones went?

I think they went south...pretty lady...

Far, far to the south

That is where the dark master calls them with his beautiful voice...

so much joy when he awoke!

OGHREN: Hmmm..he's talking about the Archdemon, huh?

RUCK: After the dark master awoke

He called his children and they all went

I wanted to go too

and gaze upon his beauty

ELISSA: Where is the dark master now - do you know?

He stopped calling...I wish I could go see him, but Ruck...no, no -

no, Ruck is a coward!

ELISSA: When did you arrive here?

RUCK: Too long ago.

I must think...five years? six?

Ruck no longer remembers the smells and sights of the city

ELISSA: That's such a long time!

You poor dear!

RUCK: The pretty lady understands...

She knows how Ruck feels, she does!

ELISSA: Did you find anything *unusual* at this camp?

RUCK: Bits of things. But only bits!

The growlers...they took almost everything!

They take things of steel and things of paper

They takes the shinies, and the words!

OGHREN: Paper and words?

That sounds like someone was taking notes...

You think Branka camped here?

They bring to the great nest - the nest they makes for the eggs

They puts the shinies inside they do!

OGHREN: Enjoy your tainted mud

you poor sodding Duster.

RUCK: Is not so bad...

The dark and the burning keeps Ruck warm...

Warm like mother's arms...

OGHREN: Get away from me you sodding freak!

Look at him, he's like a...pale mudworm

He should have been sent to the mines.

Instead he chose *this*.

I'd put him out of his misery.

ELISSA: We'll leave him for now.

OGHREN: Looks like that bonepicker's living in Branka's old camp.

Did you see the marks on the floor?

There were a lot of people and fires there, once.

Those must be Branka's papers *he* said were taken by the spiders.

Nothing that fragile would be left from the Thaig.

ELISSA: This looks like Branka's journal.

Oghren - listen to this:

'We found evidence today that the Anvil of the Void was not built in the Ortan Thaig.'

'We will go south, to the Dead Trenches.'

'The Anvil is somewhere beyond.'

'My soldiers tell me I am mad

that the Dead Trenches are crawling with darkspawn

that we will surely die before we find the Anvil, if we find it.'

'I leave this here, in case they're right.'

'If I die in the Trenches, perhaps someone can yet walk past my corpse and retrieve the Anvil.'

'For if it remains lost, so do we all.'

'If I have not returned, and Oghren yet lives, tell him...'

'No, what I have to say should be for his ears alone.'

'This is my farewell.'

OGHREN: Branka was thinking about me!

I knew she still cared!

Old softie.

Looks like the Dead Trenches is our next stop then.

They say the darkspawn nest there. Whole herds of 'em.

But if that's where Branka went, then that's where I'm going.

(Archdemon roars)

(Dwarves yelling)

DWARF: Let them believe they hold us here! When the throne is settled

we'll beat them to their vile birthing grounds!

DWARF: Atras vala, Grey Warden.

I've never seen one of your kind in the Deep Roads.

ELISSA: You know I'm a Grey Warden?

DWARF: I recognise a fighter of darkspawn.

It marks.

It's why we in the Legion of the Dead abandon our lives, so we can face them without fear.

It's a sacrifice I understand Grey Wardens are familiar with.

What do you want here, Warden?

ELISSA: I need to find Paragon Branka.

DWARF: Who put this dull idea in your head?

We've got other things to worry about in Orzammar.

Ah. Now I see.

The deep lords in the Assembly can't make up their minds, so the pretenders need added influence.

I get that right?

ELISSA: That's about it.

You have anything useful to add?

DWARF: Warden, you've got your work cut out for you.

Paragon Branka is dead, everyone with sense knows it.

Past our line, the darkspawn kill *everything*.

ELISSA: Why hold back?

DWARF: I'd gladly lead an assault through the Dead Trenches

but without an ass on the throne, we have no orders.

I won't take fools gold from a pretender.

You want to go digging blind? You go right ahead.

ELISSA: Tell me more about the Legion of the Dead.

DWARF: We die in the eyes of our brothers so we can fight without fear.

It offers redemption for the promise of the greatest sacrifice.

That's all you need to know.

To say more invites...judgement.

Or worse, imitation.

ELISSA: Ever heard of the Anvil of the Void?

DWARF: Like Dusters have heard of respect.

Never seen it.

And if it exists, it wasn't meant for me.

But if you're looking for paragons, you may as well look for the Anvil.

And endless lyrium.

ELISSA: You should be more concerned about the coming Blight.

DWARF: Why?

The other kingdoms only care when the darkspawn march in the light.

But they're always here.

Always pushing.

Your nightmare is my everyday.

Our resolve gives you a rest between Blights.

A surge on the surface would give us a break.

When the time comes, I'll care for a good dwarven reason - sod the rest.

ELISSA: I'm leaving.

DWARF: Let us know if you find any Paragons...

You're as likely to find a dozen, as one.

And Warden - watch yourself.

Drunks make poor allies.

DWARF: Well Grey Warden, I'll give you credit for backbone.

Dug a line through the 'spawn.

Still no sense in your head, but you've got skill.

Good luck, Grey Warden.

???: First day they come, and catch everyone.

???: Second day they beat us, and eat some for meat.

???: Fifth day they return, and then it's another girl's turn...

???: Sixth day her screams we hear in our dreams.

???: Seventh day she grew, as in her mouth they spew...

???: Eighth day we hated as she is violated.

???: Ninth day she grins...and devours her kin.

???: Now she does feast...as *she's* become the beast.

HESPITH: What is this, a human?

Bland and unlikely.

Feeding time brings only kin and clan.

I am cruel to myself.

You are a dream of stranger's faces and open doors.

ELISSA: Is this darkspawn corruption? It looks...different?

HESPITH: Corruption?

The men did that.

Their wounds festered, and their minds...left.

They are like dogs, marched ahead - the first to die.

Not us! Not me.

Not Laryn.

We are not cut - we are fed.

Friends, and flesh, and blood

and bile, and...and...

All I could do was wish Laryn went first.

I wished it upon her so that...I would be spared.

But I had to watch.

I...had to see the change.

How do you endure that?

How did Branka endure?

ELISSA: What *change*? What are they doing?

HESPITH: What they are allowed to do.

What they think they must.

And Branka! Her lover, and...

I could not turn her.

Forgive her. No - she cannot be forgiven.

Not for what she did.

Not for what she has become.

ELISSA: When did you last see her?

No more than a few breaths.

But longer than an eon.

It was...long enough.

Long enough to miss her.

To love her, again.

To hate her more than ever.

No.

I swore not to speak of it.

Not to think of it!

La, la, la, la, la....

I will not hear any more about Branka.

ELISSA: I can end this!

Tell me what I need to know!

DWARF: End this?

I am full of them - only a step from Laryn.

I dream I am away - but real safety?

That means accepting. And I will not

- I will not become what I have seen!

Not Laryn, not Branka!

(offscreen) HESPITH: She became obsessed.

That is the word, but it is not strong enough.

Blessed Stone, there was nothing left in her.

but the Anvil.

(offscreen) HESPITH: We tried to escape

but they found us.

they took us all.

turned us

The men, they'd kill...they're merciful...

the women...they want.

They want to touch - to mould

To change until you are filled with them

(offscreen) HESPITH: They took Laryn.

They made her eat the others...

our friends.

She tore off her husband's face.

And while she ate, she grew.

She swelled, and turned grey...

And she smelled like them.

They remade her in their image

Then *she* made more of them...

Broodmother.

(roaring)

HESPITH: That's where they come from.

That's why they hate us.

That's why they need us.

That's why they take us.

That's why they feed us.

But the true abomination...

is not that it occurred...

...but that it was allowed.

Branka.

My love...

The Stone has punished me, friend.

I am dying of something...

worse than death.

Betrayal.

OGHREN: If Branka is anywhere, this has to be it.

She will not be unprepared.

(rocks crashing behind them)

OGHREN: What was that?

BRANKA: Let me be blunt with you.

After all this time, my tolerance for social graces is fairly limited.

That doesn't bother you, I hope?

OGHREN: Well shave my back and call me an elf!

Branka?!

By the Stone I barely recognised you!

BRANKA: Oghren.

It figures you'd eventually find your way here.

Hopefully you can find your way back more easily.

And how shall I address you?

Hired sword of the latest lordling to come looking for me?

Or just the only one who didn't mind Oghren's ale-breath.

OGHREN: Be respectful woman - you're talking to a Grey Warden!

BRANKA: Ah. So an important errand boy, then.

I suppose something serious has happened. Is Endrin dead?

That seems most likely.

He was on the old and wheezy side...

ELISSA: He is dead, yes.

And the Assembly is deadlocked.

BRANKA: Then what is your involvement in this?

Why would a surfacer be interested in Dwarven politics?

You must have a patron.

A highly placed patron.

And they must want something in particular...

Now, what might that be?

I don't care if the Assembly puts a drunken monkey on the throne.

Because our protector, our great invention

the thing that once made our armies the envy of the world

is lost to the very darkspawn it should be fighting!

The Anvil of the Void!

The means by which the Ancients forged their army of golems

and held off the first archdemon ever to rise.

It's here - so close I can taste it!

ELISSA: Sounds like you could use some help.

BRANKA: And you assume after all my efforts, you'll be able to waltz in and seize the Anvil without a hitch?

How typically arrogant.

The Anvil lies on the other side of a gauntlet of traps designed by Caradin himself.

My people and I have given body and soul to unlocking its secrets.

This is what's important!

This has lasting meaning!

If I succeed, the Dwarven people benefit!

Kings, politics - all that is transitory.

I've given up everything, and would sacrifice anything to get the Anvil of the Void.

ELISSA: You're obsessed!

That must be why Caradin sealed it away.

BRANKA: I will not give up.

His legacy lies just inside

The sum of all his knowledge, and I will have it.

There's only one way out, Warden.

Forward.

Through Caradin's maze, and out to where the Anvil waits.

OGHREN: What has this place done to you!

I remember marrying a girl you could talk to for one minute

and see her brilliance!

BRANKA: I am your Paragon.

(offscreen) BRANKA: I needed people to test Caradin's traps.

There's now way to get through it except for trial and error.

They were all mine, pledged to be my House

and they didn't want to help - they tried to leave me!

Even my Hespith!

but even she couldn't understand that when you reach for greatness

there are sacrifices - as many sacrifices as are needed!

(offscreen) BRANKA: She shouldn't have gone. She was pledged to me.

She swore she'd do whatever it took to find the Anvil.

There was no other choice!

Most of them were dying of the Taint already...

But some...some already were...transforming

I knew what they would become.

They would be an endless supply of fresh darkspawn

to test the traps! They could still serve me, let me find the Anvil!

(offscreen) BRANKA: You have no idea how they carried on.

Holding my hand and begging to die.

They had pledged me their loyalty!

They had no right to fight me.

They say your Order is renowned for its wits, as well as its brawn.

Perhaps you'll do better than my poor clansmen.

There's something about this place...

It makes people despair.

CARADIN: My name is Caradin.

Once, longer ago than I care to think

I was a Paragon to the Dwarves of Orzammar.

SHALE: Caradin?

The Paragon Smith?

Alive?

CARADIN: Ah! There is a voice I recognise.

Shale, of the House of Cadash.

Step forward.

SHALE: You...know my name.

Is it you that forged me, then?

Is it you that gave me my name?

CARADIN: Have you forgotten, then?

Ah.

It has been so long...

I made you into the golem you are now, Shale

but before that, you were a dwarf.

Just as I was.

The finest warrior to serve King Valtor

And the only woman to volunteer.

SHALE: The only...woman?!

A dwarf?!

CARADIN: I laid you on the Anvil of the Void, in this very room.

I put you into the form you now possess.

SHALE: The Anvil of the Void...

That is what we seek.

CARADIN: If you seek the Anvil, then you must care about my story.

Or be doomed to relive it.

ELISSA: You made the Anvil, I take it?

CARADIN: Though I made many things in my time

I rose to fame and earned my status

based on a single item.

the Anvil of the Void.

It allowed me to forge a man of steel, or stone.

As flexible and clever as any soldier.

As an army, they were invincible.

But I told no-one the cost.

No mere Smith, however skilled

has the power to create life.

To make my golems live, I had to take their lives from elsewhere.

ELISSA: It's a dire shortcut.

Was it worth it?

CARADIN: So said my king.

I had only intended to use volunteers.

But he was not satisfied.

And soon a river of blood flowed out of this place.

Finally it was too much.

I refused, and so Valtor had me put on the Anvil next.

ELISSA: What now?

Do you want revenge?

CARADIN: Not revenge.

The blow of the hammer opened my eyes.

My apprentices knew enough to make me as I am.

But not enough to fashion a control rod.

I retained my mind.

You were amongst the most loyal, Shale.

You remained at my side throughout.

And at the end, I sent you away out of mercy.

SHALE: I...do not...remember...

CARADIN: We have remained entombed here ever since.

And I have sought a way to destroy the anvil.

Alas

I cannot do it myself.

No golem can touch it.

BRANKA: No! The Anvil is mine!

No-one will take it from me!

CARADIN: Shale, you fought to destroy the Anvil once!

Do not allow it to fall into unthinking hands again!

SHALE: You speak of things I do not remember - you say we fought

Did you use our control rods to command us to do so?

CARADIN: I destroyed the rods.

Perhaps my apprentices eventually learned to replace the rods!

I do not know.

But if so, then all they need is the Anvil to make all the slaves they need!

You! Please! Help me destroy the Anvil!

Do not let it enslave more souls than it already has!

ELISSA: You were a Paragon - I'll help if you support a new king.

BRANKA: Don't listen! He's been trapped here for a thousand years

stewing in his own madness.

Help *me* claim the Anvil, and you will have an army like you've never seen!

OGHREN: Branka, you mad bleeding nug-tail!

Does this thing mean so much to you that you can't even see what you've lost to get it?

BRANKA: Look around.

Is this what our Empire should look like?

A crumbling tunnel filled with darkspawn spew?

The Anvil will let us take back our glory!

ELISSA: The Anvil enslaves living souls!

It must be destroyed!

SHALE: So it fights with Caradin?

Good. That seems right.

MORRIGAN: Have you no desire to discover this Anvil's potential?

It is a marvel - a tool of creation!

You could rival the Maker himself with this instrument.

If you destroy the Anvil, I swear you will regret it.

ELISSA: And how would *you* like to become a golem?

MORRIGAN: You would not dare!

ELISSA: Wouldn't I? If I cared only for power?

MORRIGAN: I would rather not find out.

Fine.

Destroy it, if it pleases you.

CARADIN: Thank you, stranger.

Your compassion shames me.

BRANKA: Bah! You're not the only Master Smith here, Caradin!

Golems obey me!

Attack!

CARADIN: A control rod? But - my friend! You must help me - I cannot stop her alone!

CARADIN: Another life lost because of my invention.

I wish no mention of it has made it into history.

OGHREN: Yeah, you ain't kidding.

Stupid woman.

Always knew the Anvil would kill her.

SHALE: How is it the woman was not able to disable me as she did you, Caradin?

CARADIN: I do not know.

Have you been altered?

SHALE: I once had a pathetic little mage of a master.

He did...something...to me. Experiemented on me, and then I killed him.

And it rendered me paralysed.

CARADIN: Hmm. Perhaps he was bringing forth old memories?

And caused you to remember the time when you fought at my side.

The paralysis you speak of always resulted when the master perished.

As for your free will, you were always a strong woman, Shale.

I am pleased to see you remain such.

SHALE: I don't know what to say.

...thank you.

CARADIN: Ah...do not thank me.

All of this...this is my doing.

My legacy.

But at least it ends here.

I thank you for standing with me, stranger.

The Anvil waits there for you to shatter it.

MORRIGAN: (laughs) Yes, excellent idea! Just destroy it now, after all this.

CARADIN: Is there any boon I can grant you for your aid?

A final favour before I am freed from my burden?

ELISSA: I need a Paragon's support to settle an election.

CARADIN: For the aid you've given me, I shall put hammer to steel one last time.

And give you a crown for the king of your choice.

CARADIN: There, it is done.

Give it to whom you will.

I do not wish to hear their names, or anything more of them.

I have already lived far beyond my time.

I have no place here.

ELISSA: I will destroy the Anvil, as agreed.

CARADIN: That would please me, human.

CARADIN: You have my eternal thanks, stranger.

Atrust nal tunsha.

May you always find your way in the dark.

ELISSA: Oghren - what is this, can you tell?

OGHREN: (mutters)...Names.

Long list of dwarves.

Hold on...

'We honour who have made this sacrifice...

let their names be remembered.'

Fart me a lullaby!

It's a memorial! Of all the dwarves who became golems.

Has to be.

If there was some way of getting this back to the Shaperate in Orzammar

I bet they'd brown their trousers!

And pay good gold for it.

Hm. Probably both.

ELISSA: Shale, do you recognise this at all?

SHALE: No...?

Perhaps it thinks I should?

If there is some way to make a copy of these runes, I am willing to study them.

Perhaps there is something to be gleaned from them? I know not.

For more infomation >> Dragon Age: Origins - Episode 10 (TV Series) - Duration: 1:07:53.

-------------------------------------------

Meme Book Tag! - Duration: 13:57.

hello booktube I'm Vanessa and today I'm here to do the meme book tag!

first of all you will have to excuse my face in this video, I feel very puffy and I feel

very red, my allergies are just out of this world lately, I don't know what's

going on. I read a conspiracy theory that the reason why so many people's

allergies are starting to get so bad lately is because the earth is like

starting to see us as like a harmful parasite so it's trying to exterminate

us or whatever, and I'm not...I'm not saying that's true, but my allergies do

feel like they're trying to kill me lately. anyways! this tag was created by

Dylan the reader and I will leave a link to the original down below, and all of

the questions are based off of memes, which are the best part of the Internet

if you ask me, so I'm gonna go ahead and get started.

question number one is crying Kim Kardashian, and that is a book that made

you cry. I think the first book that ever made me cry was the dear America book

that's about the Titanic because spoiler alert the Titanic sinks

and people die. and then the most recent thing that made me cry I believe was

paper menagerie by ken liu, which is a short story that just oh my god it hit

it hit me right in the feelings, like I can't even deal. it's about a little boy

that is growing up in like white suburban America

but he is half Chinese because his mother came from China. and growing up

the kid is like very embarrassed by his mother and the fact that she's different

and that she practices her Chinese culture very openly, and it's so like

heart-wrenching I think as an adult to read, because I just, I don't know, you

you see the mom doing so much for her child and loving him so much and doing

really like magical wonderful things with him and for him, and the kid kind of

like pushing them away and not appreciating them and holding his mom at

arm's length. my heart just broke while reading that story, so if you are looking

for something to break your heart, paper menagerie by Kim Lu. the next question is

Salt Bae, and this is a book that just needed a little something more and for

this I'm going to say reign of the fallen because I liked reign

of the Fallen, I liked the concept of it and everything, it is about like a

bisexual and necromancer which, come on. but I just feel like it wasn't executed

very well, I feel like the things in the story that could have been very

emotional and very touching weren't like built up enough before they came to that

point, so it kind of just felt like you were being thrown random emotions that

you didn't really connect with because they hadn't been properly planted and

grown from the beginning, if you know what I mean. yeah I would just sprinkle a

little more development onto Reign of the Fallen. the next question is guy

thinking and this is a book that made you think, and I wanted to say ten days

in a madhouse by Nellie Bly this is a nonfiction account actually, I think it's

from the 20s, of a journalist that actually gets herself institutionalized

on purpose so that she can go inside the asylums back then and just kind of

report on how the conditions were in them and what things were actually like

in there, because at that time asylums were horrible, people were being mistreated,

like the stuff that she writes about experiencing while she was in there is

horrifying. it's like the worst kind of abuse and neglect, and even Nellie Bly as

a completely healthy journalist going in there just for a story, it came time for

her to leave and she tried to get out and she revealed to them, hey like I'm

just a journalist I'm in here doing a story and I want to go now, they were

like, oh you believe that? like they literally like they wouldn't let her out,

she had to have her boss come and like vouch for her and it was like a whole

ordeal for her to even get out of the asylum, and I don't know it just made me

think a lot about the way that it's so easy to take advantage of people, it's so

easy to hurt people without anyone else even batting an eye at it, once you say

oh a person is this or that, like it starts to become okay to treat them

differently or poorly or it's like they don't matter anymore. I don't know

it was just a really really interesting read and it's pretty short - and it is

like public domain so you can read it on Google for free so I would definitely

recommend that book. the next one is confused guy and this is a book whose

hype you didn't understand, and for this I just want to say like modern poetry

like milk and honey and the princess saves herself in this one, which like no

shade to those books, like I understand that those authors are putting their

feelings out there and they are very personal and they are very empowering so

like I get it, I think they're great but like, I don't know, just the style of

poetry and the way that people like praised them, like oh my god

it's art it's poetry, like I am cornflakes put milk on me. question

number five is evil Patrick and this is a guilty pleasure read, whatever you take

guilty pleasure reading to me and for this I want to say the Cassandra Clare

books because I think we're all aware that people who are you know "mature

serious readers" like kind of shit on these books a lot, and I get it, because

they're not like the greatest books but there are good things in them too, there

are a lot of really good things in those books.

the next question is Meryl Streep, a book that you are always hyping up, and I

think we all know it's Pride and Prejudice, like please read Pride and

Prejudice, and please watch the movies for Pride and Prejudice, just do it. the

reason I want to hype Pride and Prejudice up so much is because a lot

of people don't understand. they don't understand! it's not like this stuffy old

boring classic romance novel, like it's really

funny. pride and prejudice is basically a 17th century rom-com,you're missin out, you're

really really missing out. question 7 is successful baby and this is a book that

you felt accomplished after reading, and for that I'm definitely saying Anna

Karenina by Leo Tolstoy, because first of all that book is like a zillion pages

long, literally a zillion. and also I think

just the accomplishment of being able to be like really pretentious and say like

oh yes I've read Tolstoy is like so worth it.

the next one is penny wise, and I love this meme so much honestly, and the

question for it is a book with a promising concept / a book you had high

expectations for but ultimately let you down, and I have two answers for this,

because I'm not getting out of this video without mentioning the letdown

that was dark fever by Karen Marie Moning. I had heard about this book, it's

about dark evil fairies and inspired by Irish folklore, and I was like

oh my gosh yes, and then I picked it up and I was like oh my gosh noooo. it was so

cringy, it felt like something that like a hashtag edgy like twelve year old

would have tried to write to show how like dark and tortured they are or

whatever and I couldn't. and also the love interest like I am so sorry I know

a lot of people like this book and they like the love story in it, but Jericho

Barrens or whatever his name is is a straight-up like scary abusive

controlling like stalker. like there's a part in the

second book where he puts the main character in manacles and chains her up

in his basement or whatever so that she can't go to a place he doesn't want her

to go, and he inserts her against her will and without her knowledge with like

a GPS tracking device so that he can know where she is. and the next one

that I want to mention was everland by wendy spinale, all this is a steampunk

peter pan retelling, it's all dark and gritty and set in like this

post-apocalyptic world and that sounds amazing but again this book was just so

like hashtag edgy that it was just cringe-worthy to me. like it tries so

hard to bring like dark gritty things into the story but they just don't feel

right because the writing itself is very like juvenile and very fluffy and we're

just doing this like cool middle school vibe thing, and then suddenly they start

talking about like the threat of sexual assault to a twelve-year-old girl and

you're like what whoa like whoa. question number nine is headphones guy and this

is an audiobook that you enjoyed listening to. I really liked the glass

castle by Jeannette Walls I believe. this is basically her memoir about growing up

in extreme poverty with an extremely eccentric family, they were very nomadic,

you know, her parents never wanted to like have a job or a house or you know

shelter their children, so they would like drive their car out into the

desert and live in the desert for a month, and just like the things that she

writes about going through as a child because of her parents. on the one hand

like those are her parents and she loves them and they're

interesting and they're quirky and they had an adventurous life, but on the other

hand the way that these parents just decided not to take care of their

children like, ugh. I liked the audiobook because it was interesting to hear these

really like personal deep down stories from Jeannette Walls herself and I

really liked that, and I liked the way that the book kind of explored that

complicated relationship that she had with her parents, and, I don't know, it was

just a really really good book. question number 10 is distracted guy and this is

two books one that you've been neglecting on your TBR for a really long

time and one that is new and distracting to you. and a book that has been on my

TBR like since the day I started booktube and that I still have not got

around to reading yet, even though I say I'm going to every single fall, is the

diviners by Libba Bray. I want to read it so bad but it's just every fall comes

around and there's all of these other books, I have 45 books on my like

Halloween book list, and I don't know, I always just find myself reading every

other book except for the diviners. question 11 is the catch me outside girl

and this is a book that tried to be something it's not, whether it was just

really pretentious or it was mis-advertised or whatever, and I mean I

could also say Everland for this as well in that it was advertised just like ooh

so dark so gritty. but to get a new answer here I'm gonna say station eleven

by Emily st. John Mandel because this book was advertised to me as kind of

like a literary fiction, it's just very thoughtful, I had heard that it was about

a traveling theatre group who is still traveling around after kind of an

apocalyptic event has happened and they're still going around like the

little, you know, survivor outcroppings and performing Shakespeare because it is

important to still embrace, you know like, art and feelings and the things that

make us human even when all we're trying to do is survive. I like that! that

sounded amazing! what this book gave me

was nightmares. um this book is basically season 4 of The Walking Dead it starts

out with like a virus outbreak where people are like violently becoming ill

and dying and then other people are catching it and everyone's running

around and Society is collapsing, and as mentioned several times zombies are my

biggest fear, and while this book isn't about zombies it is about all of the

same things that come along with zombie stories, which are what makes zombie

stories so scary, and that is, you know, the collapse of society the idea of like

a contagious epidemic that could be a death sentence for you or it could leave

you in a world where there is no safety anymore, there's no one to help you if

you need help, you can't trust people you can't set up a home somewhere and trust

that you will be safe in that home, there will be very bad people that take

advantage of the situation to do very bad things, and so much of station 11 was

about that, and it was horrifying, and if this book had been advertised to me as a

horror novel I probably would have been on board, but since I was going in

expecting a really heartwarming travelling group of Shakespeare people...um...eeek

and question number 12 is dog in fire and that is how many unread books do you

own. I don't know how many unread books I own physically but there are 265 books

on my Goodreads TBR, which I know for a lot of booktubers

that's not a lot like I'm sure a lot of people have more, but to me that is

always in the back of my mind. like I am always like I will never in my life

finish my TBR, which on one hand sounds cool because it's like yeah

like why would you want to finish your TBR? why would you ever want to be out of

books that you want to read? I get it, I get that it's a good thing to have a

large TBR like that, but on the other hand like I'm kind of a completionist

and I don't like ongoing tasks that I can't like check off and say like oh

it's done, so honestly and knowing that there are that many books on my like

to-do list I feel like the dog in the fire sometimes honestly. and then

question 13 is a bonus question where you get to pick your own meme and make a

question to go along with it um a meme that I really like, it's not

one specific one, but I like it when people take like news headlines or

something and they make a poem out of them, for example my favorite one I think

is this one from like dr. Phil or Maury or something, where it says roses are red

rice is a grain, Erica found a tooth in her home that

Michael can't explain. it's like I just love them so much they crack me up every

time I see them. and for this I guess since I already talked about the poetry

that I don't like in this video, I'll make this question a poetry book

that you do like. and for that I'm going to say the planetary tambourine by

Steven nightingale, these are sonnets and they're actually

inspired by northern Nevada, which is where I live and have grown up, it's

my home, so I don't know getting to read these sonnets is very, they feel good to

me and I like their style and I like the way that he writes and they feel like

poetry you know what I mean? okay so that is it for the meme book tag, this is a

really old tag and I don't know who has already done it, I feel like most people

have, but um if you haven't done it yet I tag you because I think it's fun and

memes are fun. so let me know in the comments if you do or have done this tag,

I would love to see it, and also let me know in the comments what is your

favorite meme. I hope that I get to talk to you soon! bye!

For more infomation >> Meme Book Tag! - Duration: 13:57.

-------------------------------------------

Sergey Lavrov Meets President Maduro in New York - Duration: 1:17.

I am very glad to welcome you.

We are always open to cooperation with our friends.

Russian President Vladimir Putin sends his best wishes.

Thank you for all your support and solidarity

in those difficult situations that we have experienced in recent months.

Tell President Putin that Venezuela is stronger now than before.

Difficulties harden us and make us steel.

We took the road of economic development.

For more infomation >> Sergey Lavrov Meets President Maduro in New York - Duration: 1:17.

-------------------------------------------

That Spy is Not One of Us! - Duration: 1:59.

Thank you.

* a mischievous spy laugh *

That spy is not one of us!

* spies spamming x+2 *

That scout is a spy!

* laughing in french *

spy_paincrticialdeath02.wav

An enemy!

The sniper is a spy!

* collectively yet smugly laughing in french *

Sentry ahead!

Shall we?

That spy is not one of us!

* more x+2 spam *

Cornish.

Thank you.

Well, nice shot.

Well the moment has passed.

Slap my hand.

Well the moment has passed. Well the moment has passed.

That spy is not one of us.

Some assistance please!

Admirable shot.

Yyyes.

Help!

Give 'em hell boys!

Proceed!

Place a dispenser here!

* cloak spamming *

Incoming!

* scout screaming *

You got blood on my suit.

That spy is an enemy!

Thank you.

* various spy cleaning noises *

* panicked spies *

* the sound of two spies getting taunt killed *

Here!

Move this machine!

Proceeed!

Danke.

Move these things up!

I require assistance!

Midst.

Many thanks.

Many thanks.

Yesss

That spy ain't one of us!

- But of course! - I spare no expense.

- That spy is an enemy! - Of course.

Move!

Thank you.

Không có nhận xét nào:

Đăng nhận xét