Waching daily Sep 7 2018

- This device can read your mind

and it might also be the world's most

advanced tool for diagnosing Alzheimer's.

It combines brain scanning EEG technology

with machine learning algorithms

to dramatically increase the effectiveness

and reduce the cost of early detection.

- Alright, demo take one, mark.

- And these are the guys who invented it.

- So look into the camera, right?

- Yeah, look right in the camera.

- Should I start talking or...

Hey I'm Dhruv.

- I'm Chris.

- They're sophomores at the University of Maryland.

- Music bend.

- And they're DIY scientists.

(upbeat energetic music)

(soothing electronic music)

- My name Dhruv Patel.

- My name is Christopher Look.

Dhruv and I met in high school.

We didn't really know each other too well back then.

- But we connected in college, our freshman year,

when we went to the same bioengineering society.

- We said why don't we try to form

a team and come up with an idea.

- Let's do something that's personally affected us before.

♪ Happy birthday to you ♪

♪ Happy birthday to you ♪

(humming)

- Alzheimer's is a neurodegenerative disease

and it's one of the most common causes of dementia.

It's truly a horrible disease.

- Your brain just starts to fail.

You start to lose parts that make you who you are,

all of the memories of your past.

It's not just the patient that's affected.

- My grandfather was actually diagnosed

with Alzheimer's at a very, a pretty early stage.

- My grandmother was taken from me by Alzheimer's

and so I wanted to tackle this problem head on.

- You know, seeing that first hand

really empowers me to do more research in the field

and reminds me of why I got in it in the first place.

- One of the biggest problems is diagnosis.

So right now the current Alzheimer's diagnosis,

it takes about one to two years,

maybe some $45,000 and it always happens too late.

- So we're developing a novel way

to detect the disease early on.

- The way we're doing this is using electroencehp--

Sorry, electroencephalogram technology.

It's essentially like a brain wave scanner.

What we're trying to do is combine that

with machine learning to diagnose Alzheimer's.

- Hi I'm Dhruv.

- I'm Chris.

- And this is our opensource portable

EEG headset from Open BCI that we use

to measure brainwave activity.

Here you'll see the electrodes

that are placed on the scalp of the brain,

which is then used to record the electrical

firings of neurons within the brain.

That data is then sent to a microprocessor

right here, which is then transmitted

to a computer via Bluetooth for further data analytics.

- And so the computer will take that EEG data,

it'll do some data processing, and then

will put into a machine learning algorithm.

That machine learning algorithm

has already learned the differences

in EEG readings from those who have

Alzheimer's and those who don't.

And then it will output a diagnosis

for the patient that is currently using this device.

- So once we had developed the machine learning

algorithms and really imputed all of the data

that we could possibly find, Chris came out

with a message saying, "Hey we just got

"83% diagnostic accuracy," and we said heck yeah.

That had been higher than what current

researchers are doing with lots of resources.

And so we said, okay, this is definitely possible

and we can definitely improve on this in the future.

- This technology is a game changer.

Earlier detection of Alzheimer's will lead

to better clinical trials, which means

better treatments and eventually a cure.

So Chris and Dhruv have turned their

DIY project into a startup called Synapto,

and it might not be long before this device

makes its way to your local doctor's office.

- EEGs have existed since like the 1970s.

Usually they're like big machines that

take up like half of the size of the room they're in,

but recently companies have been coming out

with like portable and affordable EEG technologies.

We built it and everything.

We 3D printed all the parts, we assembled it.

We can pair our algorithm with this device

to make Alzheimer's diagnosis more accessible

because devices like this do exist now.

- The access to 3D printers, access to a lot

of new software and a lot of new technology

is really integral as it allows

people from around the world to hack

into what's going on in the brain.

We hope to be able to put this device

in every doctor's office and maybe even

collaborate with big pharma companies

who are already conducting drug research

and help them assess the severity

of Alzheimer's disease using our technology.

- So I think the freedom that DIY gives you is fantastic.

It inspires innovation.

You can have more people trying out

different and diverse ideas.

I can do this on my own now and I don't need

to rely on the approval of all

the adults that are around me.

- I think DIY science is really what's changing

America's industries and it's what's really

propelling the entire tech sector.

People starting from their garages,

people starting from their dorms,

people starting from the ground up

is what's really going to propel the next

breakthroughs in science, technology and medicine.

The best time to DIY is now.

Anyone with a laptop or a computer,

and the intellect and motivation to do so

can build extremely great things.

(upbeat energetic music)

For more infomation >> The Alzheimer's Detecting Helmet | Freethink DIY Science - Duration: 5:24.

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Easy Planned Pooling - Plaid Fringe Scarf (Left-Handed) - Duration: 32:24.

- Make this beautiful planned pooling throw,

the "Blackwatch Throw" from Premier Yarns,

made with their new "Everyday Plaid" yarn.

Let's begin.

(upbeat music)

Planned pooling is all the rage

to make a beautiful plaid

from a variegated yarn.

Hi, I'm Kristen Mangus with GoodKnit Kisses,

and I'm really excited to present to you

Premier Yarns new planned pooling yarn.

This is "Everyday Plaid".

And we are working with four colors in here

in a variegated yarn

that change beautifully

to have beautiful new designs.

There's all kinds of new colors,

so you're gonna wanna click on the link

to get yours.

Today, I'll be working on the Blackwatch Throw

in the Navy Green Plaid

as well as a crochet hook,

an I-9, 5.5 millimeter.

And you'll also need scissors

and a tapestry needle.

To download your pattern,

be sure and click on that link in the description.

Premier Everyday Plaid

has some general notes and tips you should know

before you start for a successful planned pooling project.

Rather than calling for an exact gauge

and specific number of stitches,

this pattern adjusts to your own gauge

to make planned pooling easier to start.

You don't need to go up or down

on the hook size

and you don't need to change the stitch type

to get the colors in the right place.

The color should shift one stitch each row,

either forward or back,

to get the pooling effect.

To be successful,

the most important thing

is to have consistent gauge throughout the pattern.

Now you can achieve that,

but letting your tension loosen

or tighten mid-project

will cause the pooling pattern to change.

So I recommend having a project to the side

using the same linen stitch pattern we'll use

in a solid color

so that you can work out your tension before you begin.

Whether you've had a stressful day

or a super relaxing day,

you can work out your normal gauge

and your normal tension

and then you can put it down

after a few rows

and start on your plaid pooling project.

Alright, let's dive into the foundation chain

and more tips along the way.

Your Blackwatch Throw

is going to be approximately 42 inches by 56 inches

and that depends on your personal gauge.

And we've got two balls of Plaid that you need.

I'm working with Navy Green Plaid,

so you'll need two balls of that.

And you're also going to need eight balls

of a solid color that goes down below and above

to surround your plaid.

I'm going to use color Mist

so that you can see it in this gray color,

but you'll want Navy

if you want to match these colors and the pattern.

Let's look at this foundation chain.

You can see how it's longer

than my actual crochet work,

and that's because we need to work

through this color sequencing

so you can see this foundation chain

works through four different colors.

We've got black, blue, green, and gray.

We're gonna do that here in a second,

but I want you to see that it clearly changes

black, blue, green, gray,

and then it changes again to black, blue, green, gray,

and it keeps going.

So you're gonna want to go through six of these sequences,

so when I tell you in a second to go through that,

you'll know what I mean.

And then the color sequencing won't matter

on this beginning foundation

as much as it will on this very first row

that will begin right after.

Alright, now that you've seen that,

grab your hook and yarn and let's begin.

As you can see, I've shown a color change here

in front of you

with the black, blue, gray, and green,

and then back to black again.

So I wanna pick out my clear color change.

And again, I say that it goes from the gray

to the black.

And so I'll take my yarn

and go ahead and cut off

all the extra right before that

and start my slip knot here.

And we do need to work through six color sequencing.

I like to start with,

when I count, with my black.

And so if you will go ahead

and pull out all your strands

enough for a full sequence of six,

when you get to the seventh black one,

you can actually put a little safety in here

by putting a slip knot right in the middle

of your strand.

And then when you get to that point,

you'll know that you've gotten far enough.

So you're gonna through the sequencing

until you get to the seventh one

where the black is coming through.

So you finish all the gray,

and then that last loop on your hook

is going to be this black,

and we will begin.

So let's start our slip knot.

Make it however is easiest for you.

And when I chain,

I like to chain just one at a time

on this particular one

because the gauge, your own particular gauge,

a consistent one is so important.

I just pull through one stitch at a time.

And I can go relatively fast that way.

Instead of, let's say for instance, I chain

and then keep holding my thumb in place

and then go through like this,

I found in the past

that sometimes I get either way too loose here

and then it might be tight up here.

So I'd rather just pull through one at a time.

Go ahead and pause your video,

make all your chains,

and I'll meet you back up soon.

Alright, I'm pulling through where my color change is

for the last time.

And we're going to work into for row one,

the third chain from the hook.

So don't count what's on the hook.

We're gonna count down one, two, three.

We're gonna single crochet.

So insert in through that chain,

pull up a stitch, get your single crochet

by yarning over and pulling through two.

Now we're going to chain one

and then we'll skip one chain

and go into the next chain

and single crochet

and chain one.

So you'll continue that sequence

by skip one chain,

single crocheting into the next chain,

and chain one.

Okay, you're gonna go through the foundation

and repeat this color change

until the sixth,

it's got six complete color changes,

and when you reach the seventh part, you stop,

and I'll meet you back up.

So be sure you're being really consistent on here.

Don't pull too tightly,

more than you would for a normal project,

and you'll get your color sequencing right.

I'll meet you back at the end of that

and go on with the rest of the row.

See you soon.

I'm coming to the end of row one

until we've repeated our color change six times.

And when you pull up that last color change,

you can see right here

I've already got the next color coming through.

We're going to rip back two to three stitches

until we get to the last single crochet.

So take that chain off

and insert your hook back in,

and now we're just gonna turn our work

and chain up to start row two.

Chain one, two.

And now we're gonna look at

this chain-one space right here.

Okay, so there's our single crochet,

and we're going into that chain-one space

and single crochet there.

Pull up a stitch.

Got our single crochet and chain one.

Now you can see that our color has changed, okay?

It has shifted over

where the ending of my black is.

Okay, I'm gonna use the colors that's on mine.

If yours is different,

obviously, you're gonna look at whatever you end with here.

So the end of this chain down here

on the foundation is now shifting over,

and I have this turning chain here

in the new color, okay?

We've shifted over our black

and now we're going to go into the next chain-one space

and single crochet and chain one

and continue going down the row

until we reach one full color sequence here.

And then I'm going to pause

and show you a technique

that's going to help you establish your row two really well.

So just continue working.

Single crochet, chain one.

And I'm just gonna continue talking as I crochet this,

and you do too.

If you need to, pause your video,

use your controls to slow down or speed up as needed.

But the unique part about this pattern

that keeps us to where we don't have to

do any kind of

measuring of gauge

where you count how many stitches in an inch

and that kinda thing

or change our hook up or down

is it works with your tension.

So if you tighten up,

you're gonna get more stitches

in your color sequence.

And if you loosen up,

you'll get less stitches in your color sequence,

which if you go through them

and you find that you have

not shifted over properly,

your pattern won't show up right.

So I'm gonna show you how to have a little cheat.

And this number sequence

is really gonna help you establish your row two and three.

Row two and three are the most critical

to get your patterning right.

Alright, so I've come down to the end

and you can see

where my new color changes.

I'm gonna set this down

and show you a sequence.

So if you look at your foundation,

I can see my foundation right down here,

it jumps up to our first color, okay?

Our first color changing.

So I can count out how many stitches

are in that first color change.

Okay, this is a color sequence

and the pattern sequence.

So I'm gonna count how many stitches.

So we've got one, two,

and I'm just counting single crochet,

one, two, three, four,

five, six, seven, eight,

nine, 10,

11, 12,

13, 14, 15,

16, 17, 18, 19, and 20.

It stops where that gray is.

And then the next sequence starts.

So if I count this out,

it's going to be 20 or 19.

So it'd be a give or take a number

from the last one over,

and so on down the row.

Now if you notice,

mine's a little shorter than yours.

It's 'cause I'm only doing three repeats on mine.

So mine's about 1/2 the width of yours.

So you're going to come over here

and you can actually count out

in row two and three

how many is in your sequence.

So if I look at this one,

where the black starts,

not where the gray, but where the black starts here,

I can count out and see if I'm around 20,

give or take 20 or 19.

So we're at one, two, three,

four, five, six,

seven, eight, nine, 10,

11, 12, 13,

14, 15, 16,

17, 18, 19.

See, I'm right at 19,

and that sequence is there

and I can see that I'm keeping my gauge right.

Now you also can see how

this row one here

has a black,

and then I'm about to start a black.

The row right below it

isn't gonna be the part

where we're looking

for the color shifting to change.

I'm gonna show you on this other sample

where you're gonna look for this color shifting.

It's critical for your row two to be correct

or start off correctly like this

in order for row three

to begin to start matching up with row one.

Let me show you what I'm talking about

on this bigger sample here.

So on this bigger sample,

you can see how

this black here

is not directly down below on the first row.

So this is the third row here

and then the first row.

They're directly above each other.

Okay, they're lined up.

Offset is the row directly below it.

So you're not gonna look at the row below it.

You're looking at one two rows down.

So you can see that black is shifted forward

versus this blue.

And then if I go two more rows up,

the black shifts over one more time.

So it starts making this diagonal here.

The same thing happens with this green.

This green is one stitch back up here

than it was down here.

And this one goes this way.

So you can see how it starts developing

these big X's

and makes that plaid shape.

We're gonna continue on

and you'll want to go through

all the way down to the end

and meet me back up

and we'll go on to row three.

See you soon.

At the end of row two,

and I want to go into this chain-two space here

so I can see a little V-stitch of my single crochet.

I'm gonna go right into that stitch there

or that space,

pull up a stitch and single crochet

and that will complete my row.

And now we're going to turn our work

and chain up two.

One,

two.

And now we're going to continue our sequence of

that single crochet into this chain-one space here.

And I should get that same color

that I just chained up with

and chain one.

And then my next color should change

into the new color.

Alright, so now you can see that I've got

a black color here.

And down two rows down,

I can see that it has shifted.

So you can see this black is here

and right above it is the gray,

and then we've shifted over to the black.

This is that first critical part.

So row two

will set you up successfully for row three.

And so once you get row three established,

it should be easier to continue shifting.

So it doesn't always work out this perfectly.

You can go back and let's say you,

let me look at my work here.

We're gonna go back and look at our counting.

So if you're off by a little more,

like you say you crocheted over

and you have two more of your old color

and then you have the new color coming in here,

that means your stitches might have gotten

a little too loose on the previous row,

and so you can kind of frog back and check that.

And one way to check it before you start

just ripping out a whole row

is you can go back and check

how many are in your color sequencing.

So we've got our color sequence

and we count across,

and I had actually, when I was off camera,

I counted, I had 20 through here,

just like I had before,

and then it started over with my next

and I had 20 again,

and then I had 19 in another one,

so it was about the same

as what my sequencing was before.

And then when we came up to this next row,

it was correct.

So say we had to go backwards.

We would just pull out our stitches

and pull back to where that sequencing was off a little bit

and try and either make our tension a little looser

or a little tighter,

just in that one little spot there

'cause it may have been

that we just got a little loose.

So I'm gonna continue on with my sequence

and finish out my row.

So you're gonna continue

with the same row three.

Repeat that until you have gotten 12 inches.

And I'm gonna pull out my sample here and show you

what it's going to look like.

Okay, so as it starts developing,

you're going to start seeing,

as you get to about row seven,

you can really see the pattern develop,

and it'll stop about right here.

And so you'll be able to see this clear to vision

of where these angles go,

where you can start seeing

that it's really shifting.

So you'll have some color shifting this way

while other colors,

if you look at this green,

it's shifting this way.

And see, the blue is right on top of it

going that way, right?

And then you have the gray

going the opposite direction.

So you're gonna repeat with row two,

which is the same as row three you just did,

until your piece measures 12 inches.

And I'll join you back up for the next step.

See you soon.

Let's talk about

coming to the end of your first ball

and you need to tie on the second ball or skein.

When you begin a new ball,

change the ball where the yarn changes color

to match the new ball to the old ball,

and that ensures the pattern

doesn't get disrupted.

So my new ball starts at the gray,

going into black and blue and then green.

And I'm at the blue and green part right here.

So I'm just gonna pull that part out

and lay it on this white surface

so I can see it for myself a little bit better,

and lay both of these out together.

And I'm just gonna pull it until it matches up

right about where that color change is.

I see it's kind of heathered into that next color,

and then it's fully blue here.

So that's where I'm gonna decide to grab it.

So I'm gonna hold onto this first stitch here,

make sure that my tail is on the bottom

and kinda get it pinched together

right about where this is.

Okay, so this is where my stitch is.

I've got my single crochet and one chain

ready to go into the next single crochet.

So I'm gonna lay this tail towards the front

so I don't grab it,

and I've got my new ball up top

'cause my finger is gonna go around like that.

And so that way, I can grab it as I normally do.

And I'm gonna hold it again

and take this old tail,

I'm sorry, this is the beginning tail of the new ball,

and I'm just gonna kinda put it around

in the front like this, okay?

And what that does is it puts it

on top of the work

with the other tail as I go,

and it'll work both of them in at the same time.

So now I'm gonna go ahead and

get this onto my fingers

and get my hook,

and then we're gonna begin by

going into this next chain space

and yarning over.

Let's see, go in.

Where's the chain space?

There it is.

Chain space and we're going to yarn over

and pull that stitch on through

and then yarn over and pull through again.

Okay, now this top one's a little loose

and I can pull on that strand.

So I'm gonna just hold onto this

and pull onto these two strands here

and make sure, there I go.

So now it's made that yarn

nice and secure.

And then we're gonna go ahead and chain up

with our pattern

and then hold onto the other two tails.

Just let them lay onto the top as you work.

And we're just gonna go into the next chain space

and single crochet as you normally would

and chain.

So you're just gonna continue on

as you normally do,

except you're just gonna make sure

that these tails are woven in as you go.

And once you get about three or four inches in,

then let the tails just drop off,

and then you can clip them with your scissors

when you're ready.

And then you won't have any tails to weave in.

And that is all there is to it.

And I've got my color patterning

still going strong with my green.

I've got it going back one stitch here.

So we're still in the same color patterning

that we needed.

Alright, pause your video

and finish until that 12 inches

and we'll see you on the next step.

Alright, we have finished our 12 inches,

the last row for mine.

And to fasten this off,

we just want to go ahead and

yarn over and pull through and cut our yarn

and weave in our tail.

And then I want to go ahead

and show you how to handle the foundation chains

that are from the beginning.

I think it's better to go ahead

and weave these tails in, personally,

before you move on to fastening on the new colors.

So join me for fixing that foundation row

here in a moment

and then we'll come back to adding on a color

onto this end.

See you soon.

So this beginning chain here

at the foundation chain

is what we need to take out,

and we're gonna stop it right up here

and weave in our tails.

In order to take that out,

all you need to do is undo this slip knot.

So we're just gonna undo

this beginning loop.

And if you've got a blunt tapestry needle,

it might not get in as easy

as one that's a little sharper.

I'll just keep, whoops.

Don't wanna do that.

Yeah, here we go.

Just pull on that.

And then if you, see this loop like this?

If you end up pulling on the tail,

it will make that slip knot again.

So you've gotta keep pulling out

loop by loop.

And if yours is really long, that's normal.

Mine's just a little shorter.

And so I'm coming to the end here

and I wanna get this last gray out of here.

Okay.

And then I'm just gonna pull on that

and tighten it up.

And it is ready for us to weave that in.

Alright.

And so you're just going to go in

with your tapestry needle.

Course, this is my small sample here.

So just go in with your tapestry needle

and pop it into this last stitch

and start following along

where the color is that's the same.

And then when you get up to the next color change,

you can jump up to the next row where that happens.

I like to go in underneath these V-stitches here

in the same color change over here

and then as it starts changing,

I can jump up to the next row

that has that same color in it.

So now that I'm in the gray,

I'll jump up to behind these stitches here

and follow along

until you reach enough length,

yeah, three or four inches,

and then trim that up,

and you're ready to now

add on your new color.

Alright, pause your video

and get your new color

and I'll see you in a moment.

We're ready to join with color B

and we're going to be adding onto this end

where we had finished before,

measured the 12 inches.

And I'm gonna show you how to start it

without starting with this slip knot.

And you can pull through your new color

with the new yarn

before you finish and weave in the tails,

but I like to do it this way.

I'm going to take my tail,

and normally, I wrap my yarn like this

to feed in with the new yarn.

So I can do that same thing here

and I've got my tail

at the front of my finger.

And I'm going to go around the back like this,

put my hook through my stitch

where I wanna pull it up

and pull through a stitch,

just as I would here.

And now I can yarn over it as usual

and slip it this way and pull it tight,

and now we have a little slip knot here

instead of actually making one.

So I'm gonna go and turn my work

and lay my tail at the top edge,

and it's going to get worked in.

And go ahead and chain two.

One, two.

And we can begin with our sequence

of going straight into that chain one space.

Go right here.

Make sure that our tail is on top of our work

and pull up a stitch,

yarn over, pull through the two,

and you've got your single crochet.

Go ahead and chain

and continue going into those spaces

as you have done before with the linen stitch,

and you'll continue until you get 48 inches.

So make sure you that have

your tape measure handy.

Make your linen stitch

until you've reached 48

from the very beginning edge here with the plaid.

Alright, pause your video

and I'll see you soon.

Okay, we've reached the end of our 48 inches

and we're just gonna yarn over

and pull through and cut,

cut our tail here,

just as we've done before.

And you can leave this tail

to fasten it in later.

We're gonna go over to the other side.

So we've got the beginning edge

and we're going to join up

with color B again.

Same thing before.

Put your yarn around your finger

with the tail in the front

and go into that first stitch there.

Go into that black.

Little tight.

Alright.

Come to the back and pull through.

And then yarn over,

pull through to get that little slip knot there to begin.

And now we can turn our work

and chain up.

One,

two.

And then start going into that chain-one space here.

Now this chain-one space

is not really a chain-one space.

It's from the beginning edge,

so you may need to

kind of push your hook in there

to get it right.

Pull through, single crochet,

and chain across.

And you may not like this tail in here.

You may want to not trap it in

and lay it to the back

and then weave the tail in later

up here, okay?

So if you didn't like that join before,

you can always pop it out on the other side.

I'm just gonna leave mine out there.

So we just gotta continue going across

until you have reached 56 inches

from the beginning gray on the other side.

Alright, we'll see you soon.

Right, we're on the last part.

We've got 56 inches.

And just go ahead and cut your yarn

and pull that on through

and weave in your tails.

I hope you enjoyed making your "Blackwatch Throw"

with the Premier new Everyday Plaid yarn.

I think it's gorgeous.

I hope you checked out the video before.

If you haven't,

it is the Fringe Plaid Scarf,

and it's only got one repeat

so it's gonna be a little more simple

than this one that you did.

So be sure and check that one out

as well as clicking on that link

for all the other colors that you can get.

On behalf of Premier Yarns

and GoodKnit Kisses, that's me,

we are wishing you Happy Crochet

and Happy Planned Pooling.

Bye-bye!

(upbeat music)

For more infomation >> Easy Planned Pooling - Plaid Fringe Scarf (Left-Handed) - Duration: 32:24.

-------------------------------------------

Dark Samus: ULTIMATE Moveset?! - Got A Minute? - Duration: 1:15.

Dark Samus is joining the battle, ladies and gentlemen.

And there's no fighter more worthy of being branded an echo!

While she might look like nothing more than an evil version of her namesake, she's actually

a reincarnated Metroid Prime that's been twisted into a manifestation of phazon.

When that monster became destabilized following its fight with Samus, it managed to pull off

the bounty hunter's Phazon Suit and drag the thing into its mutagenic melting pot.

Thereby embracing a new shell and gender!

Dark Samus' design comes courtesy of Corruption, as noted by the space jump boots she's developed

over her clawed feet.

How she gracefully glides across the stage also matches how she moves throughout the

Prime Trilogy, and her victory animation demonstrates her ability to create Echoes like in the third

instalment.

Her attacks showcase Samus' trademark flair, but swaps out the firepower for some shockingly

fierce phazon.

And despite having the morph ball at her disposal, Dark Samus has a more traditional roll, too.

A lot of parallels can be drawn to her greatest enemy, but you can't deny that she's come

a long way since her assist trophy debut!

Hey there, pal.

Thanks for watching!

Were you a little unclear about all that phazon business?

Well, if you've got another minute, we can take you through it.

If you're keen on learning more fighter lore, though, we've got you covered with a smashing

good playlist, too.

Why not just watch it all?

For more infomation >> Dark Samus: ULTIMATE Moveset?! - Got A Minute? - Duration: 1:15.

-------------------------------------------

Popcorn Taste Test Challenge And Fun Fluffy Popcorn Experiment / JustJordan33 - Duration: 17:23.

For more infomation >> Popcorn Taste Test Challenge And Fun Fluffy Popcorn Experiment / JustJordan33 - Duration: 17:23.

-------------------------------------------

New Evidence of Water on Jupiter! | SciShow News - Duration: 5:10.

[♩INTRO]

Sometimes, astronomers can seem obsessed with finding water

on other planets and moons, so you'd think it was super rare in the solar system.

But it's really not, and now we know of yet another place that might have water.

It's just not one you might expect.

In this month's edition of the Astronomical Journal,

scientists reported hints of a water cloud deep within Jupiter's Great Red Spot.

It's not a sign astrobiologists should start looking for life there or anything,

but it could help solve the mystery of how the largest planet in our solar system actually

formed.

Like the other gas giants, Jupiter is mostly made of hydrogen and helium.

But astronomers have spent over a century trying to pin down

what other compounds it's made of, and how abundant they are.

Among other things, that could help us understand how and where the planet formed.

For example, knowing how much water, or how much oxygen, Jupiter has

could help answer the question of how far away from the Sun it had to have started.

So far, computer models have been able to help a bit with these questions.

They suggest Jupiter has three different cloud layers:

The uppermost has a lot of ammonia, and below that it's ammonia and sulfur.

The bottom layer, though, is suspected to have water, both in solid and liquid form.

But physical evidence of that water has been a bit elusive over the decades.

And that's where this new study helped.

This team analyzed data of the Great Red Spot, a centuries-old storm larger than Earth.

Specifically, they used infrared data from a few telescopes and the Cassini spacecraft,

which allowed them to penetrate Jupiter's opaque upper layers

and get a look beneath the planet's surface.

They weren't directly looking for water, though.

Instead, they were mostly measuring the amount of a type of methane gas.

The abundance of this gas is roughly uniform in Jupiter's atmosphere,

so if the group saw that abundance changing at all,

it was likely that something, like a cloud layer, was blocking their signal.

And that's exactly what they found!

By studying the light traveling through Jupiter's clouds,

the team could determine exactly how far down those different layers were.

Then, based on the pressures and temperatures at those depths,

they could figure out what kinds of compounds could exist there.

In the end, they did find three cloud layers, just as earlier models predicted.

The deepest was 160 kilometers down,

where the atmospheric pressure is around five times that of Earth's at sea level,

and the temperature is just above the corresponding freezing point of water.

That pressure and temperature suggests the presence of water down in those clouds,

but right now, it definitely doesn't prove it.

We'll need more research to actually be sure.

Luckily for us, we currently have someone, or someTHING, on the case.

Right now, the Juno spacecraft is investigating water on, or in, Jupiter.

And it can look deeper than any of our other tech,

up to where the pressures are 100 times that of Earth's atmosphere.

So the team is waiting for our local planetary probe to back up their work.

If it does, then we'll be able to further investigate water on Jupiter

and maybe learn more about its origins, too.

Finding water on Jupiter would stick it in the same category

as a bunch of other objects in the solar system,

but don't worry: Jupiter is still super special.

In fact, according to research published in Nature this Wednesday,

it might have a magnetic field completely unlike any other planet.

For the last couple of years, our little friend Juno has been doing more

than just looking for water: It's been mapping Jupiter's magnetic field.

Astronomers had already crafted a new, more accurate model

for the field outside Jupiter, based on eight of the spacecraft's passes

around the planet, things like how strong it is and where.

But instead of looking at its surface, this team looked beneath

the planet's cloud tops, up to a depth of 15% of Jupiter's radius.

There, it's suspected that the hydrogen inside Jupiter becomes a metallic fluid,

which allows it to conduct electricity and generate a magnetic field.

But that analysis showed something super weird.

The team found that Jupiter's magnetic field

looks different across the northern and southern hemispheres.

In the north, it's not a dipole, like you see in diagrams of the Earth's magnetic field.

But in the south, it is — and it's much weaker.

The group measured something called the magnetic flux,

or how strong a magnetic field is as it passes through a certain area.

And they found that most of the flux comes out of the planet in a small band in the north.

Then, some of it loops back around

and reenters the planet in a region near Jupiter's equator, called the Great Blue Spot.

Based on this, the team proposes that

the mechanism that powers Jupiter's magnetic field has to operate differently

than what we're used to seeing elsewhere in the solar system.

It's not like on Earth,

where a thick shell of some electrically conductive fluid rotates as a single body.

Instead, there could be different layers,

like different densities of metallic hydrogen at different depths.

Or the layers could be better or worse at conducting electrical charge.

Maybe some helium rain is up to something,

or maybe it has to do with dissolved parts

of the planet's rocky, icy core, which is predicted by some studies.

This new paper brought up a bunch of cool new questions,

and we just don't know what's going on yet.

Like with the water mystery, we need Juno to collect more data.

For the moment, though, it definitely looks like Jupiter's magnetic field

isn't like anything we've seen before.

So even if the planet turns out to be full of water, Jupiter is still in a class all its own.

Thanks for watching this episode of SciShow Space News!

If you'd like to learn even more about the weirdness of Jupiter's Great Red Spot,

like where it came from and how long it'll exist, you can watch our episode all about it.

[♩OUTRO]

For more infomation >> New Evidence of Water on Jupiter! | SciShow News - Duration: 5:10.

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The Full Moon Distortion | Effects Pedals | Fender - Duration: 6:21.

[MUSIC]

Hi, I'm Chase from Fender.

>> Hey, I'm Gina from the band Baroness.

>> And we are here to take a closer look at the Full Moon Distortion from Fender.

The Full Moon Distortion is our high gain distortion pedal.

It's in an anodized illumine closure.

It has backup LED knobs that you can turn on or off so

you can see your settings at a glance.

It has an LED AMP Jewel so it looks like a fender AMP on your pedal board, and

then it has the magnetic latching battery door on the front for

quick chanages of 9-volt batteries.

The Full Moon Distortion is our first step into really high gain distortion.

It's geared towards players who are looking for that next level of saturation.

It has a flexible 3-band EQ with a hi-treble trim.

What the hi-treble does is, it's a low pass filter,

just like your tone control on your guitar or when you have it all the way up,

you're getting your full guitar's spectrum through, and as you roll it back,

you reduce some of the high end that comes through, so you can dial in and

out some of that sizzle in top end.

There's a texture switch that lets you go back and forth between symmetrical to

asymmetrical clipping, and then a bite switch that ads gain to higher frequencies

at the beginning of the gain stages so that way your pick attack is a little more

prominent and some of the upper harmonics stand out a little bit more.

And there's also an onboard boost that's after the gain stages, so

you can basically take the tone you've dialed in and bump it up for

solo sections, or to get louder in certain sections of what you're playing, and

overall it's a pretty flexible versatile high gain distortion pedal.

>> Yeah I think the Full Moon is great for just like your main drive tone.

For me I like to use a compressor, a low drive, something more like high gain,

and then maybe into a fuzz, but this I can see using it just like your main tone for

just high gain distortion.

I really like that there's a low pass filter in there.

It just gives you all that much more control over your tone, and then,

being able to switch between symmetrical and asymmetrical clipping is really cool,

because typically when you're picking out your main drive,

you're choosing between one or the other, so it's cool that you have both on here,

and I think the boost is a great function too.

For a live performance setting if you need to boost your volume for solo or

just a little lead part you don't want to have a big shift in your tone, or

add fuzz, or add some other element, you just want pure volume.

Like you said, it comes after the gain stage and

it's just going to give you that little boost, so

it's pretty cool that you don't need a second pedal to get necessarily.

>> Yeah. >> It's right on there.

>> So let's see what some of these things sound like if we bypass it.

What is the clean sound?

>> Yeah.

[MUSIC]

So right now our gain is pretty low, and already you get that really nice growl,

which is pretty cool.

[MUSIC]

Cool.

>> So what we did there was crank the gain all the way up.

>> Right.

>> We have the texture switch and symmetrical clipping, so

it's a little bit softer clipping.

We scooped out some of the mids,- >> Yeah.

>> And rolled out some of the high, so it controlled some of that sizzle, but

you still get some of that really heavy rumble distorted guitar.

Something that I found really cool with this is if you flip the bite switch up

from that setting, you can bring out the pick attack.

So if you play something that's a little bit heavier, a little faster playing,

you still maintain that articulation of what you want to hear out of your playing.

[MUSIC]

Yeah, so let's- >> That's a big difference.

>> [LAUGH] Yeah, it let's your guitar pop out of

the mix a little bit more if you're playing with a band that has a ton

of gain going and you're very loud.

>> Sure.

>> That let's your guitar stand out a little bit, and

the texture switch will do a similar thing.

So if we go back to the bite switch disengage, and

then play with the symmetrical clipping, I'll switch it to asymmetrical clipping so

you can hear how that makes your guitar pop out.

>> Cool.

[MUSIC]

Yeah, that's cool.

>> So between the texture switch, and the 3-band EQ, and the high treble control,

you can really get the Full Moon to fit into any guitar and amp situation.

[MUSIC]

>> Thanks for checking out the Full Moon Distortion with us,

and keep an eye out for some more videos.

[MUSIC]

For more infomation >> The Full Moon Distortion | Effects Pedals | Fender - Duration: 6:21.

-------------------------------------------

20 boy names ending in EL - the best baby names - www.namesoftheworld.net - Duration: 1:27.

20 baby boy names ending in EL

ABEL

ADRIEL

ÁNGEL

AXEL

DANIEL

EZEQUIEL

GABRIEL

GAEL

ISMAEL

ISRAEL

JACIEL

LEONEL

MANUEL

MARCEL

MICHAEL

MIGUEL

NATHANIEL

NIGEL

RAPHAEL

SAMUEL

Namesoftheworld .net, the web with all the names in the world: baby names, pet names, business names and boat names.

For more infomation >> 20 boy names ending in EL - the best baby names - www.namesoftheworld.net - Duration: 1:27.

-------------------------------------------

Figura Misteriosa | La Historia de Jovenes 360° - Duration: 1:44.

What are we gonna do then?

I don't know. We need to do something interesting

To tell the story of the channel

but I don't know how.

And if we do, like, a sketch?

and tell there the story?

No, it would be weird.

- Hello, Jovenes 360°. - Oh my God. Get out!

You'll wonder who am I?

Well...

I'll reveal that in the right moment

in the most dramatic moment.

Ahhhh! It makes sense.

I'm here because once more you'll celebrate an anniversary

the third one.

You'll tell the story of your channel

and yet again

you'll forget to say the role I played.

How did he know?

Go see if we're being spied on.

I have news for you

this will be the last time that it happens

your time is over.

Wait.

That's a threat or what?

Yeah, why will it be the last time?

Well...

It'll be the last time because I'll reveal everything.

And then

you'll know it.

But why do you say that our time is over?

Well because the time of this video is over.

In the continuation

I'll reveal everything.

Oh no! An incomplete ending.

This is only the introduction.

Ahhhh!

Don't miss the continuation NEXT WEEK in our THIRD ANNIVERSARY.

For more infomation >> Figura Misteriosa | La Historia de Jovenes 360° - Duration: 1:44.

-------------------------------------------

#Вышиванки3 Магазин женской одежды Feya - Duration: 1:41.

For more infomation >> #Вышиванки3 Магазин женской одежды Feya - Duration: 1:41.

-------------------------------------------

Pen Turning Spalted Mulberry and a Mystery Pen Blank - Duration: 9:51.

Spalted Mulberry

Sometimes with spalted or aged wood, I need to stabilize on the fly.

I do this with CA glue, right on the mandrel.

This spalted mulberry is a little punky, but also has a knot.

The CA glue will also help hold the knot together and prevent a blowout.

The wood will absorb much of the thin CA glue. Make sure to use thin.

Tip: Coat the bushing well with paste wax before applying the CA glue to prevent

gluing your blank to the pen turning bushing.

Spray with CA glue activator and let it dry.

The Activator will speed the drying/curing time of the CA glue to just a couple minutes.

You may need to repeat this a time or two as you continue turning.

I use medium CA glue to fill the holes and gaps you saw earlier. Then sand again.

Again, this process will likely need to be repeated several times.

Wet sanding through the grits up to 2500. You can go as high in grit as you prefer.

And now for the finishing touch with a little OB Shine Juice! (Friction Polish)

For more infomation >> Pen Turning Spalted Mulberry and a Mystery Pen Blank - Duration: 9:51.

-------------------------------------------

This "Columbus Egg" Stands Up When It Spins - Duration: 4:24.

Hi, Alan Stratton, from As Wood Turns.

(www.AsWoodTurns.com) Recently, I visited the shop of a fellow club

member, Vladimer.

He showed me a lot of neat stuff that he was doing.

One thing that he shared was the story of the Egg of Columbus, or Columbus egg.

Here's one that I made for this video.

A Columbus egg is something that, after the fact, is so obvious that anybody can do it.

That is the case with this egg.

This egg will spin and stand upright when you spin it because of the -- complex physics

that I don't understand that are involved with it.

But for now, Let's make this Columbus egg.

Thank you Vladimer.

I've mounted this piece of Linden wood between centers.

It was standing dry wood from a Linden tree in my yard.

I'll round it with my bowl gouge.

Nothing special about rounding it over.

It is just a spindle to make round as quickly as possible.

Now that that is done, my next step is to trim the end.

This is a good opportunity to use a skew with a peeling cut.

Handle low to start, lift as the wood peels away.

Now for some measurements.

The diameter is about 1.9 inches.

Then digging out my phone for the calculator, I'll multiply that by the golden mean ratio

1.618.

That tells me the length of my egg needs to be 3.07 inches.

I'm marking that distance and half that on the surface of the cylinder.

Now I can waste away the other end with a spindle gouge.

Then a parting cut at the mark and clean up with my skew.

Now to round over each end of the egg starting with a spindle gouge.

Then finish off with my favorite negative rake scraper, my skew.

A little sanding with each grid.

With the sanding done, I'm reducing both end spindles with my skew.

I don't want to cut it completely.

Then remove it and break off the spindles.

Finally, I've mounted a small disc sander in a Jacobs chuck.

I'm sanding the ends gently with each grit.

To finish I'm wiping the egg with walnut oil.

Since this egg will be rolling on the floor and subject to other things my grandchildren

will do, I don't want a finish with a surface film.

Walnut oil will serve nicely and be renewable if necessary.

Next I need to test my egg's spin.

Will you look at that?

It stands up and spins.

Or, rather, it spins and stands up.

This simple egg definitely qualifies and an "Egg of Columbus".

A simple shape using the golden mean that stands up and shouts "I'm spinning vertically".

I'll probably make a bowl full.

Then I can amaze people by spinning them.

This egg was easy and fun to make.

Please give this video a thumbs up, subscribe on my website, tell your friends and send

me your comments and questions.

Every week I make a new woodturning video.

Please wear your full face shield – goggles are not enough protection.

Until next week's video this is Alan Stratton from As Wood Turns dot com.

For more infomation >> This "Columbus Egg" Stands Up When It Spins - Duration: 4:24.

-------------------------------------------

On Medications and Need Deliverance Ministry? Not a Deal Killer - Duration: 5:00.

If someone is on psychotropic medications, does that effect the benefits of going through

deliverance?

Is that something that maybe they should wait on?

Many of our clients are on medications for depression, anxiety, or mental illness.

They've come to us because they know there is a better way.

Will we still minister deliverance?

Do the medications hinder deliverance?

Between 2011 and 2014, approximately one in nine Americans of all ages reported taking

at least one antidepressant medication in the past month.

And that's from the Center for Disease Control and Prevention.

The CDC at that was, um, that report was, came in 2017.

Anxiety disorders affect 18 point one percent of adults in the United States, approximately

40 million between the ages of 18 and 54.

Now that's statistics rather is from the National Institute of Mental Health.

In September of 2017, another report found that more than half of college students sought

help for their anxiety issues.

Research has found that anxiety can impede learning, which often leads to lower academic

achievement and performance.

Now look at above and beyond.

We've had good success working with many clients who want to be off the medications, believe

and accept the notion that their issues are primarily spiritual, not physical or medical,

and are willing to go through deliverance and walk it out afterwards.

Our position as NCCA licensed clinical pastoral counselors and not physicians is unequivocal.

Number one, we never encourage clients to stop their medications when they come to see

us.

Number two, we do not try to guilt or shame them for pursuing the pharmaceutical path.

Those who find this has stirred up their feet for the power of God through deliverance to

help set them free and get them back on the right track in their lives.

Number three, we encourage them by telling them that the medications that they're on

will not hinder the effectiveness of the deliverance process.

Number four, if they desire, they can work with their physicians after deliverance to

develop a reasonable plan to wean themselves off the drugs as they walk out their freedom.

Now, there is one exception is as to how we handle point three above.

We use a five step process approach for deliverance where our clients are actively engaged in

the process and they prepare homework before the delivered session, that Ms Dot Ministry

session, which is the fourth one.

Now here's the issue.

If a person is indeed heavily medicated, their ability to listen effectively and do that

homework can be an issue, but many times as somebody of summer, especially if somebody

brought them in here, someone can now can help them with their homework or in some cases

we had above and beyond.

We'll work through their homework process with them.

It can be a challenge and, uh, and we try to minimize the effects of the medications

as follows.

First of all, before each meeting, and certainly before the deliverance session, we will look

into that person's eyes, hold their hand and declare that the medicines will not hinder

the effectiveness of what is to come.

And we bind every demon that's in Matthew Sixteen, 19.

That would derail the process from tormenting or causing the person to, to, to fall asleep

or not be able to focus in that.

Holding one hand or laying on of hands is, as, as I mentioned, is an important part of

the Ministry of Christ and we pursued that here at above and beyond also.

Then we loosed the Holy Spirit on the person and speak forth, vitality, focused, concentration,

and good fruit coming forth.

As with all things in the spirit realm, we encouraged them to stir up their faith and

we link our faith with theirs for guided work.

I estimate that maybe 10 percent of our clients come into the office with active a second

tropic medication prescriptions.

Some are active users while others choose not to take the pills.

Really, unless they're desperate.

We do believe that the root causes of are the resources, if you like, of most fear and

depressions or spiritual, so that deliverance ministry can be useful in bringing freedom.

If the client stirs up their faith and does the homework that we ask, that's really what

we look for and we do not allow them medications to be a distraction or a barrier for that

victory.

Hope that's been of help to you.

God bless you.

For more infomation >> On Medications and Need Deliverance Ministry? Not a Deal Killer - Duration: 5:00.

-------------------------------------------

C4 3-Speed Automatic Transmission - Duration: 2:28.

hi welcome to Monster transmissions these c4

right it is I welcome lots of transfers

you're in Curtz corner we got all the

questions on a c4 what c4 besides it's

an antique they did come out in 1965

they went all the way up to late 1978

1979 and they're using a variety of fort

applications it is a three-speed

automatic and they put this thing in

everything in the high performance Ford

Pinto Pinto and all that the f-150 truck

4x4 it's amazing is a very versatile

three-speed automatic but Ford soon

found out they made modifications to

this transmission almost every two years

there's a lot of issues with a c4 you

can beef up and c4 like we do here at

monster transmissions where for

everything from a hard input shaft to

performance clutches to better

planetaries billet servos so we do offer

a lot of components for the c4 but for

designed a new transmission a four-speed

automatic called the AOD so this is the

AOD now the good thing is is that a c4

c5 transmission the overall length is

the same as the AOD so this could be a

direct replacement for your old c4 even

the driveshaft splines are the same 28

2004 the old c4 and that way you'll get

the four-speed + lockup and improve your

gas mileage and pretty much get rid of

this old c4 c5 unit we don't wanna see

those anymore anyway we do offer a

matter and our website if you do want

your original unit built we do offer

that service as well we can rebuild your

unit with our heavy duty parts go

through the same testing process and

ship it right back to you so if you're

looking for a c4 go to an AO d this is

the better unit so any questions you

have on the C fool or an a OD

transmission and the conversion package

we offer give us a call toll free

seven and talked myself specialist and

upgrade your vehicle to a monster a OD

thanks and have a great day

For more infomation >> C4 3-Speed Automatic Transmission - Duration: 2:28.

-------------------------------------------

Anime Mashup Anime Music Compilation Anime Songs #136 - Duration: 10:01.

For more infomation >> Anime Mashup Anime Music Compilation Anime Songs #136 - Duration: 10:01.

-------------------------------------------

Caught on camera: Trailer stolen from church - Duration: 0:43.

For more infomation >> Caught on camera: Trailer stolen from church - Duration: 0:43.

-------------------------------------------

How to Deal with Rattlesnakes | 10 Tips to Avoid an Encounter & Survive If You're Bitten - Duration: 7:49.

Hey, it's Ernest from Trip Astute.

In this video, we're going to cover something that could potentially save your life, especially if you

happen to be hiking or camping in the US.

We're exploring how to deal with a rattlesnake encounter.

(light chiming music)

Today we're talking about snakes on a plane.

Ok, not really, but you might be wondering why I am covering the subject of rattlesnakes.

Well, to be honest, Fiona and I had two close encounters with rattlesnakes in August while

just hiking around Los Angeles.

The first one was a large rattlesnake had just crossed a narrow hiking trail in the

Hollywood Hills.

The second one happened in the Verdugo Hills, and it really freaked us out.

We basically got to the end of a trail, and decided to head back.

The trail was really narrow and the vegetation was dense.

As we were hiking down, we immediately heard the rattling and hissing sound and noticed

a rattlesnake coiled up in the brush right next to us.

Long story short, we basically tried to wait it out, but the snake didn't move.

We couldn't go off the other side of the trail, so we walked past it very slowly.

I mean like ninja walked as quietly and softly as possible along the trail.

We both made it past the snake, but it occurred to me that I didn't know very much about

rattlesnakes except that they make a rattling sound and are venomous.

So today, I want to run through some safety tips on how you can avoid rattlesnakes, as

well as advice if you happen to get bitten.

If you look online, there is a lot of weird and contradicting information out there, so

I wanted to share what I learned from my research.

Even if you don't happen to live in an area with rattlesnakes, it's very possible that

you may encounter one in your lifetime, especially if you're visiting parts of the US or national

parks.

But first, before we jump into the topic, if this is your first time here, I want to

welcome you to our channel.

Trip Astute is a travel channel that is focused on sharing ways to make travel easier, affordable,

and more enjoyable.

Traveling can be stressful and expensive, so we're looking for ways to help you maximize

your experience through travel tips, points and miles, and innovative gear.

If that sounds interesting to you, please consider subscribing.

First off, I want to share some important facts that you should know about rattlesnakes:

Rattlesnakes are pit vipers, which means that they hunt by sensing heat and using their

tongues to smell.

Since they cold-blooded animals, they are most active during the warmer months of April

through October, and can be found in the most of the US, with the exception of Alaska, Hawaii,

Delaware, and Maine.

Rattlesnakes rattle when they feel threatened.

A lot of people think that rattlesnakes are aggressive, but it's not true.

Rattlesnakes are timid and reclusive animals, and they rattle their tails to warn you to

stay away.

Most people who are bitten by a rattlesnake have either provoked it, or accidentally touched

it.

This can easily happen when going off a trail.

Not all rattlesnakes inject venom when biting: While you should always get treated with anti-venom

if you are bit, and we'll address that later in the video, you should know that about a

third of all rattlesnake bites are "dry bites", and do not contain any venom.

This often happens when a rattlesnake is startled and bites out of instinct.

Though baby rattlesnakes tend to be more dangerous since they have less control over their venom

and will often inject as much as possible in their bites.

Rattlesnakes don't always rattle their tail: While you might think you'll always be warned

if you encounter a rattlesnake, that it is not always the case.

In addition to just being startled, rattlesnakes have been known to stay quiet as a defense

mechanism.

Some people even think that they have evolved with this adapted behavior since many rattlesnakes

are called because they make their presence known.

I guess the takeaway here is to know that you're not always going to be warned of

a rattlesnake in your area.

So, suppose you've decided to take a break while hiking and sit on a rock.

When you reach back, you just happen to touch a rattlesnake that bites you.

What should you do?

The first thing you should do is relax.

Yeah, I know.

It's like when people tell you to relax if you get attacked by a shark.

But there's a good reason for it.

If the snake has injected venom into your body, you'll want to keep your heart rate

slow to prevent the venom from spreading throughout your body and bloodstream.

Don't try to catch the snake.

Just try to relax and have someone contact emergency services to get help.

You want to avoid hiking as it will speed up your heart rate as it will increase the

spread of the venom.

In most cases, a rattlesnake bite means that you're going to need some kind of emergency

response, and in some cases, an airlift to a hospital to get venom.

The timeframe for survival can depend on a lot of factors.

Most people can survive a couple of days if they are bitten.

Though the amount of venom that you received, the location of your bite, and your overall

health and immunity can all play a role.

You'll still want to get help as soon as possible.

Depending on how far you are from civilization and a cell phone signal, that could mean either

minutes or hours.

Either way, your first option should be to have someone else get you help while you rest.

If you happen to be alone, then you'll want to try to find help, or worst case scenario,

slowly move toward help.

This should be your last resort since again, you don't want to promote the movement of

venom in your bloodstream.

Now, I'm going to run through some tips for avoiding and encountering a rattlesnake

DO: Stay on the trail: If you happen to be in a place that's known to have rattlesnakes,

try to stick to wider trails, and be cautious of your surroundings.

DON'T: Listen to music while hiking: It can be tempting to listen to your music, but

it's very important to have situational awareness.

Not just for snakes, but for any situation that you may encounter.

Even hearing storms could save you from a flash flood.

Use the time to connect with nature and be mindful of your environment.

DO: Hike with others: I see people hiking on their own all the time.

I think it's just safer to do it with someone else or a group.

I've even seen people hike at night in Los Angeles by themselves in areas where there

are mountain lions.

Your chances of survival in the event of some kind of encounter or injury is going to be

much higher if you're hiking with someone.

DON'T: Elevate the bite wound or use a tourniquet: Both of these techniques can actually cause

more harm when dealing with a venomous rattlesnake bite.

DO: Call for emergency services: Not only is it important to get the wound treated,

but it's also important to know that not all hospitals have an anti-venom on-hand.

Emergency services can help figure out the best way to get you to the right place for

treatment.

DON'T: Suck out the venom: This was old-fashioned and outdated advice that should not be followed.

You're much better off getting the wound treated and taking an anti-venom.

DO: Keep kids close by and on the trail: When we visited Joshua Tree National Park last

year, we saw a lot of kids running off the trail, despite seeing a rattlesnake pass in

front of us on the trail and hide in a bush.

I suggest warning kids to stay on the trail and let them know of the danger.

DON'T: Approach, provoke, or try to catch snakes: If you encounter a rattlesnake, I

suggest waiting it out as long as you can.

You do not want to use a stick to move it or intimidate it.

The snake is not looking for a confrontation with you, and any attempt to make contact

will likely result in the snake feeling very threatened.

DO: Check your campsite: Rattlesnakes will often seek heat during the night.

If you're camping or spending time outdoors at night, be especially careful when packing

up your tent.

DON'T: Let snakes ruin your love of the outdoors: Rattlesnakes are a part of our environment

and an important component of our ecosystem.

Just try your best to respect them and know that if you happen to have an encounter, your

odds for survival are very high, especially if you take the right steps to get help.

Have you had an encounter with a rattlesnake?

Please let us know in the comment section below.

Again, I hope this video doesn't scare you, but instead makes you feel more confident

to deal with the unexpected when traveling or outdoor on the trails.

If you enjoyed this video or found it useful, please give us a thumbs up and consider sharing

the video with others who might benefit or enjoy our content.

Until next time, travel safe and travel smart.

For more infomation >> How to Deal with Rattlesnakes | 10 Tips to Avoid an Encounter & Survive If You're Bitten - Duration: 7:49.

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TIP TO IMPROVE THE GRADIENT OF YOUR OIL PAINTING - Duration: 2:19.

Guys, here's a precious tip for those who paint with oiled ink.

It fits mainly for those who paint as a hobby

and do not have much time to paint every day.

If that is your situation -

if you notice that you started your painting,

but will not be able to finish it on the same week that you have started it

this tip is specially for you!

It is important to "blend" the painting's margins,

so it will not dry and make the contour to be highlighted.

Because, once your painting is dried,

it is harder to "unmark" this contour.

Especially if you used the black ink, that is a strong color.

It will be really hard if you try to add another lighter color above it.

The contour will be really marked. And it will be easily noticed on the result.

I will show you how to do it.

First of all, clean your brush with a cloth.

There is no need to use solvents on this brush cleaning process.

Because you are just going to blend it to take off the ink excess of the margins.

You are just going to blend the margins, like this:

Blend the painting and clean your brush again,

to be sure that there will be no excess on it.

Always put the brush on the division of the painting.

Do not put it exactly on top of the painted area.

Make the bristles to swipe on the division line:

half of it on the painted area, and half of it on the outside area.

Can you see the difference? Check it out!

The blended area… And the original area.

This process will help you to make the new colors more integrated to the black ink.

Which will help you to create the perfect degrade.

And this is what we expect when creating some hyper realistic or realistic painting.