Thứ Năm, 6 tháng 9, 2018

Waching daily Sep 6 2018

-Let's get to the news.

According to journalist Bob Woodward's new book,

when Twitter doubled its character limit for tweets

from 140 to 280,

President Trump said it was a bit of a shame because, quote,

"I was the Ernest Hemingway of 140 characters."

[ Laughter ]

I don't know if you were the Hemingway,

but you were definitely the Ernest.

[ Laughter ]

[ Light laughter ]

"The New York Times" today published an op-ed

written by an anonymous senior White House official,

titled, "I Am Part of the Resistance

Inside the Trump Administration."

Okay, I'm going to say it was Kellyanne

in the situation room with the laptop.

[ Laughter ]

We'll find out soon. [ Cheers and applause ]

Gonna find out soon.

[ Applause continues ]

White House Chief of Staff John Kelly

released a statement last night

denying that he called President Trump an idiot,

saying, quote,

"The idea that I ever called the President an idiot

is not true.

In fact, it's exactly the opposite."

And it is the opposite --

he called an idiot the President.

[ Laughter ]

[ Applause ]

In a...

[ Cheers and applause ]

In a new interview,

President Trump commented on the protesters who appeared

at Supreme Court Justice Nominee Brett Kavanaugh's

confirmation hearing yesterday

and said, "It's embarrassing for the country,"

adding, quote, "You don't even know

what side the protesters are on."

No, you don't know.

[ Laughter ]

Everybody else knows exactly what's going on.

You're like a guy watching "Glory" saying,

"Which side do you think's going to win?"

[ Laughter ]

In the same interview, President Trump claimed

that Special Counsel Robert Mueller

is former FBI Director James Comey's best friend,

adding, quote, "I could get you 100 pictures

of him and Comey hugging and kissing each other,"

which is a lot more pictures than there are

of Trump and Melania hugging and kissing.

[ Laughter ]

[ Cheers and applause ]

[ Applause continues ]

According to a new report,

some upscale hotels are now offering

cannabis-infused room-service items

to maximize relaxation for guests,

or you could just go to any Days Inn and huff the drapes.

-Oh! [ Laughter ]

[ Laughter and applause ] Whoa!

-Mmm. [ Light laughter ]

And finally, a fish market in Kuwait

has been caught attempting to make fish look fresher

by sticking fake plastic eyes on them.

[ Laughter ] -Ohh!

-"Hey, it works for me,"

said Rudy Giuliani. [ Laughter ]

For more infomation >> Pictures of Trump and Melania Hugging and Kissing, Giuliani's Eyes - Monologue - Duration: 2:51.

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Cynthia Nixon Is Taking on the Political Establishment - Duration: 5:45.

-Welcome to the show.

-Thank you so much. It's great to be here.

-You are very busy right now.

Running for governor takes a lot of time and effort.

-I am. I was in six different cities just this weekend.

-That is a crazy thing to do.

-Yes. -Yeah.

-It's a big state.

-Yeah, I would say if you ever told anybody

you were in six cities in one weekend,

they would just assume you were running for governor.

There's really no other reason to do that.

-Or a stand-up comedian.

-Or a stand-up -- that's true. -One or the other.

-So, one of things you and your opponent, Governor Cuomo,

are trying to frame yourself as

is the person who will most take on Donald Trump.

-Right.

-He obviously has history of Donald Trump

being a New Yorker like he is.

You have a little history with Donald Trump as well.

When you won an Emmy, Donald Trump gave you your Emmy.

[ Laughter ]

-I look very pained, don't I?

-Yeah. It does. You seem very --

-I look so happy to be receiving an Emmy

but just wish it was from someone else.

-Yeah.

And your other option was Simon Cowell. You know?

-But you see how Donald

actually doesn't want to let go of the Emmy?

-Yeah.

-Because, you know, he was nominated so many times.

And he never had one of his own, and in retrospect,

I think that maybe if I had just let him have mine,

we wouldn't be in the situation that we're in.

[ Laughter and applause ]

-Yes. We can all look back.

We can all look back.

-But hindsight is always 20/20.

-It does look like he is saying to you like,

"So I think this is something we share.

I'll get it on weekends."

You know?

So, one of the things you've been talking a lot about

in your campaign so far is the influence of money in politics.

-Yes.

-Obviously, this is something that happens nationally.

This is something that happens locally.

This is something that happens at the state level.

How do you go about getting money out of politics?

How do you go about getting this message across to voters?

-Right.

So, I think that obviously the influence of big money,

the influence of corporations in politics is nothing new,

but I think we've arrived at a moment

where corporations have so much power and so much money,

and they're spending it so plentifully on our electeds

that there is almost no daylight between the corporate agenda

and New York state policy at the moment.

And it's, you know, it's no coincidence

that Andrew Cuomo's -- one of the industries

that donates the most to him is real estate,

and we're having a tremendous housing affordability crisis

across the state.

I think these two facts are very, very linked,

and I think it's really important that, for example,

in my campaign I'm not accepting a single dime

of corporate contributions. Right?

-And have you found -- [ Cheers and applause ]

-So that -- so that when I -- when I get to Albany,

I won't be beholden to my corporate donors

because I won't have any.

-That's a very easy solution to the problem

of how to not be beholden.

-It is. It is.

-You -- A lot of people are giving you credit for,

even before the election, pulling the governor

to the left on certain issues.

You have brought up issues, things like single payer.

You mention affordable housing.

You talk about --

-Whole host of environmental issues

we've got him to move to the left on.

-You got him to the left.

"The New York Times" just wrote an endorsement, and obviously,

they had to pick a candidate.

They gave you a lot of credit in this piece for the issues

that you were pulling the governor to the left on.

They also said that he had brought

a degree of corruption to Albany,

and yet in the end they endorsed him

despite making all these points because he would be more likely

to be able to implement things due to his experience.

What was it like reading that?

-Well, they effectively said, right, we have a governor

whose administration has been rife with corruption,

and if anything, the last four years,

his administration has outdone itself.

They listed all the things that he hasn't accomplished,

and they effectively said,

"We have an incredibly dysfunctional, corrupt

Cuomo administration.

But he's our Andrew Cuomo and we think the next four years

are gonna be entirely different.

Let's endorse him."

-That might -- I mean, because as you read it, it seemed like

they were gonna definitely endorse you,

and then at the end they didn't.

Were you like, "Wow, that was a real twist at the end there"?

[ Laughter ]

-You know, this is -- this is an insurgent campaign.

This is a people-powered campaign,

and I think that so many people in the establishment

are not grasping the moment that we're in and are not grasping --

with Donald Trump in the White House,

it's a really terrible moment for our country.

But I think what voters are trying to say

to the Democratic establishment and are saying it in volumes

when you look at the victory --

Ayanna Pressley last night in Massachusetts.

If you look at Andrew Gillum last week in Florida,

these are -- Alexandria Ocasio-Cortez.

These are people who were not predicted to win,

who were down by 30 points in some cases,

and have marched on to victory because voters understand

something the Democratic Party leadership doesn't seem to,

which is that with Donald Trump in the White House,

we actually have not only a possibility

but we have an obligation to elect leaders

who will bring real progressive change,

whether you're talking about single payer healthcare,

whether you're talking about universal rent regulation,

whether you're talking about

New York becoming a leader in renewable energy.

We have to elect more Democrats this year,

but we also have to elect better Democrats.

For more infomation >> Cynthia Nixon Is Taking on the Political Establishment - Duration: 5:45.

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Cynthia Nixon on How She Would Fix New York City's Subways - Duration: 5:45.

-I want to ask about this, because, you know, obviously,

if you're running against a Republican right now,

they would probably be attacking your lack of experience,

but you're in this situation where even progressives,

who like your ideas, are concerned about it.

How do you address this fact that you

aren't coming from a political background,

especially at a time where someone's in The White House

who didn't have a lot of experience,

and it looks like it's not going great?

-Well, but what I want to say is -- Donald Trump is,

first and foremost, a real-estate developer, right?

Who ran to give himself and people in his tax bracket

a huge income-tax break.

I mean, I'm somebody who grew up the daughter

of a single mother in a five-flight one-bedroom walkup,

somebody who has spent the last 17 years

and used my celebrity to fight for LGBTQ equality

and for women's rights and abortion rights

and most especially to fight for better funding

and more equal funding for New York's public schools.

And I think that that's the kind of progressive fighter

that New York needs leading it right now.

We already have a corrupt corporate Republican

in the White House.

We don't need a corrupt corporate Democrat

opposing him in Albany.

-So, I want to get to an issue that we both agree

and I think everybody in the city agrees --

the subways are -- they're not good.

[ Laughter ]

That's one, I think, you've addressed.

And, obviously, you know, the subway is a lifeblood

for a lot of people that have to get to work.

This a serious issue.

-The subway is literally what New York City runs on.

-It's literally what it runs on.

And how do you even go about trying to address

this issue that not just through --

to be fair, has been deteriorating for years,

not just due to the Cuomo administration.

-Yes, but look at what's happened

in the last seven years.

Delays have tripled under Andrew Cuomo.

We've got the worst on-time record now

of any major transit system in the entire country.

-We did have that pizza rat. That was a nice moment.

That happened on his watch.

He was the first governor to have a pizza rat.

-But he has watched the steady decline.

He's siphoned off hundreds of millions of dollars

for pet projects that have absolutely nothing to do

with transportation.

And the fact of the matter is --

like so many of the issues that we face,

the problems that we face in New York, we know the solution.

But, right now, we have a governor who doesn't have

the political will to make it happen.

-The solution being we need more money put into the subways.

-The solution being we have a really comprehensive plan

for how to fix them, to replace the 1930s-era signals,

to replace the trains from the '60s and the '70s,

to run cars closer together so that we can get more trains

on the system so we're all not jammed in like sardines.

But Andrew Cuomo doesn't want to enact a tax on millionaires,

because they're some of his biggest donors

and he doesn't want to alienate them.

And his they're not people who ride the subway.

He himself is not someone who rides the subway.

He's been on the subway twice since taking office.

As somebody who's on the subway every day

and knows firsthand how terrible it is

and how it's getting worse and worse month by month,

this is not something we have a choice about fixing,

the New York City subway,

and this is not something that we can delay fixing.

It's only going to get harder

and more expensive to fix the longer we wait.

-Is it -- has it been disappointing for you

or is it what you expected that a lot of

establishment Democrats are throwing their support

behind Governor Cuomo?

You know, people like Joe Biden

and people like Hillary Clinton are supporting him.

Is that what you expected or a disappointment?

-This is exactly what we expected.

This is a total insurgent campaign.

This is a people-powered campaign.

And this is a campaign that

we're talking to people about issues.

We're talking to people about things

that they care about, like legalizing marijuana.

I know your audience doesn't care about that

issue in particular.

[ Cheers and applause ]

But we have to legalize marijuana for a lot of reasons,

but also because it's a racial-justice issue,

because people across all ethnicities and races

use marijuana at roughly the same rates,

but 80% of the arrests are of black and Latino people.

And it's just the tip of the iceberg

of the justice reform that we need to do.

We need to stop the overpolicing of communities of color.

We have to stop mass incarceration.

And when we're talking about mass incarceration,

we're talking about mass incarceration

of people of color.

-And the subway is also mass incarceration,

if you've been on it recently.

-At the moment. At the moment, it is.

-At the moment, it is. It's all very exciting.

It's very exciting to you have here,

both because of the political message

that you're pushing forward -- Also, we were talking backstage.

I do want to mention this briefly.

I had never seen "Sex and the City."

My wife made me start watching it this year.

We're on Season 4. -I'm so sorry. Yes.

-I'm very much enjoying it. -Good, good, good.

-But I'm really bothered,

because I feel like I have a really good impression of Steve.

-Really? -Yeah.

But I feel like it's a problem, because I feel like the window

is closed, as far as that being an effective tool.

Like, no one is dying to hear a Steve impression right now.

But I feel like since you're here,

I have a unique opportunity to do it.

-I would be so thrilled. -Okay, great. Are you ready?

-I wish we -- Do we have a Brooklyn Bridge, you know,

photo that we can --

-This is close enough, I feel. -It's close enough.

-Yeah, yeah yeah. -All right. Go ahead.

All right. Okay.

-[ As Steve ] What's going on with us, Miranda?

I mean, I can't figure out what we're doing.

Should we get a dog?

-That's very good. -Thank you.

That means a lot. You made me feel very good.

You just made me feel very good. -That was beautiful.

-Thank you so much for being here.

Give it up for Cynthia Nixon, everybody.

For more infomation >> Cynthia Nixon on How She Would Fix New York City's Subways - Duration: 5:45.

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Five Big Lions Jumping On The Bed | Nursery Rhymes For Children | Baby Songs For Kids - Duration: 1:06:29.

Five big Lions jumping on the bed

For more infomation >> Five Big Lions Jumping On The Bed | Nursery Rhymes For Children | Baby Songs For Kids - Duration: 1:06:29.

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Post Malone - Rockstar ft. 21 Savage (Dawg Remix) - Duration: 3:17.

For more infomation >> Post Malone - Rockstar ft. 21 Savage (Dawg Remix) - Duration: 3:17.

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DOUBLE FEATURE CONVERSATION. HOLLY ZAUSNER - Duration: 8:35.

Everyone knows New York City is not deserted. So why is it deserted?

Or is this kind of my internal projection onto the city?

Hi, I'm Holly Zausner. I'm an artist who makes films.

I live in Berlin and New York for many years.

Holly it's so great to see you here in Frankfurt!

Now you are showing your recent film "Unsettled Matter"

It's about New York or Manhattan we must say.

The whole film starts with a stunt where I'm in my studio

and I am, you know, working in this harness which of course is not the way I work in my studio,

connected by wires, right. And it is something real that I'm working on,

it was actually a very large collage that I was working on.

and in the end - ah - the wires break and I fall.

And you do not know whether I've been hurt and I'm unconscious or I'm dead.

And then we move into the deserted city.

And then I became also this kind of Film noir person in a trench coat with glasses, dark glasses.

So, yeah it creates a kind of mystery and we're kind of also back

in some sort of Hollywood cinematic moment

but it's no linear, no language, no dialogue.

Yeah, just these short scenes of these deserted iconic places

that have some content.

The most impressive I think is at the Broadway.

You are alone,

a black figure in the middle of the Broadway, it looks impossible.

Normally, we know the Broadway, it's full of cars and people running around very busy and

we never walk in the middle of the street, never.

I always believe in doing the most difficult scene the first day

which always people tell me is a huge mistake.

You have a new team you have to figure out.

But I always think it actually pulls everyone together

by actually doing the most difficult.

So that was an enormously difficult scene. All the stores were open,

hundreds of people were on the street. And although... how I created it was...

I contacted the television and film division

and explained to them the film and explained that it was an art film

and they gave me free police to close the streets on and off for four hours.

They had 40 kids with walkie-talkies stopping people from walking into the scene.

After four hours only one take worked.

- Wow!

There were always people and cars that escaped us.

So, but in the end I wanted it full sunlight, middle of the day.

Everyone knows New York City is not deserted. So why is it deserted?

Did something go wrong in the city?

Or is this kind of my internal projection onto the city?

Why did you choose Hatshepsut at the Metropolitan Museum?

Yeah, you know for me it was very difficult to figure out where in the Met I wanted to film

because every place is so great in the Met.

They don't have one bad room in the Met.

But the Egyptian wing has always been important for me since I was

a young artist and I like to work with sculpture and so Hatshepsut

was the most important Pharaoh and she was a woman dressed up as a man.

It was the height of Egyptian society. So that's interesting as we kind of struggle

to have women in power as we watched in their last election.

I looked at your films, I saw in every detail a kind of symbol. It is a developing artwork.

-Yes. -Every good work is a developing or open artwork.

Yes of course, every scene does have specific content.

Like in film forum, I very much was interested in filming "L'Avventura."

I knew it was coming up in six months at Film Forum.

-"L'Avventura", Antonioni! -Antonioni!

And also, you know initially, of course I know the film inside and out,

I own the DVD, I've watched it for a million times and initially I wanted...

I thought I wanted a specific scene.

And when they first showed it to me... yeah, I changed the scene that I wanted, right then and there.

I believe in actually a certain kind of finding magic moments.

And the magic moment at that time when I was sitting in the theater

was this one of the final scenes when you just see Monica Vitti crying.

That's it. She's alone, the face is large, she's in tears, her whole life has changed.

It's the complete idea of contemporary alienation and how one has to deal with, you know

our contemporary lives which are really so unstable and you have to be open to change.

So every scene has content for me.

You are very much into film history.

You always talk about films when we meet and you always...

Yeah that's like you know...

I didn't study film. I studied sculpture and painting and drawing and art history.

But always from a very young age I was very interested in cinema and I lived in

Paris and used to go to the Cinematheque.

and when I was in New York I would

always go to the cinema there and of course when I came to Germany I was well

I had already been involved with the German history of filmmaking so I was

completely obsessed about Fassbender vendors you know all of you know even

though mention on some talk we are very early 1923 silent films so my films are

also silent I'm interested in silent films I'm not completely so I know there

there is ambient sound that I create artificially in a sound studio

but I like it that the films are actually tell a story through visual

imagery you know one of my last second the film before this one is called

unseen and I named it unseen because a lot of things that have meaning or not

on the surface they're things that are underneath so a key book is a very

professional cameraman from Hollywood yeah yeah I had a very good camera woman

in Germany in Berlin JA Kapena moths who also was very good in New York I work

with Hollywood New York cinematographer muffle who work with mary harron who did

note we did notorious Bettie Page he worked with Phil Morrison where Hoffman

is very generous he looked at my films from Berlin and offered to work with me

for free on an offer a year to create this film and you know and he and I

agreed about meaning creating images that have content without having

dialogue so it's very important that the cinematographer is on the same path as I

am especially since I play a role in the film there has to be some level also of

trust so of course we do everything 40 times anyway so yeah the offense are how

long normally 10 minutes well some are 10 and a half minutes summer 16 minutes

it just depends on the

on what I need to actually create this nonlinear narrative that's I don't want

them longer than 20 minutes this was actually usually they're meant to be

seen in museums and galleries not so much in cinema and so and also they're

usually on a loop and so it's really I think about like Alfred Hitchcock always

thinks about his audience I think about what is good for my audience in terms of

looking at my films and I think too long of a film I lose my audience and I don't

tell a better story

you

For more infomation >> DOUBLE FEATURE CONVERSATION. HOLLY ZAUSNER - Duration: 8:35.

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運動がカラダにもたらす4つの効果とは!?知ってよかった雑学 - Duration: 12:28.

For more infomation >> 運動がカラダにもたらす4つの効果とは!?知ってよかった雑学 - Duration: 12:28.

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コーヒーをやめると得られるメリット5選!血圧が下がる!知ってよかった雑学 - Duration: 9:00.

For more infomation >> コーヒーをやめると得られるメリット5選!血圧が下がる!知ってよかった雑学 - Duration: 9:00.

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Пуль от люстры оказался волшебным. Машинки меняют цвет. Видео для детей. - Duration: 2:28.

I want a red one.

Cool!

O! Remote controller.

I have an idea!

I want green car!

Cool!

I want a red one.

Good!

Orange!

Cool!

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Wow!

Yellow!

Yellow car!

I want purple!

Cool console!

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